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From "A Dialogue of Form, Master&Disciple" at Kowoon art museum, the university of suwon.
@joachim.blank & @einavzeichner @hgbleipzig 

Photos 1 & 4: Bernd Halbherr taken in Suwon, South Korea by @joachim.blank
1
21 days ago
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On View two new works :

1.) Dolly (1) (2026)
High-resolution inkjet print on canvas and pigmented epoxy resin (155 cm x 118 cm)

2.) Il triangolo d'oro (2026)
Sculpture made from three old wine barrel hoops (146 cm x 146 cm x 138 cm)
//
Group exhibition „Verso La Luce“ -  German Artists in Italy and International Friends from 1970–2026 in Palazzone, between San Casciano dei Bagni and Città della Pieve

Astrid Albers, Manfred Bischoff, Joachim Blank, Rosemarie Blank, Joe Brearley, Bernadette Delrieu, John Foote, Berthold Göhring, Michael Hellgardt, Joachim Krausse, Mara Loytved-Hardegg, Rolf Loytved-Hardegg, Günter Paule, Andreas Reidemeister, Thomas Richter, Jürgen Sage, Gerd Alois Zwing
Exhibition dates: September 15 – October 11, 2026
Open daily 10:00 a.m. – 12:30 p.m. and 4:00 p.m. – 6:30 p.m.
Palazzo della Corgna, Exhibition Halls, First Floor, Piazza Antonio Gramsci
06062 Città della Pieve PG, Umbria, Italy
Finissage on October 11 from 11:00 a.m. with the film “La Terra in Due” by Rosemarie Blank taken in Città della Pieve by @joachim.blank
8
a month ago
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Inaugurazione: 15 settembre 2026, ore 17:00 

The exhibition *Verso la Luce* at the Palazzo della Corgna in Città della Pieve features works by seventeen German and international artists who live and work regularly in Palazzone and the surrounding region since 1970. taken in Città della Pieve by @joachim.blank
1
a month ago
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Participating in a group exhibition : @joachim.blank & @einavzeichner at the Kowoon Art Museum, University of Suwon, Korea. taken in Suwon, South Korea by @joachim.blank
1
2 months ago
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R6 - Lightness of Being (2026) It is one of my new works in the context of my research project G.E.O.  On view at @diemoeglichkeiteinerinsel in the groupshow THE ISLAND curated by @stephanieklossowski from 23.01.2026 - 8.02.2026 Finissage: Sunday from 3 pm .. cu there? by @joachim.blank
6
8 months ago
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#𝘭𝘢𝘴𝘵𝘥𝘢𝘺𝘴𝘰𝘧

𝐖𝐞𝐥𝐭 𝐚𝐧𝐬𝐜𝐡𝐚𝐮𝐞𝐧 
Positionen aktueller Postfotografie und digitaler Bildkultur

𝘝𝘪𝘦𝘸𝘪𝘯𝘨 𝘵𝘩𝘦 𝘞𝘰𝘳𝘭𝘥
𝘗𝘰𝘴𝘪𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘤𝘶𝘳𝘳𝘦𝘯𝘵 𝘱𝘰𝘴𝘵-𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘢𝘯𝘥 𝘥𝘪𝘨𝘪𝘵𝘢𝘭 𝘪𝘮𝘢𝘨𝘦 𝘤𝘶𝘭𝘵𝘶𝘳𝘦

🎯 𝐧𝐮𝐫 𝐧𝐨𝐜𝐡 𝐛𝐢𝐬/ 𝐮𝐧𝐭𝐢𝐥: 27.10.2024
Kunstsammlungen am Theaterplatz

💬 𝐀𝐫𝐭𝐢𝐬𝐭 𝐓𝐚𝐥𝐤 ➔ „In Resonanz mit den Affen…“/“In resonance with the apes…“
Mittwoch, 23.10.2024, 18:30 Uhr 
Sabine Maria Schmidt spricht mit dem Künstler Joachim Blank (Prof. HGB Leipzig) über sein aktuelles Projekt G.E.O. – Geographic Environment Observation

────────

𝐁𝐢𝐥𝐝𝐠𝐞𝐧𝐞𝐫𝐚𝐭𝐨𝐫𝐞𝐧, 𝐊𝐈 𝐮𝐧𝐝 𝐝𝐢𝐞 𝐅𝐫𝐚𝐠𝐞, 𝐰𝐢𝐞 𝐰𝐢𝐫 𝐝𝐢𝐞 𝐖𝐞𝐥𝐭 𝐚𝐧𝐬𝐜𝐡𝐚𝐮𝐞𝐧.

