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Grigoriev Misha

@grigoriev.misha

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Creative Developer / Visual Artist based in Almaty

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TEMPORAL REFLECTIONS
FUTURE

Future is an interactive multimedia installation exploring the future as a space of quantum possibilities. It presents a visual model of the quantum field, where time exists as a network of potential realities. Every visitor’s movement reshapes the particle system, generating new contours of probability. The installation invites us to see the future not as a fixed destination, but as something continuously emerging through interaction, choice, observation, and countless possible states of reality. by @grigoriev.misha

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2 months ago

music: Fergus Jones - Heima (with Huerco S. and James K) by @grigoriev.misha

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a year ago

The doctor said I’m perfectly normal. The game engine said my tangents need recalculating.

music: Clever Austin - Deep Trucks by @grigoriev.misha

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a year ago

«BrainStorm» interactive art installation.

The project was implemented by order
of the gallery «Zifergauz» for the exhibition
«My mother was a computer»

Curator & Idea — Olga Vad
Producer — Daria Kesler
Tech director — Andrey Toropov
Architectural and spatial solution — SA lab
Technical support — phygi.tech
Photo - Anna Skudar’

Visual artist — Mikhail Grigoriev
Software developer — Mikhail Grigoriev
Sound artist — Mikhail Grigoriev

more info on youtube (link in the bio) by @grigoriev.misha

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0

a year ago

«BrainStorm» interactive art installation.

The project was implemented by order
of the gallery «Zifergauz» for the exhibition
«My mother was a computer»

Curator & Idea — Olga Vad
Producer — Daria Kesler
Tech director — Andrey Toropov
Architectural and spatial solution — SA lab
Technical support — phygi.tech
Photo - Anna Skudar’

Visual artist — Mikhail Grigoriev
Software developer — Mikhail Grigoriev
Sound artist — Mikhail Grigoriev

more info on youtube (link in the bio) by @grigoriev.misha

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0

a year ago

«BrainStorm» interactive art installation.

The project was implemented by order
of the gallery «Zifergauz» for the exhibition
«My mother was a computer»

Curator & Idea — Olga Vad
Producer — Daria Kesler
Tech director — Andrey Toropov
Architectural and spatial solution — SA lab
Technical support — phygi.tech
Photo - Anna Skudar’

Visual artist — Mikhail Grigoriev
Software developer — Mikhail Grigoriev
Sound artist — Mikhail Grigoriev

more info on youtube (link in the bio) by @grigoriev.misha

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2

a year ago

"BrainStorm": The Story of Theme №3
When i creating the soundtrack for the "BrainStorm" installation, my goal was to craft a meditative, immersive soundscape—one that would invite contemplation and thoughtful engagement with the project’s questions.
Yet at the same time, I wanted to evoke a sense of a living, ever-shifting system in search of balance: on one side, people adapting to societal changes brought by technology; on the other, the breathtaking speed of AI evolution.
This tension gave birth to three musical themes—each unexpectedly growing into its own standalone piece. Today, I’m sharing one of them: Theme №3.
A single melody loops, but never mechanically—subtle variations, frequency modulation, and sparse yet grounding bass pulses. Harmony, rhythmic repetition—and constant disruption.

The visuals for this track have their own story. This generative AI animation was created years ago for another project but never used. It seems it was waiting for this moment. Because just like the music, it lives in the space between harmony and flux. They speak the same language.

Project Idea by Olga Vad (NADO agency )

"BrainStorm": история одной темы
Когда я работал над саундтреком для инсталляции, передо мной стояла задача: создать медитативное, спокойное звуковое пространство — такое, чтобы располагало к созерцанию и вдумчивым ответам на вопросы проекта.
Но вместе с этим хотелось передать ощущение живой, динамичной системы в поиске баланса: с одной стороны — люди, адаптирующиеся к технологиям, с другой — стремительное развитие ИИ.
Так появились три темы, которые неожиданно для меня превратились в самостоятельные произведения. Сегодня делюсь одной из них — темой №3.
Одна и та же мелодия повторяется снова и снова, но каждый раз немного иначе: тонкие изменения, частотная модуляция, редкие, но глубокие басовые акценты. Гармония, повтор — и сложный ритмический рисунок .

Визуал для этого трека — интересная история. Он был сделан пару лет назад для другой музыки, но тогда не пригодился. Кажется, он просто ждал этого момента. Ведь в нем, как и в звуке, есть и гармония, и изменчивость. Они говорят на одном языке.

