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Manu

@manuelboim

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Creative Director @motionprinciples

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Zooming in on L’heure Bleue for @guerlain.
A glimpse into the details, textures and craft behind the film.

Creative Direction @manuelboim & @facundo_pires
Director @facundo_pires
AD @julieta.sans

Managing Director @guidobertoni
Executive Production @letichristoph
Lead Producer @s_paeplow
Coordinator @mmmfer
Coordinator Assistant @bian.sca
IT Support @eugnialuna

Edit @gaynor_lucas @federico_dopazo @facundo_pires @andydean @natiloiacono
Graphic Design @muttostd @1000a1000a @sarmiento.sarmiento.sarmiento @sofitix_x
CGI Artists @muttostd @sarmiento.sarmiento.sarmiento @1000a1000a @nanobenayon

Comp Artists & Animators @sarmiento.sarmiento.sarmiento @rodrimora.es

Color Grading @armaleo_color

VFX @yava.films

Sound mix @vo___III
Narrated by @julietteaverrr

Shooting at @CanCanClub
Shoot Producer @libreextension
DoP @juanmaglione
Art Director @marilinamartignone
Director Assistant @pablokondratas
Prop master @sebarba311
Hand model @indianasimanauskas
Miniature artist @maxcanosa
Gaffer @lautaroisern
Grip @cristianrgrip
Set electrician @ramadg
1st AC @joaquinfranke
Art Assistant @holaautomne
Camera Assistant @eriik_s
Gaffer Assistant @julietasol.ph
Art Runner @leydelia
Production Assistant @carolinamena.chi by @manuelboim

118

4

11 hours ago

A curious experiment about illusion, guided by motion and design.

AI as a language, not just a tool.

Directed by @manuelboim & @orti.carlos_

Archival reconstruction by @motionprinciples

Evidence

This film presents the vision of the elusive artist Johann Sebastian Geigenbauer.

Guided by Orson Welles’s voice in the 1938 War of the Worlds broadcast, the film revisits another archive of mediated belief.

Drawing from historical photographs, from the famous image of the Loch Ness Monster to alleged sightings of the Yeti, Geigenbauer translated these hoaxes into painted tableaux, later animated through AI.

Evidence, after all, is often a matter of presentation.

Original Photographs:

• Valley of the Shadow of Death
1855 — Roger Fenton

• Exhumation of the Cardiff Giant
1869 — Unknown photographer

• Bolshevik Honor Guard
1917 — Unknown photographer

• The Surgeon’s Photograph (Loch Ness Monster)
1934 — Robert Kenneth Wilson

• The Falling Soldier
1936 — Robert Capa

• Orson Welles at CBS Studio
1938 — Unknown photographer

• Grovers Mill, New Jersey
1938 — Unknown photographer

• Orson Welles Recording the Broadcast
1938 — Unknown photographer

• Orson Welles Explains the Broadcast
1938 — Unknown photographer

• The Ghost Army (U.S. Army Tactical Deception Unit)
1944 — U.S. Army Signal Corps

• Raising a Flag over the Reichstag
1945 — Yevgeny Khaldei

• Roswell Balloon Inspection
1947 — U.S. Army Air Forces

• Piltdown Man Exhibit
1953 — Natural History Museum, London

• Operation Blackbird Crop Circles
1990 — Unknown photographer

• Stonehenge Crop Circles (Julia Set)
1996 — Steve Alexander by @manuelboim

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15

6 months ago

by @manuelboim

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3

4 years ago

Wear a mask by @manuelboim

223

12

6 years ago

-> swipe. Cuando Shakira y yo trabajábamos en la misma oficina.

Creditos a @saborsingelatina y @marianieverest by @manuelboim

196

25

6 years ago

Una foto de mi mismo en mi perfil? No se, nunca lo hice. taken in Playa Bristol, Mar del Plata by @manuelboim

224

40

6 years ago

Friends, relatives, and my mother. by @manuelboim

129

28

6 years ago

Some friends and relatives by @manuelboim

122

9

6 years ago

Some of my friends and I by @manuelboim

120

8

6 years ago

Time for a dentist appointment by @manuelboim

134

6

7 years ago

Sleepless nights by @manuelboim

137

9

7 years ago

Like an overflowing bathtub by @manuelboim

123

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7 years ago