Die Ausstellung 𝐖𝐞𝐥𝐭 𝐚𝐧𝐬𝐜𝐡𝐚𝐮𝐞𝐧 beleuchtet die neuen Möglichkeiten der digitalen Bildproduktion. Was als Fotografie beginnt, wird von Künstlern wie 𝗝𝗼𝗮𝗰𝗵𝗶𝗺 𝗕𝗹𝗮𝗻𝗸 zu komplexen, maschinell-generierten Bildwelten erweitert. Mithilfe von Satellitenbildern, Überwachungsaufnahmen oder KI-Generierungen erforschen sie, wie die heutige Bildkultur unsere Wahrnehmung verändert.

In der letzten Ausstellungswoche bieten wir euch die Möglichkeit, 𝗝𝗼𝗮𝗰𝗵𝗶𝗺 𝗕𝗹𝗮𝗻𝗸 über sein Projekt 𝐆.𝐄.𝐎. – 𝐆𝐞𝐨𝐠𝐫𝐚𝐩𝐡𝐢𝐜 𝐄𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 zu befragen und Näheres zu seinen virtuellen Affen zu erfahren. Dabei gibt es auf über 600qm weitere spannende Ansätze digitaler Postfotografie zu entdecken!

• • • • •

#kunstsammlungenchemnitz #chemnitz #kunstsammlungenamtheaterplatz #fotografie #postfotografie 

➊ Joachim Blank, Werkreihe: G.E.O. 2024 © VG Bild-Kunst, Bonn, 2024
➋ und ➍ 📸 Ausstellungsansichten, Fotos: @we.are.radar 
➍ 📸 Ralf Brueck, Home Sweet Home, 2016 © VG Ralf Brueck und Kunst & Denker taken in Kunstsammlungen Am Theaterplatz by @joachim.blank
3
2 years ago
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without addresses (1997/2024) · by @joachim.blank & @khjeron

Together with #JoachimBlank and #KarlHeinzJeron, the Zentrum für Netzkunst has undertaken an extensive reconstruction project this year. The canonical work without addresses by the Berlin artist duo was developed and produced for #documentaX in 1997:

📲 netzkunst.berlin/wa

For several months, users were able to generate new websites, similar to what we know today from generative AI. At the end of the exhibition, the work was removed from the Internet and has not been available since.

The reconstruction team collected extensive documentation of the work and its development and compiled it in a wiki. The resulting #Netart Repository should enable a detailed examination of the work as well as further conservation efforts in the future. At the same time, a simulation of without addresses was realised in cooperation with the artists, which makes it possible to view the work in a contemporary browser. By focusing on the mediation of the work, visitors can experience the original 'feel' of the work in order to better understand the functionality and conceptual framework of the original documenta X version.

Reconstruction team: Joachim Blank, Tereza Havlíková @ezka.ter, Karl Heinz Jeron, #Sakrowski, Marija Stupar; Wikibase consulting: Lozzana Rossenova

The project was funded by Digis - Förderprogramm zur Digitalisierung von Kulturgut des Landes Berlin.

A public presentation of the reconstruction will take place on 25 October 2024 at our new /rosa project space (Heidelberger Str. 28, 12059 Berlin Neukölln). by @joachim.blank
2
2 years ago
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Mammuth (2024)
Fine Art Print on Aludibond; 
150cm x 120cm

My project G.E.O. is part of the beautiful show „Viewing the world“ curated by Sabine Maria Schmidt @kassandraoptimista at Kunstsammlungen Chemnitz