Идея проекта - Olga Vad by @grigoriev.misha

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a year ago

My latest work merges computer vision, generative neural animation, and captured dance performances, giving birth to a digital crystal structure that evolves with music and movement.
This piece explores the delicate balance between permanence and change. Like natural crystals, which form over eons under precise conditions, these digital structures emerge from a rare convergence of human artistry and artificial intelligence. They embody both fragility and resilience – seemingly solid, yet in constant flux.
Skeleton graph - a foundational structure that echoes the essential role of frameworks in nature. Just as bones provide support for complex biological systems, and crystalline lattices form the basis of gemstones, this digital skeleton becomes the canvas upon which our visual symphony unfolds. It reminds us that in both the natural and digital realms, intricate beauty often stems from simple, fundamental patterns.
The dance of electrons and algorithms mirrors the dancers' motions, creating a visual metaphor for life itself: a ceaseless interplay between stasis and transformation. Each frame captures a fleeting moment of perfect alignment, gone in an instant, yet leaving an indelible imprint on the ever-shifting landscape.
Through this work, we contemplate the nature of time, the beauty of impermanence, and the intricate patterns that connect the microscopic world of crystal formation to the grand choreography of human expression – all built upon the essential scaffolding of underlying structures.
#GenerativeArt #AIArt #Dancetech

Dance improvisation by @mlhertog
music by @tiga and @hudmo by @grigoriev.misha

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2 years ago

Deep roots of self-criticism often trace back to psychological factors:

1. Early Experiences and Expectations:
- Parental Influence: Childhood experiences play a significant role. If parents had high expectations or were overly critical, artists may internalize these standards. The desire to meet these expectations can lead to self-criticism.
- Sibling Comparisons: Being compared to siblings or peers can create feelings of inadequacy. Artists might constantly measure themselves against others, leading to harsh self-judgment.

2. Perfectionism and Fear of Failure:
- Perfectionist Tendencies: Artists often strive for excellence, but intense perfectionism can be detrimental. The fear of not achieving perfection can trigger self-criticism.
- Avoiding Shame: Artists may fear being seen as flawed or unworthy. Self-criticism becomes a way to avoid shame and maintain a sense of self-worth.

3. Inner Dialogue and Self-Talk:
- Internalized Voices: Artists develop an inner dialogue based on past experiences, feedback, and societal norms. This voice can be critical, perpetuating self-doubt.
- Negative Self-Talk: Harsh self-criticism becomes habitual. Artists may focus on perceived flaws rather than celebrating their achievements.

4. Comparison and Self-Worth:
- Comparing to Others: Artists often compare themselves to peers, mentors, or famous creators. Unfavorable comparisons can fuel self-criticism.
- Self-Worth Tied to Art: When an artist’s self-worth is closely tied to their creative output, any perceived failure or imperfection triggers self-criticism.

5. Fear of Rejection and Vulnerability:
- Risk of Exposure: Sharing art is vulnerable. Fear of rejection or criticism from others can intensify self-criticism.
- Imposter Syndrome: Artists may doubt their abilities, feeling like imposters. This self-doubt amplifies self-criticism.

6. Coping Mechanisms and Defense Mechanisms:
- Self-Criticism as a Defense: Some artists use self-criticism as a defense mechanism. By criticizing themselves first, they feel less vulnerable to external judgment.
- Avoiding Disappointment: Artists may lower their expectations to avoid disappointment.

#ai #aiart #generativeart #visualart by @grigoriev.misha

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2 years ago

blast from the past. p3
Created real-time audio-reactive visuals for @hsxchcxcxhs live set on Fields Festival "Mutabor". 11/08/19.

Thanks to DT Loshak for rear camera shots.

#shaders #vdmx5 #realtime #generativeart #vdmx taken in Mutabor by @grigoriev.misha

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3 years ago

blast from the past. p2
Created real-time audio-reactive visuals for @hsxchcxcxhs live set on Fields Festival "Mutabor". 11/08/19.

Thanks to DT Loshak for rear camera shots.

#shaders #vdmx5 #realtime #generativeart #vdmx by @grigoriev.misha

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3 years ago

blast from the past. p1.
Created real-time audio-reactive visuals for @hsxchcxcxhs live set on Fields Festival "Mutabor". 11/08/19.

Thanks to DT Loshak for rear camera shots.

#shaders #vdmx5 #vdmx by @grigoriev.misha

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3 years ago