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MANIERA Gallery

@maniera_brussels

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Experimental objects by architects, artists & designers. Sporadically commissioned, collaboratively developed and nomadically presented.
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MANIERA in Paris. This is Not a Fair. Opening October 21st. Works by Anouck Morlon, Koenraad Dedobbeleer, Richard Venlet, Sophie Nys, Stéphane Barbier Bouvet, Valentina Cameranesi Sgroi. @this_is_not_a_fair @a1043_ @aurelien_gendras @galerievivid @maniera_brussels by @maniera_brussels
MANIERA in Paris. This is Not a Fair. Opening October 21st. Works by Anouck Morlon, Koenraad Dedobbeleer, Richard Venlet, Sophie Nys, Stéphane Barbier Bouvet, Valentina Cameranesi Sgroi. @this_is_not_a_fair @a1043_ @aurelien_gendras @galerievivid @maniera_brussels by @maniera_brussels
MANIERA in Paris. This is Not a Fair. Opening October 21st. Works by Anouck Morlon, Koenraad Dedobbeleer, Richard Venlet, Sophie Nys, Stéphane Barbier Bouvet, Valentina Cameranesi Sgroi. @this_is_not_a_fair @a1043_ @aurelien_gendras @galerievivid @maniera_brussels by @maniera_brussels
MANIERA in VENICE ! Giorgio Mastinu Gallery Venice and MANIERA Gallery Brussels, cordially invite you for a drink on the occasion of the presentation of TOURNESOL by Anouck Morlon. Friday May 08 11:00 - 16:00 GIORGIO MASTINU Calle Malipiero 3160 30124 Venice, 🇮🇹 (Close to Campo Santo Stefano and Ponte dell’Accademia, Pallazo Grassi, Vapporetto stop S. Samuele) @noouuckii @maniera_brussels @giorgiomastinu Photography by @vittoriofranzolini by @maniera_brussels
MANIERA in VENICE ! Giorgio Mastinu Gallery Venice and MANIERA Gallery Brussels, cordially invite you for a drink on the occasion of the presentation of TOURNESOL by Anouck Morlon. Friday May 08 11:00 - 16:00 GIORGIO MASTINU Calle Malipiero 3160 30124 Venice, 🇮🇹 (Close to Campo Santo Stefano and Ponte dell’Accademia, Pallazo Grassi, Vapporetto stop S. Samuele) @noouuckii @maniera_brussels @giorgiomastinu Photography by @vittoriofranzolini by @maniera_brussels
MANIERA in VENICE ! Giorgio Mastinu Gallery Venice and MANIERA Gallery Brussels, cordially invite you for a drink on the occasion of the presentation of TOURNESOL by Anouck Morlon. Friday May 08 11:00 - 16:00 GIORGIO MASTINU Calle Malipiero 3160 30124 Venice, 🇮🇹 (Close to Campo Santo Stefano and Ponte dell’Accademia, Pallazo Grassi, Vapporetto stop S. Samuele) @noouuckii @maniera_brussels @giorgiomastinu Photography by @vittoriofranzolini by @maniera_brussels
MANIERA in VENICE ! Giorgio Mastinu Gallery Venice and MANIERA Gallery Brussels, cordially invite you for a drink on the occasion of the presentation of TOURNESOL by Anouck Morlon. Friday May 08 11:00 - 16:00 GIORGIO MASTINU Calle Malipiero 3160 30124 Venice, 🇮🇹 (Close to Campo Santo Stefano and Ponte dell’Accademia, Pallazo Grassi, Vapporetto stop S. Samuele) Image: shot at Collectible by @ange_jules @noouuckii @maniera_brussels @giorgiomastinu by @maniera_brussels
MANIERA in VENICE ! Giorgio Mastinu Gallery Venice and MANIERA Gallery Brussels, cordially invite you for a drink on the occasion of the presentation of TOURNESOL by Anouck Morlon. Friday May 08 11:00 - 16:00 GIORGIO MASTINU Calle Malipiero 3160 30124 Venice, 🇮🇹 (Close to Campo Santo Stefano and Ponte dell’Accademia, Pallazo Grassi, Vapporetto stop S. Samuele) @noouuckii @maniera_brussels @giorgiomastinu by @maniera_brussels
MANIERA in VENICE ! Giorgio Mastinu Gallery Venice and MANIERA Gallery Brussels, cordially invite you for a drink on the occasion of the presentation of TOURNESOL by Anouck Morlon. Friday May 08 11:00 - 16:00 GIORGIO MASTINU Calle Malipiero 3160 30124 Venice, 🇮🇹 (Close to Campo Santo Stefano and Ponte dell’Accademia, Pallazo Grassi, Vapporetto stop S. Samuele) Image: shot at Collectible by @ange_jules @noouuckii @maniera_brussels @giorgiomastinu by @maniera_brussels
