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Hiro Hiro Art Space

@hirohiroartspace

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𝒯𝒽𝑒 𝒲𝒶𝓎 𝐼 𝒲𝒶𝓋𝑒𝓇 游移的方式
ZHU Men-Zhen @wizardzmz
朱曼禎
2026.09.18 一 10.25
Opening 09.18 Friday 6-8 pm
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𝒯𝒽𝑒 𝒲𝒶𝓎 ℐ 𝒲𝒶𝓋𝑒𝓇 游移的方式 ZHU Men-Zhen @wizardzmz 朱曼禎 2026.09.18 一 10.25 Opening 09.18 Friday 6-8 pm Hiro Hiro Art Space （台北市中正區紹興南街10號） 𝗨𝗻𝗰𝗼𝗻𝗰𝗲𝗮𝗹𝗲𝗱 𝗠𝗮𝗿𝗸𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗣𝗿𝗼𝗰𝗲𝘀𝘀: 𝗣𝗲𝗻𝗰𝗶𝗹 𝗧𝗿𝗮𝗰𝗲𝘀 𝗧𝗵𝗮𝘁 𝗥𝗲𝘃𝗲𝗮𝗹 𝗜𝗻𝗻𝗲𝗿 𝗧𝗵𝗼𝘂𝗴𝗵𝘁 In this exhibition, compared to her past work, ZHU's new pieces present pencil strokes, areas of blank space, and traces of alteration and correction in a more direct and candid manner. Through the transformation of these traces, the artist re-examines her own creative motivations during the painting process — which parts brought pure self-satisfaction, and which parts concealed a desire for attention and recognition from others. The traces left on the canvas are not merely visual layers; they honestly reveal the artist's process of judgment and choice at the moment of creation, the focused enjoyment of handling materials, and the quiet, private process of sharing her inner turbulence. 𝗔 𝗧𝗿𝘂𝗲 𝗡𝗮𝗿𝗿𝗮𝘁𝗶𝘃𝗲 𝗔𝗳𝘁𝗲𝗿 𝗟𝗲𝗮𝘃𝗶𝗻𝗴 𝗦𝗰𝗵𝗼𝗼𝗹: 𝗦𝗲𝗲𝗸𝗶𝗻𝗴 𝘁𝗵𝗲 𝗕𝗲𝘀𝘁 𝗕𝗮𝗹𝗮𝗻𝗰𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗟𝗶𝗳𝗲 𝗮𝗻𝗱 𝗖𝗿𝗲𝗮𝘁𝗶𝗼𝗻 ZHU Men-Zhen notes that, compared to her earlier work, the content of this series is closer to real life rather than fictional, imagined narratives. This shift stems from a recent transition in her life stage — graduating from art school, moving back home to work independently, and simultaneously entering the workforce. These changes in living environment and role have made her more acutely attentive to the psychological and physical fluctuations she has experienced during this period. "This is a turning point in the story, and also the way I waver between life and creation," the artist says. By honestly documenting these moments of "wavering," the exhibition invites viewers to step into her visual diary, experiencing the quietly charged dialogue between reality and creation, the private and the public, certainty and uncertainty. by @hirohiroartspace
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5 days ago
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Artwork Statement｜都是我 All of Me @wizardzmz “Recently, after returning home from the academy, I have begun to have some new thoughts and feelings about the shift in my identity. One day, I saw several different finger puppets worn on the fingers of a single hand, and it led me to imagine: the hand represents myself; the fingers reaching outward represent the many possibilities within me; and the finger puppets placed on the fingertips represent the different roles I take on. In my own case, these might be a woman, a daughter, a fan, an employee, and so on. These identities can coexist at the same time, and they can also be switched at any moment. I began to wonder: if I were to cast each of these identities aside, would I feel free, or perhaps lighter? But then again, once I let go of these identities, what would be left of me? After all, the various states of mind within me and the directions in which I continue to grow are, to some extent, connected to these identities. It is precisely these countless identities that have shaped the multifaceted person I am today.”──ZHU Men-Zhen 「最近從學院回到家中，對於自己身份的轉換，有了一些新的感受。 某天，我看見幾個不同的指偶同時套在一隻手上，便開始延伸想像：手，代表著我自己；向外伸展的手指，是關於自己的種種可能；而套在指尖上的指偶，則是各式各樣的角色。 代入到我身上，那或許是一名女性、一個女兒、一位粉絲、一名員工……這些身份能夠同時存在，也能夠隨時切換。我也不禁想像，若將這些身份一一拋開，是否就會感到自由、感到輕盈？ 但話說回來，拋開身份之後，我還剩下什麼呢？ 畢竟我心中的種種狀態與成長的方向，或多或少都與這些身份相關。正是這無數個身份，塑造了如此多元的我。」──朱曼禎 image: 都是我 All of Me, 2026 油彩、壓克⼒彩、鉛筆在木板上 Oil, acrylic, and pencil on wood panel 116 × 91 cm The Way I Waver 游移的方式 ZHU Men-Zhen 朱曼禎 2026.09.18 一 10.25 Opening 09.18 Friday 6-8 pm Hiro Hiro Art Space （台北市中正區紹興南街10號） by @hirohiroartspace