Starting point of G.E.O. is my involvement with an archive of the German-language reportage magazine GEO @geomagazin ("Das neue Bild der Welt", "Die Welt mit anderen Augen sehen") from 1976 to the end of the 1990s. I photographed contents of these magazines with my smartphone while leafing through them. The resulting image archive currently comprises more than 3000 photos. They form an independent, digital image archive, from which I am using a few images for this show. In "dialog" with an AI and physical interventions, I created images that return to the physical space as fine art prints covered with epoxy layers. I also reconstructed one main topic of the magazine - primates and apes - into AR figures through burnt tree stakes in the space.
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Supported by @_openar
https://www.openar.art/e/geo-1
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𝚆𝚎𝚕𝚝 𝚊𝚗𝚜𝚌𝚑𝚊𝚞𝚎𝚗
𝙿𝚘𝚜𝚒𝚝𝚒𝚘𝚗𝚎𝚗 𝚊𝚔𝚝𝚞𝚎𝚕𝚕𝚎𝚛 𝙿𝚘𝚜𝚝𝚏𝚘𝚝𝚘𝚐𝚛𝚊𝚏𝚒𝚎 𝚞𝚗𝚍 𝚍𝚒𝚐𝚒𝚝𝚊𝚕𝚎𝚛 𝙱𝚒𝚕𝚍𝚔𝚞𝚕𝚝𝚞𝚛
28.7. - 27.10.2024
Kunstsammlungen am Theaterplatz
Kunstsammlungen Chemnitz

𝚅𝚒𝚎𝚠𝚒𝚗𝚐 𝚝𝚑𝚎 𝚆𝚘𝚛𝚕𝚍
𝙿𝚘𝚜𝚒𝚝𝚒𝚘𝚗𝚜 𝚘𝚏 𝚌𝚞𝚛𝚛𝚎𝚗𝚝 𝚙𝚘𝚜𝚝-𝚙𝚑𝚘𝚝𝚘𝚐𝚛𝚊𝚙𝚑𝚢 𝚊𝚗𝚍 𝚍𝚒𝚐𝚒𝚝𝚊𝚕 𝚒𝚖𝚊𝚐𝚎 𝚌𝚞𝚕𝚝𝚞𝚛𝚎

ᴍɪᴛ ᴡᴇʀᴋᴇɴ ᴠᴏɴ/ᴡɪᴛʜ ᴡᴏʀᴋꜱ ʙʏ
Joachim Blank
Banz & Bowinkel
Julius Brauckmann
Nancy Burson
Katarína Dubovská
Jörg Sasse
Corinna Schnitt
Juergen Staack
Katja Stuke
darktaxa-project

#kunstsammlungenchemnitz #chemnitz #kunstsammlungenamtheaterplatz #fotografie #postfotografie #photography
@joachim.blank @banzbowinkel @julius.brauckmann @nancyburson @katarina_dubovska #jörgsasse #corinnaschnitt @juergen.staack katja_stuke @darktaxaproject @johannespost_ @ralfbrueck @raphaelbrunk @hdeweyh @philippgoldbach @_alexgrein @beateguetschow @spiroshadjidjanos @faby0o @dynamitra @_kristina_lenz @alex_simon_klug @achimmohne @_michaelreisch @annaridler @aaron_scheer @fotografie_siebert @david.young._ taken in Kunstsammlungen Chemnitz by @joachim.blank
3
2 years ago
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Leica Black (2024)
Fine Art Print on Aludibond with pigmented epoxy layer; 125cm x 100cm

My project G.E.O. is part of the beautiful show „Viewing the world“ curated by Sabine Maria Schmidt @kassandraoptimista at Kunstsammlungen Chemnitz

Starting point of G.E.O. is my involvement with an archive of the German-language reportage magazine GEO @geomagazin ("Das neue Bild der Welt", "Die Welt mit anderen Augen sehen") from 1976 to the end of the 1990s. I photographed contents of these magazines with my smartphone while leafing through them. The resulting image archive currently comprises more than 3000 photos. They form an independent, digital image archive, from which I am using a few images for this show. In "dialog" with an AI and physical interventions, I created images that return to the physical space as fine art prints covered with epoxy layers. I also reconstructed one main topic of the magazine - primates and apes - into AR figures through burnt tree stakes in the space.
----
Supported by @_openar
https://www.openar.art/e/geo-1
----
𝚆𝚎𝚕𝚝 𝚊𝚗𝚜𝚌𝚑𝚊𝚞𝚎𝚗
𝙿𝚘𝚜𝚒𝚝𝚒𝚘𝚗𝚎𝚗 𝚊𝚔𝚝𝚞𝚎𝚕𝚕𝚎𝚛 𝙿𝚘𝚜𝚝𝚏𝚘𝚝𝚘𝚐𝚛𝚊𝚏𝚒𝚎 𝚞𝚗𝚍 𝚍𝚒𝚐𝚒𝚝𝚊𝚕𝚎𝚛 𝙱𝚒𝚕𝚍𝚔𝚞𝚕𝚝𝚞𝚛
28.7. - 27.10.2024
Kunstsammlungen am Theaterplatz
Kunstsammlungen Chemnitz

