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Film Magician 👩‍🎤
Artist @google @openai
Profiled in @forbes
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Proudly Introducing: 
Goldfish Street’s “Monkey King” — BOBO🦁
Her trade is humble; her opinion of herself is not.

A fishball seller and heir to a kung fu school, BOBO has formidable fighting skills and an equally formidable sense of her own importance.
Her robotic arm was built to make fishballs; her curry fishball cannon ensures that anyone threatening the neighbours receives a hot meal at considerable speed.
She runs a food cart with the authority of a grandmaster and walks through the street as though expecting a standing ovation.
Raised by the neighbourhood, she considers everyone’s troubles her personal responsibility.
Her heart is in the right place; her fists tend to get there first.
She insists she has given up on her dreams, although the hope of reopening her old kung fu school has proved rather difficult to abandon.
Threaten a neighbour, however, and Goldfish Street’s “Monkey King” returns to heroic duty—without waiting to be asked.

隆重介紹:金魚街的「齊天大聖」——BOBO🦁
身在油鹽醬醋裡,心比凌霄寶殿高。

魚蛋攤主,武館傳人,南拳有根有據,自信無邊無際。
機械臂原為搓丸,咖喱炮兼管不平。
一輛小吃車,硬是擺出山門氣派。
平日昂首過街,彷彿天下英雄皆欠她一句佩服。
吃百家飯長大,便把百家閒事一併包辦。
脾氣與義氣齊飛,拳頭比道理先到。
嘴上自稱早已沒有夢想,可一見街坊受欺,
這位隱居魚蛋攤前的「齊天大聖」,便又擅自復職。 by @junielaux
11
3 days ago
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Proudly Introducing: Goldfish Street’s “Oscar-Worthy” Actress — 
FENG SHUI GIRL🦊
A saintly smile; a thoroughly commercial mind.

Her fortune-telling stall is her stage, and every consultation is a starring performance.
Her compass finds north; her instincts tell her what you can afford.
You come seeking your fortune; she sees an opportunity to improve hers.
You believe you have found someone who understands you; she believes she has found a valued customer.
She can move a flowerpot without touching it, but persuading you to open your wallet is her real speciality.
Every smile is carefully judged, every gesture perfectly timed—even her sympathy comes at a price.
Whether your luck improves remains to be seen; her bank balance improves immediately.
The secrets of the universe are, of course, strictly confidential—unless you can afford the consultation fee.

隆重介紹:金魚街的「奧斯卡」影后——風水妹🦊
眉間三分慈悲相,袖裡七分生意經。

算命攤前的當家花旦,未必句句真心,卻能聲聲入耳。
羅盤定方位,眼色定行情。
你問前程,她看財路;
你以為遇見知己,她認為遇見貴客。
氣功能移花盆,口才能動錢袋。
一顰一笑皆有章法,連善解人意也頗具商業價值。
一番指點過後,客人能否轉運尚待觀察,她的財運倒已當場應驗。
都說天機不可洩漏,她認為,此事可以酌情收費。 by @junielaux
8
4 days ago
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Proudly Introducing: Goldfish Street’s “Nobel-Worthy” Inventor — LITTLE ONE 🐦‍⬛

Incense for the dead; bright ideas for the living.
A deadpan genius, Little One runs a shop selling paper phones, computers and other offerings to be burnt as gifts for the afterlife.
Others burn paper money for their ancestors; she burns Bitcoin access codes—apparently, being dead is no excuse for falling behind on technology.
She rarely speaks, and when she does, her remarks tend to require decoding.
The neighbours mistake her late-night coding sessions for attempts to summon spirits—an understandable error, given the incense and eerie blue light.
Her ambitions are modest: uncover the secrets of the mysterious world known as the Cloud, and see her family once more.
As for the distinction between science and superstition, the matter remains under review, pending a response from her ancestors.

隆重介紹:金魚街的「諾貝爾」發明家——細細粒🐦‍⬛

一炷清香敬祖宗,滿屏代碼探天機。
紙紮鋪裡的冷面奇才,白日經營陰間百貨,深夜鑽研陽間科技。
別人燒紙錢,她燒比特幣密鑰;別人求祖先保佑,她先替祖先升級裝備。
平日惜字如金,開口宛如天書,街坊以為她在招魂,其實她在寫程式。
一生所願,無非探探雲端底細,再見家人一面。
至於科學與迷信如何劃界,不妨等祖先回信再議。 by @junielaux
5
5 days ago
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Delighted to be profiled in Forbes @forbes 

When the door I had expected to open never did, I turned to a new medium and built a path of my own.