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12 days ago
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【 Meet the Gallery｜Hiro Hiro Art Space 】 「收藏，不只是擁有一件作品，而是從理解一位藝術家開始。」 2018 年成立於台北的 Hiro Hiro Art Space，從藝術家與藏家的交流出發，持續關注日本及亞洲當代藝術。相較於知名度與市場性，他們更在意藝術家獨特的創作語彙，以及作品是否能在持續思考與實踐中，逐漸形成自己的脈絡。 「我們一直覺得，作品所處的空間會影響觀看作品的方式。」 這也是 Hiro Hiro 參與「阿嬤的家」的原因。當代藝術離開中性的展覽空間，走進一座座承載歷史與生活痕跡的老屋，建築不再只是背景，而成為觀看的一部分。作品與空間彼此映照，也讓藝術有機會進入地方的記憶之中。 走訪西螺時，捷發茶莊尤其留下深刻印象。穿廊串起不同空間，讓人一邊行走，一邊從不同角度遇見作品。觀看不再只是站在作品前，而像是走進一段地方的歷史。 而這裡也藏著一段小小的緣分。團隊成員的父親過去也曾買過捷發茶莊的茶盒，沒想到透過這次的藝術展覽，能與往日記憶重新交會。 ——— “Collecting is not simply about owning a work of art. It begins with understanding the artist behind it.” Founded in Taipei in 2018, Hiro Hiro Art Space grew from a dialogue between artists and collectors, with a focus on contemporary art from Japan and across Asia. Rather than following names or market trends, Hiro Hiro looks for artists with a distinct visual language and a sustained approach to their practice. “We’ve always believed that the space a work inhabits shapes the way it is seen.” That idea is at the heart of their participation in A Ma de Jia. Here, contemporary art leaves the neutrality of a conventional gallery and enters historic houses shaped by time, memory, and everyday life. The architecture becomes part of the viewing experience, allowing art to meet the stories of a place. During their visit to Xiluo, Jiefa Tea House left a lasting impression. Its covered corridors invite visitors to move through the space, encountering works from different perspectives. Rather than simply standing before a work, you find yourself walking into a piece of local history. There was also a small personal connection: a member of the team’s father had once bought tea from Jiefa Tea House. Years later, this visit brought an old memory back to Xiluo, through art. ▍GALLERY Hiro Hiro Art Space｜Hiro Hiro 藝廊 Taipei, Taiwan Contemporary Visual Art Exhibitions · Artistic Exploration · Cultural Exchange ▍EXHIBITION A Ma De Jia｜International Art Fair Xiluo’s Historic Houses × Contemporary Art ▸ Location｜Historic Houses of Xiluo ▸ Date｜December 2026 · Coming Soon #AMaDeJia #阿嬤的家 #藝術博覽會 #西螺 #老宅 by @hirohiroartspace
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14 days ago
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Artist Profile | Chu Man-Chen (b. 1998, Taoyuan, Taiwan) @wizardzmz Chu Man-Chen holds a BFA and MFA from Tunghai University’s Department of Fine Arts, and currently lives and works in Taoyuan. Working primarily in small-scale oil paintings, she uses intricate surface textures to build visual worlds steeped in fairytale and myth. Expressive techniques like layering pigment, letting oil paint wash and drip, or leaving raw pencil marks visible serve as key elements in setting the mood of her work. Beneath the charming and luminous surfaces, her paintings quietly process themes of anxiety, subtle violence, and the search for stability. In her recent work, the process of decision-making and revision remains visible on the canvas. This honest documentation captures the internal shifts of stepping into new life stages, tracing a delicate balance between lived reality and creative fiction. 藝術家介紹 | 朱曼禎（b. 1998, 台灣桃園） 畢業於東海大學美術學系及其碩士班，現創作與生活於桃園。朱曼禎擅長以小尺幅油畫與細緻肌理，築構出富含童話與神話隱喻的視覺世界。她常將表現性的繪畫語言，如顏料的堆疊、油料的暈染滴流以及鉛筆筆觸的留白，轉化為塑造氛圍的關鍵，在看似甜美靈動的畫面下，暗鋪對不安、暴力與穩定狀態的反思。近年創作更直接呈現判斷與修正的痕跡，誠實記錄人生階段轉換下的內在波動，在真實生活與創作敘事之間，探尋獨特的游移節奏。 The Way I Waver 游移的方式 ZHU Men-Zhen 朱曼禎 2026.09.18 一 10.25 Opening 09.18 Friday 6-8 pm Hiro Hiro Art Space （台北市中正區紹興南街10號） 地點：Hiro Hiro Art Space （台北市中正區紹興南街10號） 網站：https://hirohiroartspace.com/ by @hirohiroartspace
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a month ago