𝚅𝚒𝚎𝚠𝚒𝚗𝚐 𝚝𝚑𝚎 𝚆𝚘𝚛𝚕𝚍
𝙿𝚘𝚜𝚒𝚝𝚒𝚘𝚗𝚜 𝚘𝚏 𝚌𝚞𝚛𝚛𝚎𝚗𝚝 𝚙𝚘𝚜𝚝-𝚙𝚑𝚘𝚝𝚘𝚐𝚛𝚊𝚙𝚑𝚢 𝚊𝚗𝚍 𝚍𝚒𝚐𝚒𝚝𝚊𝚕 𝚒𝚖𝚊𝚐𝚎 𝚌𝚞𝚕𝚝𝚞𝚛𝚎

ᴍɪᴛ ᴡᴇʀᴋᴇɴ ᴠᴏɴ/ᴡɪᴛʜ ᴡᴏʀᴋꜱ ʙʏ
Joachim Blank
Banz & Bowinkel
Julius Brauckmann
Nancy Burson
Katarína Dubovská
Jörg Sasse
Corinna Schnitt
Juergen Staack
Katja Stuke
darktaxa-project

#kunstsammlungenchemnitz #chemnitz #kunstsammlungenamtheaterplatz #fotografie #postfotografie #photography
@joachim.blank @banzbowinkel @julius.brauckmann @nancyburson @katarina_dubovska #jörgsasse #corinnaschnitt @juergen.staack katja_stuke @darktaxaproject @johannespost_ @ralfbrueck @raphaelbrunk @hdeweyh @philippgoldbach @_alexgrein @beateguetschow @spiroshadjidjanos @faby0o @dynamitra @_kristina_lenz @alex_simon_klug @achimmohne @_michaelreisch @annaridler @aaron_scheer @fotografie_siebert @david.young._ Fine Art Print with epoxy layer; Title: Leica BlacK (2024) taken in Kunstsammlungen Chemnitz by @joachim.blank
5
2 years ago
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My project G.E.O. is part of the beautiful show „Viewing the world“ curated by Sabine Maria Schmidt @kassandraoptimista at Kunstsammlungen Chemnitz 

Starting point of G.E.O. is my involvement with an archive of the German-language reportage magazine GEO ("Das neue Bild der Welt", "Die Welt mit anderen Augen sehen") from 1976 to the end of the 1990s. I photographed contents of these magazines with my smartphone while leafing through them. The resulting image archive currently comprises more than 3000 photos. They form an independent, digital image archive, from which I am using a few images for this show. In "dialog" with an AI and physical interventions, I created images that return to the physical space as fine art prints covered with epoxy layers. I also reconstructed one main topic of the magazine - primates and apes - into AR figures through burnt tree stakes in the space. 
----
Supported by @_openar 
https://www.openar.art/e/geo-1
----
𝚆𝚎𝚕𝚝 𝚊𝚗𝚜𝚌𝚑𝚊𝚞𝚎𝚗
𝙿𝚘𝚜𝚒𝚝𝚒𝚘𝚗𝚎𝚗 𝚊𝚔𝚝𝚞𝚎𝚕𝚕𝚎𝚛 𝙿𝚘𝚜𝚝𝚏𝚘𝚝𝚘𝚐𝚛𝚊𝚏𝚒𝚎 𝚞𝚗𝚍 𝚍𝚒𝚐𝚒𝚝𝚊𝚕𝚎𝚛 𝙱𝚒𝚕𝚍𝚔𝚞𝚕𝚝𝚞𝚛
28.7. - 27.10.2024
Kunstsammlungen am Theaterplatz
Kunstsammlungen Chemnitz