This piece gave me the chance to look back on the journey—from discovering martial arts at eight in Foshan, through boarding school and a master’s degree at University of the Arts London @unioftheartslondon @lcflondon_ , to working as a production designer in commercials, directing the official music video for Peter Gabriel @itspetergabriel ’s “The Court,” collaborating with OpenAI @openai , Google @google , and ByteDance, and now creating Goldfish Mayhem with Wonder Studios @wearewonderstudios 

It is a story about love, about finding my voice as a woman and filmmaker, and about how the little girl I once was kept making her way into a much bigger world.

Thank you to Forbes and Maureen Kerr putting this chapter into words.
Looking forward to unlocking new adventures.

https://www.forbes.com/sites/maureenkerr/2026/09/04/how-ai-and-peter-gabriel-changed-junie-laus-path-to-directing/ by @junielaux
20
a month ago
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So happy to be invited by Clarins @clarinsofficial. My studio and I created a new art film, **The Dual State**, using artificial intelligence for the launch of the **new Clarins Double Serum Eye**. ✨

The story came from something very close to us: late nights, endless edits, glowing screens, and those moments when “just one more change” suddenly turns into 3AM.

In the film, Eden discovers another world beneath reality — a living system of cells, fibers, plants, and flowing golden networks. A world that has been quietly recording every sleepless night, every bit of stress, and every moment of exhaustion.

For me, **The Dual State** is about two forces working together: nourishing and restoring, while also activating and reconnecting.

Maybe life doesn’t always have to be a choice between pushing forward and taking care of ourselves.

Sometimes, **1 + 1 can be greater than 2. ✨**
#aifilmmaking by @junielaux
11
a month ago
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Being an artist is fun sometimes 👩‍🎤✨

My art project with fashion brand Revan 💙 @revanstudio 

And my personal feature is out now in Modern Weekly 📰✨
@modernweeklystyle @ziwu.modernmedia by @junielaux
4
2 months ago
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💗 My latest short film, MADAM P!NK, will have its premiere tomorrow — 21 JUNE 2026 — at the Shanghai International Film Festival @shanghaifilmfestival 🎬✨

I’m so excited to finally share this pink cyber-feminist world with everyone in Shanghai. 💖🌸⚡️ taken in Shanghai,china by @junielaux
9
3 months ago
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Thank you to Alibaba’s AI department, Happy Horse, for the invitation and creative collaboration 🐎✨

This time, under the theme “Ride the Dream as a Horse”, we created a short film about the body, memory, and spiritual telepathy.

The story follows a girl who has been connected to horses since childhood.
In her childhood world, a horse was never just an animal. It could be the wooden rocking horse that grew up with her, the dimly rotating carousel lamp, the “Trojan horse virus” hidden inside her childhood computer, or the seemingly tiny fragments of daily life that quietly embedded themselves deep within her memory.

When she grows up, she becomes a dancer.
Through dance, she continues searching for the image of that horse from her childhood memories. Through repeated moments of approaching, colliding, resisting, and merging, she begins to understand the instincts of the body, the pull of emotion, and the wordless spiritual connection between human and horse.

In this way, the horse in the film is no longer merely a concrete animal.
It becomes more like an echo of childhood, an embodiment of free will deep within the body, and a complex symbol woven from memory, desire, instinct, and spiritual projection.

In this short film, the girl and the horse go through a process of encounter, collision, confrontation, understanding, and fusion.
Dance becomes the most direct form of communication between her and her memory, her body, and that “horse.”

Through the dancer’s body, the horse’s breath, dreamlike visual fragments, and childhood symbols such as the wooden horse, the carousel lamp, and the Trojan horse virus, we hope to weave together a sensitive space that drifts between reality and memory.

This is a spiritual journey about growth, loss of control, confrontation, and eventual reconciliation.

Ride the dream as a horse, and take the body as the road.

