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Lorenzo Levrini

@lorenzolevrini

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@wpagency
@chiaroscuro_cinema

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Travel. Reimagined. Modern travel is full of unnecessary friction: wasted time, missed moments, and constant stress. Vertical Aerospace’s vision is a future where travel gives that time back.For @verticalaerospace latest campaign, we developed a cinematic, character-led film grounded in relatable, everyday moments. By following the stories of different people navigating busy lives, we first reveal the obstacles they face before showing how Valo enables them to move beyond them.Filmed over some of the hottest days of the year on record, with four company moves and a hangar shoot featuring the aircraft model, it was an ambitious production - but our incredible team absolutely delivered, and we’re thrilled with the results.The future of electric flight is closer than you think, and we’ve loved helping bring that story to life.Director: @deadbeatborisSenior Producer: @producertomaProducer: @lldenisallProduction Manager: @willmakesfilms_1st ADs: @lauraprast_film & @rilhopedro2nd AD: @henryling.13Runner: @badantonDOP: @lorenzolevrini1ST AC: @anildurucamera2ND AC: @andrepintooDIT: @elliotinoGrip: @mf_vandal_Jib Operators: @matt_baker_jib & @benreasonfilmingGaffer: @matthegaffSparks: @baileylawlesss & @gabrielemang0 & @stephenallwrightProduction Designer: @setsistersArt Assistant: nerissagill_proddesignHMUA: @francescajcingramMake-Up Assistant: @franmakeupartistryStylist: @aartthieWardrobe Assistants: @tillyhopcraft & Megan Bundy & @maireadcorrystylingCasting Director: @nmlcastingEditor: @deadbeatborisGrade: @maraciorba @ @harborpicturecoMusic Composition & Sound Design: @toddspeakmansoundMotion Graphics: @jacobcharleselderCast: Business Mum: @hinishapatel_Golfer: James Barton-SteeleBusiness Professionals: @gayanehlara & @donald_szePilot: @aeroarchiveGolfer Friend: @haiderabdullahofficialAir Stewardess: @ellielyesLuggage Handler: Adam WakelyFather: Cyrus FarzadSon: Rye VoDriver: Rajesh RamExtras: @talent_talksCamera Kit: @vmi.tv by @lorenzolevrini

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2 days ago

THE KIDNAPPING OF ARABELLA new US trailer! Out in the US 17th July 🎞️📽️💙 by @lorenzolevrini

