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DAM! i forgot. taken in Amsterdam by @huiscorner

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4 days ago

Some post-performance stills of ‘Disputing Gravity’ from We See We Move presented by @performancecsm

Movement direction: Praeploy Pam Tomuan
Costume design: Serena Mortarotti, Yu Lou
Sound Design: Adomas Zubé
Lighting: Praeploy Pam Tomuan

In collaboration with and performed by:
Yu Lou
Ying Hui Tham
Nissy Suárez Maldonado
Anyamon Suntiwong
Alessia Leonie Titolo
Victoria Chee
Jerome Nicolai Godfrey

Photos taken by: @nanas8927 by @huiscorner

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17 days ago

HAPPY NEW YEAR by @huiscorner

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2 months ago

Ying hui Tham: CARMEN

💃Dancer: @huiscorner
🧠Choreography: @isobelpringlee
🎥Videography/Editing: @_just.0liver_

#contemporarydance #dancefilm #visualpoetry
#danceartist #independentartist by @huiscorner

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7 months ago

Our Learning & Engagement work centres young people as makers of their own ideas.

Alongside our co-production of Romeo & Juliet with Stratford East, these emerging artists created solo works at Sadler’s Wells East, each shaped by instinct and experience.

Today, we’re sharing @huiscorner . In this solo, movement becomes a quiet act of authorship. Grounded, attentive and full of intention, Yinghui holds the space with focus and clarity, allowing each gesture to unfold on her own terms.

A moment that shows what can grow when young people are trusted to lead. ✨

🎥 @benny_wynn

#SadlersWellsEast #LearningAndEngagement #YouthCreativity #DanceFilm by @huiscorner

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7 months ago

improv was a hot mess but genuinely so glad i could make it to @daffy_0yx ‘s class🥹 been on my bucket list for so long…thank you so much for this class the choreography scratched an itch in my brain for sure🙏 by @huiscorner

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7 months ago

Here’s how I bring a sense of technique into classes that are heavily choreographed.

Teaching in a conservatoire can be very different from teaching a contemporary class in an open studio. I am not talking about a modern class. Often, the final combination is the climax of the class, with a sequence of warm-up exercises designed to lead up to it. Time is limited, and there may be little or no follow-up with the dancers.

In my day-to-day work, I teach the same dancers two to three times a week over a period of two to three years. That continuity allows me to work differently. I can repeat material, develop ideas over time, and move away from the need to “build up” toward one final phrase.

Instead of centring the class around a single ending combination, I treat every phrase as equally important — including those that traditionally function as warm-up.

This short excerpt comes from the second phrase I’ve been teaching this term. It reflects how I aim to interlink technique with constant movement, without locking dancers into one technical focus at a time — whether that’s turnout, footwork, or upper-back articulation.

Each exercise has a clear intention, but the structure remains open. The goal is technical awareness that supports flow, rather than technique that restricts it.

#danceclass #dancetraining #movementpractice #contemporarydance #artofpractice by @huiscorner

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7 months ago

by @huiscorner

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9 months ago

best 10 months of my life
i miss you guys
i will never stop being grateful for this insane opportunity

@stratford_east @sadlerswells_east by @huiscorner

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10 months ago

wind didn’t play that day

🎥: @_just.0liver_

🎤🥁🎸: @tameimpala taken in London, United Kingdom by @huiscorner

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a year ago

taiwan snippets by @huiscorner

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3 years ago

a night to remember with the best company <3 by @huiscorner

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3 years ago