𝚅𝚒𝚎𝚠𝚒𝚗𝚐 𝚝𝚑𝚎 𝚆𝚘𝚛𝚕𝚍
𝙿𝚘𝚜𝚒𝚝𝚒𝚘𝚗𝚜 𝚘𝚏 𝚌𝚞𝚛𝚛𝚎𝚗𝚝 𝚙𝚘𝚜𝚝-𝚙𝚑𝚘𝚝𝚘𝚐𝚛𝚊𝚙𝚑𝚢 𝚊𝚗𝚍 𝚍𝚒𝚐𝚒𝚝𝚊𝚕 𝚒𝚖𝚊𝚐𝚎 𝚌𝚞𝚕𝚝𝚞𝚛𝚎

ᴍɪᴛ ᴡᴇʀᴋᴇɴ ᴠᴏɴ/ᴡɪᴛʜ ᴡᴏʀᴋꜱ ʙʏ
Joachim Blank
Banz & Bowinkel
Julius Brauckmann
Nancy Burson
Katarína Dubovská
Jörg Sasse
Corinna Schnitt
Juergen Staack
Katja Stuke
darktaxa-project

#kunstsammlungenchemnitz #chemnitz #kunstsammlungenamtheaterplatz #fotografie #postfotografie #photography
@joachim.blank @banzbowinkel @julius.brauckmann @nancyburson @katarina_dubovska #jörgsasse #corinnaschnitt @juergen.staack katja_stuke @darktaxaproject @johannespost_ @ralfbrueck @raphaelbrunk @hdeweyh @philippgoldbach @_alexgrein @beateguetschow @spiroshadjidjanos @faby0o @dynamitra @_kristina_lenz @alex_simon_klug @achimmohne @_michaelreisch @annaridler @aaron_scheer @fotografie_siebert @david.young._ G.E.O. by Joachim Blank at Welt anschauen taken in Kunstsammlungen Chemnitz by @joachim.blank
3
2 years ago
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Implosion, mixed media, 2024

The title of the work refers to a concept from nuclear physics and psychology that means to explode inward, a metaphor for the process by which objects fall apart by collapsing in on themselves. In exploring the bunker’s architecture, materials and personal stories surrounding the Cold War, the politics of suspicion and Stasi surveillance, I was inspired by this relationship between global world processes and the personal experience of the experiencing subject, immersed in the unsettling anticipation of the unknown, relying on irrational ideas, messianism or escapism. During the data collection process, I met the family of a former Stasi worker, and this personal story shed light on the connection between the private and the political, who collected insects, participated in an entertainment TV show, and was a member of the Jehovah’s Witnesses sect. Some of the furniture and his personal belongings were used in the installation. A video in which the camera slowly glides across landscapes of polyethylene, under which lie the sleeping bags of bunker employees and uniforms. The sound part of the work is a 3-channel installation of sounds, borrowed motifs from 3 film soundtracks, which reveal the main lines of perception: “New life” by Philippe Grandrieux, “2001 - A Space Odyssey” by Stanley Kubrick, “The Zone” of interest» by Jonathan Glazer.

Camera Nick Teplov @bureau44
Sound Dmitry Morozov @vtol_
Building Alexander Sanowski @alex_an_der_s

Video filmed in the Stasi bunker museum in Machern.

The work was presented in the exhibition “Living under the rock” by @klasseblank in @IKZP which is located in former GDR bunker complex. 

Organised by Joachim Blank, Anna Raczynska and Fabian Lehmann. 

Thank you for collaboration to Nick Teplov, Dmitry Morozov, Alexander Sanowski and for support to Arseny Zhilyaev, Max Schneider and David Schröder.

Pictures @dyjst_1 and @joachim.blank by @joachim.blank
7
2 years ago
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Vitiligo Marble (G.E.O.) On view @ GLUE - twenty years of!  Opening times: 5.5.24 & 6.5.24 from 2pm - 5 pm and 7.5.24 -9.5.24 on request 
entrance: Strassburger Str. 53, 10405 Berlin 
Many thanx to @dag.berlin @glue_berlin taken in Berlin Mitte by @joachim.blank
5
2 years ago
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