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2 months ago

𝗟𝗼𝗿𝗲𝗻𝘇𝗼 𝗟𝗲𝘃𝗿𝗶𝗻𝗶 𝘀𝗶 𝘂𝗻𝗶𝘀𝗰𝗲 𝗮𝗹 𝗖𝗼𝗹𝗹𝗲𝘁𝘁𝗶𝘃𝗼Diamo il benvenuto a 𝗟𝗼𝗿𝗲𝗻𝘇𝗼 𝗟𝗲𝘃𝗿𝗶𝗻𝗶 𝗖𝗖𝗦, direttore della fotografia romano con base a Londra, attivo nel settore da oltre quindici anni tra lungometraggi, fiction televisiva, docudrama, videoclip e pubblicità.Tra i suoi lavori più noti, 𝗪𝗮𝘀𝘁𝗲𝗺𝗮𝗻, presentato al 𝗧𝗜𝗙𝗙 e al 𝗕𝗙𝗜 𝗟𝗼𝗻𝗱𝗼𝗻 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹, vincitore di 5 𝗕𝗜𝗙𝗔 𝗔𝘄𝗮𝗿𝗱𝘀 e candidato ai 𝗕𝗔𝗙𝗧𝗔, distribuito nelle sale in UK e USA. 𝗜𝗹 𝗿𝗮𝗽𝗶𝗺𝗲𝗻𝘁𝗼 𝗱𝗶 𝗔𝗿𝗮𝗯𝗲𝗹𝗹𝗮 è stato presentato alla 𝗠𝗼𝘀𝘁𝗿𝗮 𝗱𝗲𝗹 𝗖𝗶𝗻𝗲𝗺𝗮 𝗱𝗶 𝗩𝗲𝗻𝗲𝘇𝗶𝗮 e al 𝗕𝗙𝗜 𝗟𝗼𝗻𝗱𝗼𝗻 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹, mentre 𝗔𝗺𝗮𝗻𝗱𝗮 ha debuttato alla 𝗠𝗼𝘀𝘁𝗿𝗮 𝗱𝗲𝗹 𝗖𝗶𝗻𝗲𝗺𝗮 𝗱𝗶 𝗩𝗲𝗻𝗲𝘇𝗶𝗮 e al 𝗧𝗜𝗙𝗙, con distribuzione nel Regno Unito a cura di Curzon.Parallelamente alla sua attività come filmmaker, insegna cinematografia presso numerose università del Regno Unito, è co-creatore del podcast 𝗖𝗶𝗻𝗲𝗺𝗮𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝗲𝗿𝘀 𝗼𝗻 𝘁𝗵𝗲 𝗟𝗼𝗼𝘀𝗲 e svolge attività di mentoring in diversi programmi dedicati alla cinematografia.Benvenuto, @lorenzolevrini!🔗 Scopri tutti gli associati CCS al link in bio#LorenzoLevrini #CollettivoChiaroscuro #Cinematography #DirezioneDellaFotografia #Cinema by @lorenzolevrini

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2 months ago

🚨NEW EPISODE ALERT🚨Today we welcome Cinematographer Lorenzo Levrini who joins us to talk about their work on Wastman. Lorenzo will talk us through the creative decisions made to create the look of the film. https://open.spotify.com/episode/4KIbfYzT11FyGISz1G8t87?si=zY-G3a-zTvO1hqQy2RGvkA#wasteman #wastemanfilm #cinematography #cinematographer #filmmaking by @lorenzolevrini

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Stills from The Kidnapping of Arabella (Il Rapimento di Arabella). Opening theatrically in the US this summer! @bluemermaidmilk @bennipi @marcobonadei @zibettiroberto @the_apartment_pictures @elsinorefilm @oscopelabs @dioniso_chelsea @wpagency. Color by the inimitable @claudiodelbravo. by @lorenzolevrini

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3 months ago

48 hours to make a cinematic, emotive docu-style ad capturing a world first for electric aviation?Challenge accepted.We’ve been working with pioneers of electric aviation, @verticalaerospace since 2021, back when the aircraft existed as CAD drawings and big dreams. Capturing the world’s first ever two-way transition flight this week felt like a true full circle moment.When Director @deadbeatboris called for five camera units on the ground, a chase helicopter shooting slow motion, and a second helicopter rigged with a Red Raptor operated by the legends at GB Helicopters, it was no small ask.For producer @producertoma, it was a serious logistical challenge, but he pulled it out the bag.It’s been an honour to document Vertical Aerospace’s journey so far, and we’re excited for the next chapters ahead.Director: Boris Thompson-Roylance @deadbeatborisProducer: Anthony Toma @producertomaDOP: Lorenzo Levrini @lorenzolevriniCamera Operators: Tomas Soltonas @tomsol, John Letsinger @john.letsinger, Adrian Cabello @adrian.cabelloCamera Operator & Spark: Harry Basey @harrybasey1st ACs: Oscar Harrison oscarharrisonfilm, Connor Hutton @connorjhutton_film, Anil Duru @anildurucamera2nd AC: Falco Caldeira @alwaysslatinCamera Trainee: Connor Sweetman @connor_sweetman_Sound Recordist: Adam Hurley @soundrecordist.ukOn-site Editor: Jacob Elder @jacobcharleselderAerial Unit: GB Helicopter @gbhelicoptersEditor: Boris Thompson-Roylance @deadbeatborisColour: Joseph Guy @josephalexanderguySound: Todd Speakman @toddspeakmansoundEquipment hire: @vmi.tv by @lorenzolevrini

