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presents Glen Hayward’s terrific new 🧹 sculpture entitled ‘Inheritage’, created from native and exotic timbers with paint, measuring 135 x 54 x 33cm is now showing @paulnache #gisborne #gallery IMG X @thomasteutenberg courtesy of the artist©️ @hayward.g and PAULNACHE taken in Paul Nache Gallery by @hayward.g
2
2 days ago
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Carved painted polaroid. I wore my paulnache shirt to the Guggenheim and captured it in the brass plaque for the elevator. This had a floorplan for the building and it caught my reflection of not taking a polaroid.
Darian Leader made a remarkable point about drive in a recent interview with Derek Hook. He pointed out it is not when the baby is feeding at the breast but when their hand is reaching and manipulating another object whilst feeding. This is the registering of not enough that occurs across zones. Ambivalence accompanies us, drive is thus singular in our ability to not be singular. And if we are in need of hope it is here we will find it.  #carving #painting #nzart #praxis #quiltingpoint taken in Paul Nache Gallery by @hayward.g
0
3 days ago
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A few installation shots from mine and Glen Hayward's show at @paulnache in Gisborne.

Photos by Thomas P. Teutenberg.

On now until 31 October. 

@hayward.g taken in Paul Nache Gallery by @hayward.g
1
4 days ago
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Timber and paint, 2026 Inheritage
#carving #nzart #woodcarving #sculpture #reclining taken in Paul Nache Gallery by @hayward.g
1
5 days ago
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Interesting what comes out of the practice of pushing things together. Pictorial space is a relatively new concept, one we have embraced with furious abandon. The resemblance of our scrolling to the rosary is not nothing. Practice precedes belief, to theorise the gaze is to always keep in mind its revelation is of our lack of mastery. When we 'add to our story' we must not be fooled that we are adding anything but more anxiety. #painting #nzart #space #depiction #words by @hayward.g
4
11 days ago
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I’m excited about this project w @amypotenger & @hayward.g @paulnache - dates + details above ⬆️ Look forward to seeing everyone! 👁️🙏👁️ taken in Paul Nache Gallery by @hayward.g
9
24 days ago
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#dermic #vanishingpoint #carving #nzart #contemporaryartwork by @hayward.g
3
a month ago
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Join Glen Hayward (@hayward.g) for a floor talk of his installation 𝘽𝙚𝙩𝙩𝙚𝙧 𝙋𝙖𝙪𝙡 𝙎𝙖𝙪𝙡 in the PAULNACHE booth at ꜱʏᴅɴᴇʏ ᴄᴏɴᴛᴇᴍᴘᴏʀᴀʀʏ

Find PAULNACHE in booth A06 ☆ taken in Carriageworks by @hayward.g
35
a month ago
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presents Glen Hayward at PAULNACHE Booth A06. Step into ‘Better Paul Saul’, Hayward’s installation of hand-carved wooden security cameras and signs — each one a faithful replica of a real camera photographed in cities including London, Austria, Switzerland, Sydney and New York. Carved from wood and paint, these humble objects turn surveillance back on itself, inviting dialogue rather than watching. Join us today @sydneycontemporary to discuss the ideas behind the work, from carving as an ancient form of mark-making to the title’s nod to Saul’s uncertain road to Paul.

Glen Hayward @hayward.g📍Visit us @Sydney Contemporary 2026 @PAULNACHE Booth A06, @carriageworks IMG X @documentphotography 📩 DM us for details or see, paulnache.com Thx 🙏 @artcollectormagazine free 10th edition fair copies available! taken in Sydney Contemporary by @hayward.g
3
a month ago
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It's curious to spend the better part of a year making a thing. Only ever seeing it in fragments. Then to assemble it for five days of Sydney Contemporary talk to hundreds of people over that time. Have it seen by thousands and then pack it up and head back to the studio in Whanganui Aotearoa. The contrast between partial yet meaningful conversation with many people to still always partial yet meaningful conversation with a few people is startling. It's the last day of Sydney Contemporary and I feel humbled and appreciative of the time and energy people spend engaging with me and the work. #thelastsupper #painting #carving #security #nzartist by @hayward.g
26
a month ago
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Better Paul Saul, carved and painted security cameras. Freud ends up universalising melancholia. But Lacan shifts the emphasis from an Oedipal structure of orientation toward the maternal to one of an anxiety about what the desire of the Big other is. (According to Richard Boothby) Apologises for the theory I am giving a talk today about the work and will probably cover none of this. @paulnache @sydneycontemporary courtesy document photography #carving #void #nzart #desire #negation by @hayward.g
10
2 months ago
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Better Paul Saul, @paulnache @sydneycontemporary carved painted security cameras. 
Carving, by removing something from the world produces value. It is only possible to desire something you do not have. Maybe @documentphotography  #vanishingpoint
#desire
#nzart #carving #sculpture taken in Carriageworks by @hayward.g
3
2 months ago
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