Deep within memory, she arrives once again at the self who once ran freely.
#indiefilm #aifilm #aifilmmaking by @junielaux
11
5 months ago
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Red-haired girl EDEN disappeared at the entrance of the Backrooms.

Happy to receive an invitation from YI LI Ambrosial(伊利安慕希), a well-known Chinese dairy brand. This time, we created a short film that plays with and pays tribute to Backrooms aesthetics.

I’ve always been fascinated by the Backrooms — and I’m also really looking forward to @a24 ’s upcoming film The Backrooms @backroomsmovie . I honestly can’t wait.

To me, the Backrooms are compelling not only because they are frightening, but because they feel like a crack suddenly opening behind reality. It is not a traditional fantasy world, but a space forgotten by the system: familiar, repetitive, empty, and quietly wrong.

Yellow wallpaper, empty corridors, cold fluorescent lights, endless rooms, corners without exits…

You recognize this place,
but you know
you are not supposed to be there.

Part of the inspiration came from creator DingDing’s preview analysis of The Backrooms. In that world, a mysterious organization tries to create an almost infinite space through spatial rupture experiments. But once the door opens, entrances begin appearing across reality, and ordinary people fall into a place where time and space no longer behave normally.

For this short film, we wanted to imagine the Backrooms differently — not only as a place of fear, but as something softer, more natural, and more alive.

In our story, EDEN voluntarily steps into a mysterious hidden field. There, a “complete blueberry” is regenerated through extreme cold, sunlight, fertile soil, and clear water. A search-and-rescue team follows her traces through corridors, staircases, falling blueberries, and milky white marks, until they finally find her in the deepest part of the space.
#dream #dreamcore #weirdcore #weirdcore #dreamcoreaesthetic
#liminalspace #anemoia #aigc #backrooms by @junielaux
16
5 months ago
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These past few days have been hell.

On April 26, 2026, my IG account **@JunieLauX** was hacked and quickly disabled by the system.

This was not just a normal social media account. It had been with me for more than 10 years — carrying my memories from studying in the UK, my creative journey, work connections, friends, clients, collaborators, and a big part of my public identity as a filmmaker / artist.

When I saw the page saying:

**We’ve disabled your account.**
**Account disabled on 26 April 2026.**
**You cannot request another review of this decision.**

I completely broke down.

It felt like a part of my life, my memories, and my identity had been stolen from me.

But during the darkest and most helpless moments, I also received so much kindness.

I want to sincerely thank everyone who helped me, supported me, replied to me, gave me advice, introduced me to people, or simply said something kind to comfort me. Even a small message meant so much to me at that moment.

From the bottom of my heart, thank you.

Thank you so much to:

Oli, Justin Hackney, Siling Chen, Michael Rubloff and his friend, Matty Shimura, Corey Danaher, Martin Haerlin, Justin Hounkpatin, Blaine Fuller, Davis Chang, Xander Simms, Gheri Thomas,Reza Sixo Safai, Dave Clark and Caroline Jacobs

I am truly, deeply grateful.

I believe kindness always finds its way back to kind people.
I hope life brings all of you more luck, more ease, more protection, and more beautiful things ahead. ❤️ by @junielaux
14
5 months ago
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Be A Man
@kidsuper

generated by @chatgpt @openai by @junielaux
3
6 months ago
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We have a winner✨

We selected one Wonder Marketplace creator for a 4-month creative residency to create a breakout pilot - and the applications blew us away. 

Thank you to every single person who entered. The creativity in this community is something else. But one idea shone through, and we are so thrilled to announce our Wonder Marketplace winner: @junielaux 🏆

Junie is a London/Shanghai-based director building a post-digital cinematic language at the intersection of AI and storytelling. From Tribeca to the Royal Academy of Arts, her award-winning work has captivated global audiences. With collaborations spanning Google, OpenAI, and ByteDance, Junie brings a truly world-class perspective to the series - and now she's bringing her winning idea to life.

Join the Wonder App to be part of the process, get closer to the films, the tools, and the creators shaping what comes next - Link in bio

Proudly supported by our Executive Producers: @invideo.io | @elevenlabsio | @openart_ai | @capcutapp by @junielaux
14
6 months ago
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