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Guillermo Serrano Amat

@guillermoesea

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The incident
2026
Oil on linen
16x11 inch by @guillermoesea

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4

3 months ago

Oil on linen. 14x10 by @guillermoesea

166

8

4 months ago

Pre Code Scene
2026. Oil on linen. 16x12 inches by @guillermoesea

146

7

5 months ago

Opening tomorrow in New York, 6-8 PM. Come see this and 9 of my most recent paintings, at @platogallery as part of the group show ‘Pastime’.

Casino, 2026
Oil on linen
10 x 12 in by @guillermoesea

129

11

10 days ago

The Great Rick’s Restaurant Robbery
Oil on linen. 16x11 in
2026 by @guillermoesea

181

8

2 months ago

Oil on linen. 16x12 inches by @guillermoesea

100

4

4 months ago

For the past few months I’ve been developing a series about the characters and stories of a roadside family restaurant in upstate New York. I’ve been exploring the possibilities of exclusively working small (from 8x10” to 12x16”) which has led me to a faster, more spontaneous approach. More soon

Stale Burger
Oil on linen. 12x16” by @guillermoesea

141

4

5 months ago

Ink on paper, 10x14 inch (26x36 cm) by @guillermoesea

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1

6 months ago

Indian ink on aluminum board, 25x15 inch by @guillermoesea

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3

8 months ago

The Rockaways Parade, 2025
Oil on linen
36"h x 48"w by @guillermoesea

209

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10 months ago

We are proud to present the oil painting “The Raid” (2025) by Guillermo Serrano Amat in “Exaltation,” our group exhibition exploring Mannerism today. There are only two days left to see the exhibition, closing this Saturday, August 23.

‘My approach is akin to the “Esperpento”, a literary movement that started at the dawn of the 20th century in Spain. Its founder, Valle-Inclán, defined it as a classical tragedy played by ridiculous and deformed heroes. Film noir cinema also feeds my imagination, along with the grotesque comic vision of R. Crumb. But as much as my characters seem perverse and distorted, my intention is never dismissive. I identify with these people; I believe in them.

In each painting, I create a film-like narrative world that retains consistency and specificity of detail. Lately, most are based on the light and social geography of Red Hook Brooklyn, a neighborhood I first discovered only two years ago, soon after moving to New York. By highlighting the grotesque and dismal aspects of daily life there, I delve into the passions that disjoint our quotidian experience. I believe it is in absurd moments that our deepest nature is most visible.’

– Guillermo Serrano Amat

@guillermoesea
#guillermoserranoamat
#platogallery
#exaltation
@platogallery
#mannerismnow
#esperpento
#spanishartist taken in Plato Gallery by @guillermoesea

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a year ago

A small one from June. 11x8 inch by @guillermoesea

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a year ago