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“FOR MY SOUL” OUT NOWWW ON ALL DSPs 🦋🤍

Link in bioooo 🌟🥥

Produced by: Qué Soul
Mix & Mastering: @craigxtimbo 
Performed by @liisabala by @liisabala
77
a year ago
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“Let it grow” OUT NOWWW !! 🌟🤍

Available on all platforms, link in bio !! 

Cover art by the lovely @kegomohlala 
Composer & producer @later_d3nzl 
Mix & mastered by @craigxtimbo 

Enjoy 🤍 by @liisabala
57
2 years ago
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Back to black. by @liisabala
45
4 months ago
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‘00 kinda thang by @liisabala
64
4 months ago
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Thank you @mestashixfriends 🤍

Slide 1 & 9: 📸 @shotbyluts by @liisabala
91
4 months ago
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The table is set 🌇✨

We’re proud to present the lineup for The Garden Table! A carefully curated sound experience featuring:

@craigxtimbo 
@liisabala
@ivy.mtsengu 
@its.tariro 
@krriipto 
@masiq_funk 
@raazaaqj 

From ambient soundscapes to intimate live performances and elevated DJ sets, this is where music, dining and atmosphere meet.

Secure your seat at the table. 🎟️ Link in bio. Line up Poster Mestashi & Friends taken in BlackBrick Gardens by @liisabala
22
5 months ago
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Khuphuka by @liisabala
122
a year ago
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Last week, we had the pleasure of welcoming Lisakhanya Bala to the Under the Aegis for the week. A BSc Construction Studies student at the University of Cape Town, Bala is passionate about finding ways to merge her love for both construction and art.

During her week of job shadowing, she joined a museum tour with Rhodes Fellowship students, gained behind-the-scenes insight into UTA’s day-to-day operations, and explored Cape Town’s vibrant creative scene through a series of gallery visits. At the end of her time with us, she penned a thoughtful reflection on her experience.

In her Reflection of the Week, she writes:

“Under the Aegis is a gallery that screams possibility - the possibility of being a boss, an icon, and someone who doesn’t conform to the rules, especially as a Black woman in the art industry. Anelisa Mangcu is a powerful reminder of what can happen when you relentlessly chase your dreams. The gallery reflects who she is; it feels like a sanctuary for expression. It is intimate, inviting, and elegant.

Her curation goes beyond the artwork itself; it shows her commitment to highlighting voices that are often overlooked and underrepresented. Walking into the gallery feels like an experience, more than just a visit to an exhibition. The current show, Klop Klop, is so beautifully curated that almost every piece feels alive. Each work, displayed within the four walls of the gallery, is given space to express its voice.

I was personally captivated by how the Kaapse Klopse, which originated from painful beginnings, transformed that history into something celebratory. As someone who is not from Cape Town, I truly enjoyed learning about this tradition.”

Lisakhanya Bala’s full reflection will be available soon on the Under the Aegis website for those who’d like to read more about her week with us. taken in Gardens, Cape Town by @liisabala
13
a year ago
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Surroundings by @liisabala
20
a year ago
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Bésame 💐 by @liisabala
70
a year ago
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Roseate by @liisabala
33
a year ago
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Just another interlude by @liisabala
0
2 years ago
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