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@itur.motion

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3D Motion Designer
Visuals for electronic music
Worked with DJs & music collectives
📩 DM / [email protected]
Paris 🇫🇷

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ECHIDNA

Half Woman, Half Snake
She lies in the desert,
her twin tails stretched out,

split beneath her.
She travels miles and miles and miles,
living off the dust of the land,

thanking her great-grandmother
for the food.
Oh Papatūānuku,

how good you are,
how good.
She reaches the coast.

The sun plays
with the chop of the waves.
She enters the water

to pledge allegiance
to her great-grandfather Tangaroa.
A daughter of Tū-te-wehiwehi—

he had to have a Pākehā name,
didn’t he?
Sat on—

what did he sit on?
She admits
she could have misheard.

And she floats,
nymphal,
in the ocean.

ESSA MAY RANAPIRI

#3Danimation #Blender3d #Animation by @itur.motion

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21

7 months ago

Animation made for the GOAT @rzrktmusic .
Thanks again for your trust 🔥 by @itur.motion

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a year ago

My latest animations, created by combining Blender, Midjourney KLING AI, and Da Vinci.

DM me if you want to grab the loops ;)

#Blender3D
#MotionDesign
#3DAnimation
#DigitalArt
#CGI
#VFX
#Render
#3DVisuals
#VisualArt
#BlenderArtist
#aigeneratedart by @itur.motion

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a year ago

Showreel 2026

I spent these first months working on slow, contemplative personal projects. It matched my mood at the time. But I'm starting to spin my wheels. Am I going to add more movement from now on? Spoiler: YES by @itur.motion

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3 months ago

by @itur.motion

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5 months ago

Attends, j’écoute le calme en moi.
Le temps se déploie doucement autour de mes pensées.
Dans le silence, je me retrouve. by @itur.motion

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5 months ago

Le 13 mai, Breach ouvre à une nouvelle faille avec le Collectif Munera. Direction le Terminal 7 pour une 𝗛𝗔𝗥𝗗 𝗘𝗗𝗜𝗧𝗜𝗢𝗡 au coeur de Paris.

À travers la brèche, 6 artistes viennent envahir notre monde : 𝗔𝗡𝗚𝗘𝗥𝗙𝗜𝗦𝗧, 𝗛𝗬𝗦𝗧𝗔, 𝗗-𝗙𝗥𝗘𝗞, 𝗖𝗛𝗔𝗢𝗦 𝗣𝗥𝗢𝗝𝗘𝗖𝗧, 𝗝𝗨𝗟𝗜𝗘𝗫, 𝗔𝗣𝗢𝗣𝗛𝗜𝗦.

Restez attentifs, l’annonce du DJ Contest sort bientôt.

Tu es prêt à traverser cette nouvelle dimension à nos côtés ?
🎟️ Lien en bio
━━━━━━━━━━━━

𝗕𝗥𝗘𝗔𝗖𝗛 - 𝗛𝗔𝗥𝗗 𝗧𝗔𝗞𝗘𝗢𝗩𝗘𝗥 𝗘𝗗𝗜𝗧𝗜𝗢𝗡
𝟭𝟯 𝗠𝗔𝗜 𝟮𝟬𝟮𝟲
𝗧𝗘𝗥𝗠𝗜𝗡𝗔𝗟 𝟳 - 𝗣𝗔𝗥𝗜𝗦
📹 @itur.motion taken in T7 Paris by @itur.motion

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6 months ago

Every frame is a painting. And every line tells you what to feel.
People talk about composition like it's a rule to follow. For me it's something else — it's a language. And in this animation, every shot has its own way of speaking.

Shot 1 — The camera looks up. Two red diagonals converge on the character like invisible spotlights. You have no choice but to look at them. They're already above you.

Shot 2 — The red line splits the horizon in two: sky on one side, earth on the other. The character stands exactly at the boundary. The blue diagonal breaks that symmetry and breathes movement into the frame. Without it, it's a photo. With it, it's a story.

Shot 3 — A single red line, right at eye level. The gaze drifts off-frame toward something we'll never see. That empty space in front of the face carries more weight than everything behind it.

Shot 4 — Both pupils, perfectly aligned on the red line. Each eye sitting on a rule-of-thirds intersection. The framing is so precise it feels like being watched. This isn't a close-up anymore. It's a confrontation.

Shot 5 — The blue lines pull your eye toward the back, the river, the mountains. The red drops from the sky straight down to the creature. It just says: this is where you look.

Shot 6 — No character. Just vegetation, ground, and a snake sliding silently in the background. The red lines cut the frame into layers — ferns above, earth below, and in between, a presence you almost miss. This shot doesn't show the danger. It hides it just enough to make you look for it.

Red for the axis. Blue for energy. White for structure.
Lines don't need to be explained. They're meant to be felt.

#3DArt #CGI #Cinematography by @itur.motion

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7 months ago

A few shots from the process behind my latest animation.
The entire environment was fully created and animated in Blender. Every element of the scene was designed in 3D first.

I use Kling AI only as a rendering tool for the final visual pass. In this context, it’s a great way to save a lot of rendering time while still keeping full creative control over the idea, the environment and the animation.

AI becomes part of the pipeline. A tool to enhance the final result, not the creator of the work.

AI is used as a tool, not as the creator.

I’ll share more detailed breakdowns in the future to show how I integrate AI tools into my workflow.

My main inspirations for this project were the Chinese animated film WHITE SNAKE by Amp Wong and Zhao Ji (2019), as well as the short film “CREST” by @zertox3d by @itur.motion

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7 months ago

Some shots from my latest animation

#blender3d #3d #artoftheday by @itur.motion

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7 months ago

Always a pleasure experimenting with character creation in Blender.

#b3d #blender3d #blenderartist #blendercommunity #3dart by @itur.motion

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8 months ago

A few shots from my latest music video.
Full 4K video on YouTube (link in bio) by @itur.motion

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8 months ago