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Art Direction & Graphic Design
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2026台灣設計展|日常動力學 @designexpo.tw 
Taiwan Design Exop in Taoyuan : Everyday Dynamics

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視覺設定上,我們以流動的色彩漸層與光暈,呈現「日常動力學」源源不絕的推動力。

色彩在漸變與擴散之間形成方向,帶出日常移動的軌跡與速度感,也呼應品牌在轉型的過程中,從既有狀態逐步走向新的可能。柔和的光暈讓技術與生活的界線變得模糊,為畫面留下開闊、流動的空間。

系列共三款,透過不同構圖呈現動能在不同階段的樣貌,並延伸運用於展場,讓色彩的流動串起整體空間體驗。

For the visual direction, we used flowing color gradients and soft glows to express the continuous momentum of “Everyday Dynamics.”
As colors shift and diffuse, they create a sense of direction, tracing the paths and pace of everyday movement. This also reflects how brands evolve, moving from an existing state toward new possibilities. Soft glows blur the boundaries between technology and daily life, giving the visuals a sense of openness and fluidity.
The series features three compositions, each expressing a different stage of momentum. Extended throughout the exhibition space, the flowing colors connect the visuals into a cohesive spatial experience.

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Curatorial Team →@studioordinary.tw @minchan.huang 
Art Direction & Graphic Design → @luoooo_studio
Graphic Design → @syouyu_kou_graphic 
Exhibition Design →@umeadow.design
Photography →@luchi.film by @luoooo_studio
1
2 days ago
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新北市115國中聯絡簿
New Taipei City Junior High School Communication Book Design

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這次的聯絡簿封面以「社會情緒學習」為核心,我們把國中三年學習人際的過程——「探索、互動、交織」,轉化為幾何色塊的視覺語言。從 7 年級單一面向前的透視感;到 8 年級多個塊面旋轉、學習成為群體;最後在 9 年級交織成不同方向與色彩的立方體人際網。

設計過程中,我們也不斷在思考視覺還有哪些可能性。於是嘗試將動態影像帶進紙本,透過 AR 擴增實境,只要用手機鏡頭掃描書封,就能看見平面圖像動起來,開啟更多想像,讓聯絡簿變成孩子回家可以跟家長分享的有趣話題~

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A staple of Taiwanese education, the school communication book serves as a daily bridge between home and school for character development. Designed around Social Emotional Learning (SEL), the New Taipei City 115 edition translates a 3-year growth journey into a geometric visual language—enhanced with AR technology to spark daily dialogue between parents and teens.

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品德教育聯絡簿 設計團隊
Project Coordination →美感細胞 @aestheticell_textbook
Art Direction & Graphic Design →@luoooo_studio
Motion / Creative technologies → (Secondnature.services) @dar.muen 
Illustration → @keterthekitty 
Contributing Writer →朱家安
Publisher →新北市政府教育局 新北學Bar by @luoooo_studio
13
a month ago
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ID.音樂節 ID.Music Festival 2026
Visual Identity Design

⟡ ・゚:⟡・゚: . . . : ⟡・゚: ⟡・゚: . . . : ⟡・゚: ⟡・゚

每個人,從來都不是一個ID能說清,每一個標籤,都是我們的部分拼圖。繽紛多元的角色,身處在各自場景,彼此獨立存在,卻又緊緊互相關聯,在拼貼組合過後,意義才更加明確。

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Organized → FET
Graphic Design → @luoooo_studio 
Illustration → JINZ @jinz___z
PM→ Wendy
Special Thx → @yoinook by @luoooo_studio
1
4 months ago
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潘瑋柏Will Pan:MAD&LOVE 狂愛
Album, Vinyl, Single & MV Logo Design (Design Archive)

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去年底為瑋柏設計的一些視覺
歷經許多來回調整與不同方向的探索
這裡收錄部分提案版本與過程~

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Licensed by: Shanghai Bole Shengjing Music
Published by: Guangzhou Haiyin Music Culture
Marketing Director → Ven Chen
Love Cover 3D(P.2) → equinoz
Graphic Design → @luoooo_studio 

TURNT 
MV Director → Jyun Chang
Creative Producer → Sharon Tsui by @luoooo_studio
5
4 months ago
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盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

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專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發,將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理,並置於同一個脈絡下,如同把情緒拆解再重新組合;也因此在視覺上以多層次的結構呼應概念,讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域,將歌曲轉化為早餐店的日常碎片,故事散落在不同角落,隨著閱覽的過程被逐一拾起。

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The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

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Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio by @luoooo_studio
12
6 months ago
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忒修斯:未擇之路(凡勢我)
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery 

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忒修斯成團十年,這次的視覺從日常街景出發,把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣,真誠、直接,又帶著說不上來的熟悉感。

在設計上,我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉,帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡,彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子,像生活裡被隨手捕捉的一瞬間,介於記錄與記憶之間。

這些痕跡不僅象徵時間,也呼應了忒修斯的十年歷程——不是每個選擇都說出口,不是每條路都有結果,但留下的累積與未擇之路,反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

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Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen 
Artist Manager → Yu Yu 
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao by @luoooo_studio
13
a year ago
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YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