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3 months ago

Some behind the scenes of our upcoming project, Moderation. We call this piece The Trials and Tribulations of @violette.filmdesign by @lorenzolevrini

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Scroll for Boombox BTS. So much love for this merry band of banter bandits 💚 @anildurucamera @vini.curtis @nastya_1805 @samuelhilaire @richrd.nj @cameratrainee_des @basin_bunt @pabloverbeke .Thank you @shl.london @hawklondon .Big up captain @tobypaton1 @roganproduction @armourylondon @wpagency .WATCH BOOM BOX NOW on HBO MAX!! by @lorenzolevrini

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As part of the UK launch of HBO MAX, BOOM BOX: BEATS AND BETRAYAL is now available to stream. Stoked to co-shoot the drama element of this with @adambarnettdop. Directed by @tobypaton1, designed by @phoebeplatman..@roganproduction @armourylondon @phillcreatesstudioltd @hbomax @hbomaxuk @wpagency by @lorenzolevrini

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Wasteman release weekend! Go see it in the cinema!!Thanks to @cal_mcmau @sophiainrome for taking me on this journey 💙.If you are moved by the situation in British prisons, consider donating to @switchback_ldn, our prison consultants, who help young men find a way out of the justice system and build a stable, rewarding life. @davidjonsson__ @tomblyth @alexanderhassell @corinsilva @l1npow @greyarea.films @agilefilms @lionsgateuk @wpagency#wasteman by @lorenzolevrini

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5 months ago

Prison drama Wasteman, directed by Cal McMau, follows parolee Taylor, whose hopes of a fresh start are jeopardised by the arrival of Dee, a new cellmate who drags Taylor into his world of dangerous prison rivalries. BAFTA nominated and 5x BIFA winner, Wasteman is captivating audiences with its bold new look at life inside prison. Lorenzo Levrini’s cinematography is raw and visceral, relying on intimate handheld camerawork that participates in the action as much as it observes. The unusual 3:2 aspect ratio promotes a profound sense of claustrophobia. Focus Canning provided the camera package, which consisted of an Alexa Mini LF, an expanded set of Canon FD primes and a Cooke Varotal 18-100 zoom on a 1.6x expander. “I was very keen to juxtapose the handheld camerawork against slow zooms to support the building of tension like a pressure cooker. I wasn’t sure what zoom would work best for us on the LF – it couldn’t be too big as we were shooting in tiny cells, but I wanted something old enough to cut well with our FD primes”. Lorenzo continued: “Focus Canning’s Lens Designer Eddie suggested the Cooke Varotal and found the best expander for my needs. As usual, Focus Canning provided impeccable support and guidance. Leanne and the whole team were pivotal in making this film happen the way it did.” Wasteman is out in UK cinemas on 20th February 2026.@agilefilms @lorenzolevrini @Lionsgateuk@greyareafilms@calmcmau@anilduru@nastya_1805@elliotino@benjamin_meads by @lorenzolevrini

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"To enhance the sense of naturalism in the studio, I was keen that there be a variety of lighting looks in the cell. We wanted subtle variations in the daylight, to reflect different times of day and different levels of overcast. "Prison is not just bleak: the entire gamut of human emotion exists in there, and I wanted to reflect this in the lighting, so sometimes the daylight is overcast and muted but sometimes we bring in a shaft of sunlight. At night, we played with different combinations of the in-cell lights and decided there should be a greenish security light outside the cell window."Director Cal McMau’s debut feature, Wasteman, follows Taylor (David Jonsson), an inmate who is up for early release. His chances are jeopardised when he gets a new cellmate, Dee (Tom Blyth), who threatens to drag him into his world of violence and prison rivalry. DP Lorenzo Levrini runs through the visual language of the film on our website. by @lorenzolevrini

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