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Sound Archive and Intervention Performance program.
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ألفت حرّك لا شكوى و لا سهد من ديوان الشاعر بدوي الجبل بصوت المطربة فاتن الحناوي [SLOWED AND REVERBED]
 من تسجيلات إذاعة دمشق. 

ألفت حرّك لا شكوى و لا سهد
يا جمرة في حنايا الصدر تتّقد
مرّي على كبدي حمراء دامية
يبقى الحنين إذا تسلم الكبد
و ما أضيق بهمّ حين يطرقني
لقد تقاسم حبّي البؤس و الرّغد
إنّي أدلّل آلامي و أمسحها
مسح الشفيق و أجلوها و أنتقد
حتّى تطلّ على الدنيا بزينتها
حسناء تبدو عليها نعمة ودد
بعض الخطوب ظلام لا صباح له
و بعضها الفجر فيه النّور و الرشد
تفجّر الخير منه روضة أنفا
تدعو إلى ظلّها وانين قد جهدوا
إذا هم جرعوا من مائها جرعا
توثّبت عزمات فيهم جدد
و مدلجين أضاء الحزن ليلهم
حتّى إذا انطفأت أحزانهم قعدوا
حادوا عن المحنة الكبرى و لو صحبوا
نيرانها الحمر ما ضلّوا و لا انفردوا
فيم التنكّر للآلام قاسية
إذا تباعد في ميدانها الأمد
ألطالعون على الدنيا بنصرهم
لولا الفواجع هل شدّوا و هل نهدوا
إذا ونوا راح يذكي من عزائمهم
حقد هو العدّة الشهباء و العدد
سقاهم خمرة الآلام فاضطرموا
يستلهمون من الآلام و احتشدوا
أمّا الشعوب و قد ضجّت عواصفها
فصلحب النّصر فيها الثاكل الحرد
لقد تلاقى على الغايات من ظفروا
بالملك في زحمة الدنيا و من حقدوا
إنّ الألى أنكر الأحزان سامرهم
لغو من الناس لا ذموّا و لا حمدوا
إذا تباكوا من البلوى فما عرفوا
حزن المحبّين في البلوى و لا وجدوا
الظامئون و ظنّوا أنّهم ثملوا
و الغائبون و ظنّوا أنّهم شهدوا taken in Damascus, Syria by @lanstbq
0
a month ago
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⁨	⁨	⁨	‘سوق باب جنين - حلب ⁨	⁨	⁨	⁨	
⁨	تمت أرشفة ضجيج السوق في الثاني و العشرين من حزيران، 
بدايات صيف سنة 2026 حلب، سوريا. 
تتبعت صوت والدي عبر الهواء الغباري الصاخب بينما يحدثني عن باب جنين الذي بات بلا أثر, أحد معالم المدينة الأثرية التي هدمت عام 1893 و على الرغم من غيابها لاتزال تفرض هيبتها كعلامة جغرافية للمنطقة. "لازم يرجعو يعمرو كل بواب حلب كنصب تذكارية" قالها والدي بينما يجول السوق بحثاً عن الخيار و البيض وتخيلت الباب بدوري شامخاً فائحاً برائحة خشب الهال فقد كان باب جنين قريباً من سوق الهال، الذي يُعتبر أول سوق هال في التاريخ، حيث كان مركزاً لتجارة الخضار والفواكه، وكان جزءاً من سوق الحاضر الذي دمره هولاكو عند غزو حلب.

‘Bab Jnin Souq - Aleppo’
The market's noise was archived on June 2nd, the beginning of summer 2026. Aleppo, Syria. 

