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@m.oehr

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analog noises
cgn
part of @flinta4rave

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Saturday:
New Faces is our platform for emerging artists. This time hosted by resident @rostomoffline, the night highlights fresh sounds from up-and-coming selectors of our scene. We are looking forward to welcome following artists for their debuts at Tresor.West:

@bbachtneun
@cndiyv
@m.oehr
@scen.xy

On top of giving a stage for musicians, the hosts can pick a local artists of their choice to showcase their work in the event announcement. For this event, we thank @matthias.spiewok for the artwork. Matthias is a Dortmund-based Photographer with polish roots, whose conceptual work explores queer and Eastern European identities, aesthetics and fragments of the self.

Can’t wait to see you!

Date: 31.05.25
Doors: 23:00

Track-ID: Unreleased

#tresorwest #newfaces taken in Tresor.West by @m.oehr

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a year ago

snack

#vinyl #techno #dj by @m.oehr

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19 days ago

BEREKET at Open Lobby ✨
@openground.club

A shared evening shaped by rhythm, movement and connection.💕💫

With
@m.oehr
@plattenschwester
@plumitaamusic

13.08.26
20:00–00:00
Open Ground, Wuppertal
Free entry

Where separation fades, resonance grows.

BEREKET — a space where all colors can shine. 🤍 by @m.oehr

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2 months ago

testing new vinyl
#techno #turntable #vinyl by @m.oehr

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6 months ago

Bereket Session 03 @m.oehr 🙏🏽🥂 Vinyl

Thank you for sharing your journey with us.
You are a truly inspiring person. 🤍

🎧 Listen on SoundCloud — link in Bio

„Techno war für mich nie neutral“

Er ist nicht einfach nur ein Beat oder Eskapismus,
sondern entstanden aus Widerstand — in Detroit, einer Stadt geprägt von Deindustrialisierung, rassistischer Segregation und ökonomischer Ausgrenzung.

Geformt von BIPoC-Communities und queeren Räumen, von Menschen, die systematisch ausgeschlossen wurden. FLINTA*-Künstlerinnen wie K-Hand, DJ Minx oder Stacey Hotwaxx Hale haben diese Szene mit aufgebaut.

Doch auch die Tanzfläche ist kein neutraler Raum.
Machtstrukturen wirken weiter.

Wer ist sichtbar?
Wer steht auf Line-ups?
Wer wird bezahlt — und wer nicht?
Wer erlebt Ausschluss, selbst in einer vermeintlich offenen Szene?

Subkultur wird ästhetisiert und verkauft.
Kommerzialisierung verändert Räume.

Deshalb braucht Techno Bewusstsein.
Awareness ist kein Zusatz — sondern Grundlage.

Die Tanzfläche kann mehr sein:
ein Raum für Verbindung, Sichtbarkeit und Solidarität.
Techno wird politisch, wenn wir ihn aktiv gestalten.

BEREKET — Session 03
✨ BEREKET — a space where all colors shine 🥂💕

En:
„Techno was never neutral to me“

It’s not just a beat or a form of escapism —
it emerged from resistance in Detroit, a city shaped by deindustrialization, racial segregation, and economic exclusion.

It was formed by BIPoC communities and queer spaces, by people who were systematically marginalized. FLINTA* artists like K-Hand, DJ Minx, and Stacey Hotwaxx Hale helped build this scene.
But the dancefloor isn’t a neutral space either.
Power structures persist.

Who is visible?
Who gets booked on lineups?
Who gets paid — and who doesn’t?
Who experiences exclusion, even within a supposedly open scene?

Subculture gets aestheticized and sold.
Commercialization transforms spaces.

That’s why techno needs awareness.
Awareness isn’t an add-on — it’s the foundation.
The dancefloor can be more:
a space for connection, visibility, and solidarity.

Techno becomes political when we actively shape it. by @m.oehr

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6 months ago