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𝒯𝒽𝑒 𝒲𝒶𝓎 𝐼 𝒲𝒶𝓋𝑒𝓇 游移的方式 ZHU Men-Zhen @wizardzmz 朱曼禎 2026.09.18 一 10.25 Opening 09.18 Friday 6-8 pm taken in Hiro Hiro Art Space by @hirohiroartspace
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a month ago
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Installation Views｜依然柔軟，依然銳利 Still Soft, Still Sharp @takasekanna21 依然柔軟，依然銳利 Still Soft, Still Sharp 高瀬栞菜 Takase Kanna June 5 — July 17, 2026 by @hirohiroartspace
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3 months ago
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Due to the impact of the typhoon on July 10 (Fri.) and July 11 (Sat.), the exhibition period has been extended until July 17 (Fri.). We sincerely invite those who have not yet visited the exhibition to take this final opportunity to experience the artworks. We warmly welcome you to visit us. 受 7/10（五）、7/11（六）颱風影響，原定展期將延長至 7/17（五）。 誠摯邀請尚未前來觀展的朋友，把握最後展期，歡迎蒞臨參觀。 依然柔軟，依然銳利 Still Soft, Still Sharp 高瀬栞菜 Takase Kanna June 5 — July 11, 2026 by @hirohiroartspace
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3 months ago
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Artwork Statement｜負重的龜 Laden Turtle @takasekanna21 A shadow cast from the window falls across the turtle's back like a cross. The work reflects the quiet act of carrying unseen burdens through life. 從窗口投落的影子，如十字架般橫亙於龜的背上。作品映照出默默承擔那些看不見的重 量、就此走過一生的靜默姿態。 負重的龜 Laden Turtle, 2025 油彩在畫布上 oil on canvas 116.7 × 91 cm 依然柔軟，依然銳利 Still Soft, Still Sharp 高瀬栞菜 Takase Kanna June 5 — July 11, 2026 by @hirohiroartspace
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3 months ago
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Artwork Statement｜Horse and Tide 馬與潮水 @takasekanna21 The period in which one can run at full speed lasts only for a moment. The horse embodies the fleeting force of youth and momentum, passing like a tide. 能夠全力奔馳的時光，不過是一瞬。馬的形象承載著青春與動能那一閃而逝的力量，如潮水般漫過又退去。 馬與潮水 Horse and Tide, 2026 油彩在畫布上 oil on canvas 162 × 162 cm 依然柔軟，依然銳利 Still Soft, Still Sharp 高瀬栞菜 Takase Kanna June 5 — July 11, 2026 by @hirohiroartspace
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3 months ago
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Artwork Statement｜The Biting Dog and the Bitten Dog (Why, I Wonder) 咬人的狗，被咬的狗 （為什麼呢） Unable to bite back, without even understanding why it is being bitten, the work reflects invisible pain and the emotional dissonance of not knowing how to respond. 無力還咬，甚至不明白自己為何遭受噬咬。作品映照出一種隱而不顯的痛苦，以及面對傷害卻不知如何回應的情感錯位。 咬人的狗，被咬的狗 （為什麼呢）The Biting Dog and the Bitten Dog (Why, I Wonder), 2024 油彩在畫布上 oil on canvas 162 × 162 cm 依然柔軟，依然銳利 Still Soft, Still Sharp 高瀬栞菜 Takase Kanna June 5 — July 11, 2026 by @hirohiroartspace
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3 months ago
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Artwork Statement｜Hand in Hand　手牽手 @takasekanna21 Holding tightly to everything that has happened until now, one finds the past does not disappear; it remains as a feeling that continues to shape who I am. 緊緊握住迄今所發生的一切，會發現過去並未消散;它化為一種感覺留存，持續形塑著 自己。 手牽手 Hand in Hand, 2024 油彩在畫布上 oil on canvas 162 × 194 cm 依然柔軟，依然銳利 Still Soft, Still Sharp 高瀬栞菜 Takase Kanna June 5 — July 11, 2026 by @hirohiroartspace
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3 months ago
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The Resting Arrow, 2025 @takasekanna21 While everything else keeps flying forward, the arrow chooses to rest for a moment. The work reffects the desire to pause and the necessity of stopping. 當一切事物仍持續向前飛馳,這支箭選擇在此刻靜止片刻。作品映照出想要暫停的渴望 ,以及停下來的必要。 歇息的箭 The Resting Arrow, 2025 油彩在畫布上 oil on canvas 130.3 × 97 cm 依然柔軟，依然銳利 Still Soft, Still Sharp 高瀬栞菜 Takase Kanna June 5 — July 11, 2026 by @hirohiroartspace
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3 months ago
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