I followed my father's voice through the cacophony as he spoke of the now-ruined Bab Jnin gate, one of the city's ancient landmarks destroyed in 1893. Despite its absence, its prestige as a prominent symbol remains. "They must rebuild all of Aleppo's gates as monuments," my father said as he strolled through the market searching for cucumbers and eggs.I imagining the monument, standing tall and fragrant with cardamom, Bab Jnin gate was near Al-Hal market, the first cardamom  market in history, a center for the trade of fruits and vegetables, and a successor to Al-Taqaddum market, which was destroyed by Hulagu when he conquered Aleppo.⁩⁩

Material on YouTube and Soundcloud [DM for Link]⁩⁩⁩⁩⁩ taken in باب جنين by @lanstbq
0
2 months ago
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⁨	⁨	Om Mustafa Is Besides Me - أم مصطفى بجنبي 

وعاءٌ صوتيٌّ يحمل أصداء من مستشفى شهداء الأقصى في غزة. تطوف الأصوات حول صوت أم مصطفى، امرأةٌ كفيفةٌ تُغني بجانب سرير زوجها الجريح بعد عودتها من مصر لتحضر بجانبه وتواسيه. هذا المشهد الصوتي مُرتبٌ من وجهة نظره، ما يسمعه حين يغفو على صوتها بينما تُهدئ من وطأة الآلام التي تحيط المكان.

An ambient vessel holding voices and sounds from Shuhada’ Al Aqssa hospital in Gaza. The sounds orbiting around the voice of Om Mustafa, a blind Palestinian woman who sings beside the bed of her wounded husband after returning from Egypt to be with and take care of him. This soundscape is arranged from his prospective, attempting to capture what he hears when he falls asleep in and out to her voice as she soothes the ever hurting surroundings. 

Produced by ‪‪@_sarjon_‬‬⁩⁩ by @lanstbq
0
4 months ago
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14 Days [Track link bio] 

🌐It’s day 9, an AI voice on a small account on TikTok [textsvidsdaily] follows up on the Zio-American war on Iran with a 14 days speculation. At the point of no return, the world won’t be the same. Iran retaliates firmly and viciously.; The True Promise 4 military operation strikes Bahrain oil depots and desalination unit while still holding grip on the economically vital Hormuz strait. in 14 days every single household in the world will feel the repercussions.

By @_sarjon_ taken in Strait of Hormuz   تنگه هرمز by @lanstbq
1
7 months ago
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@alhawiyah.nl presents ‘Malaf Fi El-Adab’
Curated by @daddi.hanadi @alshaheenbabyfalcon @sadatnour___ 

this Saturday Al-Hawiyah takes over Veankrijk in Amsterdam to launch its very first edition titled Malaf fil Adab, after ‘A File In Vice’ film (more below). The vision of this project imagines a spaces where cinematic archives hold social gatherings, not a screening but an echo of it. Not a party but a an echo of it. In Al Hawiyah (where things fall) A film like Malaf fil Adab becomes a visual and sonic bonfire for our exiled communities to come together, remember, learn, explore and dance, all where other things fall and never land. Together with drag workshop and drag shows the trio organises the necessities. 

The first hour from 20:00-21:00 will open the night with a welcoming set produced using the audio of the film mixed with featured sets from our favorite local dj’s:
@zobayda__ @ashtattz @xanax_attax @queenofvirginity 

See you tomorrow ❤️‍🔥
21-02-2016 Vrankrijk, Amsterdam. 
 
___A File in Vice (Egyptian: Malaf Fi Al-Adab) is a 1986 Egyptian drama-thriller directed by Atef El-Tayeb and starring Madiha Kamel and Farid Shawqi. It follows a police officer who, frustrated by corruption shielding a criminal, resorts to fabricating evidence to convict a group of women. Officer Said is blocked from pursuing a case involving a well-connected woman (Alia Hanim). Frustrated, he turns rigid and attempts to prove charges against other women through falsified evidence

…. taken in Vrankrijk by @lanstbq
1
7 months ago
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French Crimes In Algeria - الجزائر تجرم الإستعمار الفرنسي 
[full set in bio ]
Algeria passes law declaring French colonisation a crime. This 14min set celebrates the sounds traveling from Algeria’s parliament on 24 Dec 2025 to Ahmed Wahby’s  patriotic “L’Algeria Si E’Ribellata. Capturing a glimpse into the significant musical reflection of Algeria’s fight for independence, from Kassam anthem to Cheikha Rimitti’s iconic “Hak Hak” (often “H’ak H’ak” or related to “Hakada”) the raw, powerful Rai anthem about feeling betrayed and alienated, expressing deep frustration (“Hada k’ad” or “That’s it!”), disillusionment with Paris/the West.