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YoungLee 的音樂一直以來,不管是歌詞或想傳遞的精神,都帶著一種很純粹、真誠的力量,拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期,也許只盛開一夜,卻依然完整綻放。這樣的狀態,讓我聯想到一種接近禪意的時間感,不為了等待結果,而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙,透過大量留白,搭配不均勻、隨機的墨暈染與材質處理,營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨,讓畫面保留未被修平的狀態,成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

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Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao by @luoooo_studio
6
8 months ago
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張震嶽《跟著感覺走》
Album & Digital Cover Design for @ayalkomod1974 ‏‏‎ ‎
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➊ 跟著感覺走 ❷ 浪人的 ❸ 媽媽的眼睛 ❹ 跟著感覺走 ❺ 好糟糕的派對‏‏‎‏‏‎ ‎
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喜歡的音樂人很多,但阿嶽的音樂總能在不同的生命維度中找到共鳴點 ~
小時候跟著媽媽聽〈自由〉、〈分手吧〉、〈愛我別走〉、〈小宇〉、〈思念是一種病〉…某種程度上也奠定了我對華語金曲年代的想像。‏‏‎ ‎

往往在設計時,總想把創作者的私心放進畫面裡──更藝術、更抽象、更花俏、更現代,用各種方式去包裝,試圖制定觀眾的觀看感受。但阿嶽的音樂本身就很恰到好處:沒有多餘的裝飾,直白的剛剛好。也因此在設計時更著重於減法,讓視覺回到照片的意境與故事性,文字單純地扮演傳遞資訊的角色。

總之這是一張真誠、輕鬆、很有人味的專輯。唉比起設計更想多聊聊有多愛這些音樂…喜歡〈搬家〉的情感割捨、〈跟著感覺走〉的積極生命力、〈虧欠〉的感傷,還有〈答案〉的靈魂共鳴!

也感謝萬萬總是耐心地溝通,將想法跟善意傳遞~還有東的手寫支援!

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Produced by @truecolormusic
Distributed by @rock_records_taipei
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio
Mother’s Eyes Lettering → @eastlin8333 by @luoooo_studio
13
a year ago
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張震嶽《跟著感覺走 Go With The Flow》 
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
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視覺從歌手本身的性格與身份出發,把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感,選用再生羊毛紙並以銀墨印出如石紋拓印般的質地,帶來粗獷卻細膩的觸感,像拾起一塊自然留下的記憶。

整體延續同樣氣息,保留足夠留白,讓照片本身去敘事,凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動,呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language. 
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

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Creative Producer → @wannaw_
Graphic Design → @luoooo_studio by @luoooo_studio
7
10 months ago
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今年明年。設計師新春賀卡單年展
IMA-SIGHT New Year Card Design
Invited by @imaexhibi.taiwan_1

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Same shit again?

This phrase has become the most honest reaction to the arrival of a new year.
Every year, we set new goals and expectations for growth and change, only to realize that life repeats itself, differing only by the number of the year.
26 Same Shit Again? is not a declaration of the future, but a confirmation of the present.

No reset. No upgrade. Just continuation. by @luoooo_studio
2
8 months ago
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man mun s2 @manmun.space

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在系列視覺上,透過文字的巧妙排列,我們展現了多種煙霧型態,包括縈繞、像上發散、線圈型的流動等等,這些意象相互交織著,引領您探索無限的想像空間。

“Memories linger like fading echoes, Leaving traces of love in hidden hollows.”

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The Art of Slow Living

A mindful, intentional lifestyle that values experiences, self-care, and presence, offering a gentle alternative to the hustle of modern life. By finding balance and purpose, we create a more grounded and fulfilling way of living.Slow living begins with the smallest rituals. In a world of constant motion, fragrance has the power to slow us down, grounding us in the present. With every stick of incense, we create a mindful pause — a gentle reminder to breathe, to reflect, and to simply be

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DESIGN → @luoooo_studio
PHOTOGRAPHY → ZALA @z______xa by @luoooo_studio
1
a year ago
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man mun @manmun.space 

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在系列視覺上,透過文字的巧妙排列,我們展現了多種煙霧型態,包括縈繞、像上發散、線圈型的流動等等,這些意象相互交織著,引領您探索無限的想像空間。

"Memories linger like fading echoes, Leaving traces of love in hidden hollows."

「過去的記憶會殘留在生命裡,留下難以察覺的足跡。」 想將這種詩意體現在包裝的使用情境上,線香孔的設計刻意讓灰燼掉落至包裝上,隨著時間的流逝在紙張上留下痕跡,也呼應了品牌的核心理念,專注於當下的生命狀態與體驗。

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In the series' visual design, we use the clever arrangement of text to depict various forms of smoke — including swirling patterns, upward dispersions, and coil-like flows. These intertwined images guide you through an endless realm of imagination. "Memories linger like fading echoes,Leaving traces of love in hidden hollows."

"Past memories remain within our lives, leaving behind imperceptible traces." We aim to embody this poetic sentiment in the packaging’s interactive experience. The incense holder is intentionally designed so that ashes fall directly onto the packaging, leaving subtle marks on the paper over time. This echoes the brand's core philosophy — focusing on the present state of life and the richness of lived experiences.

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DESIGN → @luoooo_studio 
PHOTOGRAPHY → ZALA @z______xa LUO @luoooo_studio 
PAPER → 鄉村紙+燙/防油紙
PRINT → 九水印刷 by @luoooo_studio
25
2 years ago
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