Opening tomorrow: MANIERA at Collectible. Anouck Morlon. Ravioli One-Seater / Blanket. March 11 — 15. Although Morlon cites precedents from illustrious design history — most notably Eileen Gray’s elegant Fauteuil Transatlantique (1926), inspired by the deckchairs of luxury transatlantic ocean liners popular in the 1920s, designed for the terrace of her villa on the French Riviera, and later produced in leather, hair hide, and various fabrics — her own approach to upholstery is distinctly sartorial. Approaching the brief as a kind of “dressing up” of the wooden transat, her research drew on The Art of Manipulating Fabric by Colette Wolff, a comprehensive manual of gathering, pleating, shirring, smocking and tucking techniques that she first encountered during her internship with Beirut-based womenswear designer Rym Beydoun of SuperYaya. It was within these pages that she discovered the sculptural potential of matelassé. Putting this technique into practice while at ÉCAL, she transformed a papery, starched, two-dimensional fabric sourced from an oldschool fabric store in Montmartre, Paris, into a threedimensional landscape of cushiony mounds of fabric elevated from small, squared foundations (1). Arranging these modular matelassé panels into a tightly controlled middle section, she allowed the fabric along its edges to spill sumptuously in expressive folds that, she notes, move “a bit like a skirt.” The result was a study in how fabric, when manipulated by hand, could behave both architecturally and expressively. Read the full text by Amelia Stevens via the link in bio. Photography by Vittorio Franzolini. @noouuckii @collectiblefair #collectibledesign by #manieragallery Thanks to @ameliastevens_design & @vittoriofranzolini by @maniera_brussels
Next week: MANIERA at Collectible. Anouck Morlon. Ravioli One-Seater / Blanket. March 12 to 15th. Originally enrolled in fine art at the Kunstakademie in Düsseldorf, Morlon’s appetite for applied arts and manual techniques led her to internships with BLESS and SuperYaya, and ultimately to redirect her studies toward industrial design at ÉCAL in Lausanne. There, a brief to “cover up” a wooden transat chair prompted the creation of an experimental upholstery — an antipasto, so to speak, for what would later become a more substantial piece of upholstered furniture. While she concedes that the wooden transat functioned perfectly well on its own, her idea was “to make it chic” — “and to make it chic, I needed to hide it,” she quips with tongue in cheek. Read the full text by Amelia Stevens via the link in bio. Photography by Vittorio Franzolini. @noouuckii @collectiblefair #collectibledesign by #manieragallery Thanks to @ameliastevens_design & @vittoriofranzolini by @maniera_brussels
Next week: MANIERA at Collectible. Anouck Morlon. Ravioli One-Seater / Blanket. Something of a “gut feeling,” German designer Anouck Morlon cannot quite articulate what attracts her to the matelassé technique, although she suspects its allure might be culinary. Her debut solo exhibition with MANIERA Gallery translates this bodily intuition into a delectably humorous yet impressively tasteful formal expression, the comforting plumpness of raised cushions and the sculptural drama of undulating folds evoking delicately filled, folded and crimped ravioli — a kind of “cute metaphor” for the way in which fabric, like dough, can be pinched, pleated, puckered, and gently coaxed by hand into novel shapes, forms, and topographies. Read the full text by Amelia Stevens via the link in bio. Photography by Vittorio Franzolini. @noouuckii @collectiblefair #collectibledesign by #manieragallery Thanks to @ameliastevens_design & @vittoriofranzolini by @maniera_brussels

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