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@guiltysenses

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skid, mud, falls, scars, curry, coffee, beer by @guiltysenses

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a month ago

Mud by @guiltysenses

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2 months ago

( C x C ) by @guiltysenses

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2 months ago

taken in Chengdu, China by @guiltysenses

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4 months ago

taken in Chong Qing, China by @guiltysenses

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4 months ago

Shinrin-yoku 森林浴 was a great experience. Spent some time in the mountains, creeks, rivers and alpine lakes 山溪, lodge stays and immersing my senses with nature.

40km ++ / 3000m ^ by @guiltysenses

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4 months ago

by @guiltysenses

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5 months ago

＊ by @guiltysenses

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6 months ago

•

1. Mud dyed tones
2. Oem + Gnuhr
3. Nosaj thing
4. GT verses
5. Nujabes
6. Alien throne gnorda
7. Rene daumal
8. Filters_bench coffee
9. Beans stash
10. Mothtech
11. T.T
12. Bad habits
13. Bad habits
14. Half trunk
15. Shadows
16. - nil -
17. Evenings
18. Shutter speed
19. Moon phase
20. Views by @guiltysenses

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8 months ago

Things and thangs

1. Morerice records
2. Etching & monotype on paper
3. Etching & aquatint on paper
4. Soft rock
5. Mud tones / J.L-A.L_
6. Kakishibu dye / yoko sakamoto
7. Dyneema storage
8. Eden burns / public possession
9. Distressed / yoke
10. Yawn
11. Warehouse30
12 Mental athletic / public possession
13. Touchpoints sculptural objects
14. Display
15. Dog crocs?
16. Kakigori
17. Toilet wines
18. Sours / second thoughts
19. Convenience americano
20. Kodak charmera by @guiltysenses

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9 months ago

55555555 taken in Bangkok by @guiltysenses

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10 months ago

Description Without Place
By Absalon ( Mier Eshel )
Curated by Stefano Rabolli Pansera

Description Without Place presents the first exhibition in Asia of the six " cells “ conceived by the French - Israeli artist Absalon (1964-1993).

( info from the gallery ) Each cell is a house without context, a territory without land. Absalon described them as "viruses in the city": autonomous presences that interrupt established notions of home, property, and identity. Nothing is superfluous; every surface, volume, and opening is calibrated to the scale of daily gesture. Through this extreme precision, the cells propose a form of domesticity freed from accumulation and possession-a dwelling reduced to the act of living itself.

( my thoughts ) What struck me most was the precision and structural clarity of the work, expressed through architecture as a system of living. Absalon’s practice fundamentally redefined the conditions of everyday life, and experiencing his work in person was deeply grounding. Encountering it within a raw, restrained space felt intentional—the atmosphere, materiality, and context aligned seamlessly with the essence of the work. So stoked to have purchased his exhibition book.

#miereshel #absalon #cells
#bangkokkunsthalle
#descriptionwithoutplacebyabsalon taken in Bangkok Kunsthalle by @guiltysenses

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10 months ago