Produced by @_sarjon_
#algeria #france #lanstbq by @lanstbq
0
9 months ago
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غزة هاشم لن تركع 

🐦‍🔥POSTERS AVAILABLE VIA DM 
Help us fundraise for @phoenix_of_knowledge 

The school in Al-Bureij refugee camp has created an incredible space with the kids combining therapeutic and educational programs. help us fundraise to support the young volunteers to continue their work! 

You can DM @_sarjon_ to order and pick up at locations: 
📍 @kioskrotterdam 
📍 @moezeum 
📍 @nolimitsartcastle by @lanstbq
3
10 months ago
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(EMBERS) جمرة غضب by @burkan500 

[FULL SET ON SOUNDCLOUD]

Comissioned by Libraries Are Not Supposed To Be Quiet. The set (EMBERS) was performed live as part of the @u_questionmark freely accesible public program of the @le_guess_who music festival. Utrecht, NL. [09.11.2025]

The second audio visual piece for the libraries sonic archive. Burkan brought a new collection of sound and image to the opening @moira.cc ~listen to full via link in bio

3/slide shot by Rogier Boogaard taken in Utrecht, Netherlands by @lanstbq
3
10 months ago
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Yesterday, community curator Al-Shaheen Falcon presented Libraries Are Not Supposed to Be Quiet: an intervention program that examines art legality under state surveillance.

📸 @roogboogie taken in Utrecht, Netherlands by @lanstbq
0
a year ago
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The first showing of the commissioned piece ‘Guardians Of The Land’ by Syrian artist Ashtar Azouz @ashtarazouz This Sunday November 9 @moira.cc ~Wolvenstraat 10 - Utrecht, NL | DOORS OPEN AT 16:00 | FREE ENTRANCE 

This hand embroidered scene taking place on the Homs-Damascus road on a cold winters night is a translation from the memory of the artist. A week before December 8 2025 and the beginning of the fall of Assad regime with its national army. Ashtar Azouz is a Syrian archeology researcher, painter and self taught embroidery artist. 

🟢‘Libraries Are Not Supposed To Be Quiet’ is part of @u_questionmark the freely accessible public program of the @le_guess_who festival. Full lineup of artists in taken in Moira Stichting by @lanstbq
0
a year ago
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So incredibly excited for @le_guess_who weekend! Blessed to be one of the selected community curators of this year. Together with a line up of incredible artists and community members we brought @lanstbq to the festivals rich program.  Honoured to present the bits and pieces coming together on Friday the 7th during the Sound and Culture Summit and the actual show on Sunday the 9th at the public opening at MOIRA 

:

🟢 FRIDAY 7 NOVEMBER 

The Sound & Culture Summit @ssbutrecht 
More over: leguesswho.com/news/sound-culture-summit-2025

🟢 SUNDAY 9 NOVEMBER 

Libraries Are Not Supposed To Be Quiet  PUBLIC OPENING @moira.cc 
~Wolvenstraat 10 - Utrecht, NL 
DOORS OPEN AT 16:00 | FREE ENTRANCE 

_____‘Libraries Are Not Supposed To Be Quiet’ is part of @u_questionmark the freely accessible public program of the @le_guess_who festival. Curated by @alshaheenbabyfalcon Full lineup of artists in bio! taken in Utrecht, Netherlands by @lanstbq
3
a year ago
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Presenting our time thief and performance artist @faay.mp4 

On September 11 Fay walked a pilgrimage from sunrise to sunset, across five points mapped as a product of a research on the social choreography of Utrecht city. 
Fay uses time as a political tool for precarious bodies to, preserve, reclaim and produce.
At MOIRA she presents ‘Al Oubour’, its map and a documentation of the pilgrimage. 

November 9 @moira.cc ~Wolvenstraat 10 - Utrecht, NL 
DOORS OPEN AT 16:00 | FREE ENTRANCE 

🟢‘Libraries Are Not Supposed To Be Quiet’ is part of @u_questionmark the freely accessible public program of the @le_guess_who festival. Full lineup of artists in bio! taken in Moira Stichting by @lanstbq
0
a year ago
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