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Nurrachmat Widyasena

@mas_ito

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You promised me flying car, instead i got hashtags
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This was me in 2009, already deeply fascinated by rockets and space exploration. The only thing that didn’t reflect that passion was the way I behaved. by @mas_ito
26
17 days ago
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Come and see my works :Fighter Sanctum ApparatusHappy Little CatastropheAt @ning.artspaceL'Art Pour La Vie.Group Exhibition by @mas_ito
12
a month ago
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Nurrachmat Widyasena, known as Mas Ito, navigates retro-futurism at the intersection of reality and fantasy. Positioning himself as a "stupid third-world Asian," he reflects on forgotten Space Age ideals with humor and low-tech methods, critiquing Indonesia's technological aspirations through painting, installation, metal plates, wood, and found objects.Encounter his work at the group exhibition L'Art Pour La Vie, Ning Art Space, 15 June - 15 September 2026.#nurrachmatwidyasena #NingArtSpace #visualartist by @mas_ito
11
2 months ago
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Throwback Art Borneo 2025Happy Little Catastrophe (2025)By Nurrachmat Widyasena @mas_ito A retro-futuristic reflection on the dream of progress, the paradox of development, and fractured landscapes behind the promise of “Golden Indonesia.”#ArtBorneo #ArtBorneo2025 #Throwback #ContemporaryArt #IndonesianArtist #BorneoArt #NurrachmatWidyasena by @mas_ito
1
6 months ago
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Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.— Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present. by @mas_ito
7
7 months ago
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Mentally I'm in a Shoujou AnimeCrying in the rain 🥹🥹🥹Rain Room SharjahBy Random International📷 @adimas_bayu by @mas_ito
15
8 months ago
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CURATORIAL GUIDE (part 3)𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧RegeneratifAurora Arazzi @auroraarazziMaharani Mancanegara x Nurrachmat Widyasena @mancanagara @mas_itoWidi Pangestu Sugiono @widipangestusugionoYuli Prayitno @yuliprayitno𝘊𝘶𝘳𝘢𝘵𝘰𝘳𝘴Arham RahmanFebrian Adinata Hasibuan @febrianhasibuanKhoiril Maqin @masiv_etekYohanes De Britto Wirajati @brittowirajati𝟏𝟒 - 𝟐𝟖 𝐍𝐨𝐯𝐞𝐦𝐛𝐞𝐫 𝟐𝟎𝟐𝟓Gallery HoursMon - Sat: 10am - 10pmSun: 1pm - 7pmAce House - Langgeng Art SpaceJl. Suryodiningratan No. 37, Yogyakarta by @mas_ito
0
8 months ago
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𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵by Maharani Mancanagara & Nurrachmat WidyasenaExhibition Period8 November - 7 December 2025D GallerieJl Barito I No.3Jakarta 12130 by @mas_ito
8
8 months ago
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𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧14 — 28 November 2025Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site82.5 x 75 x 4 cm 2025𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site77.5 x 75 x 4 cm 2025Gallery HoursMon - Sat: 10am - 10pmSun: 1pm - 7pmAce House - Langgeng Art SpaceJl. Suryodiningratan No. 37, Yogyakarta by @mas_ito
0
8 months ago
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𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵by Maharani Mancanagara & Nurrachmat WidyasenaExhibition Period8 November - 7 December 2025@dgalleriejakartaD GallerieJl Barito I No.3Jakarta 12130 by @mas_ito
12
8 months ago
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𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.—𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵by Maharani Mancanagara & Nurrachmat WidyasenaExhibition Period8 November - 7 December 2025Opening ReceptionSaturday, 8 November 20254PMD GallerieJl Barito I No.3Jakarta 12130 by @mas_ito
34
9 months ago
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𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 brings together two artists, two timelines, and one question. How do we move forward when the past still holds our roots? Together, they trace how Indonesia’s scientific and bureaucratic imagination has been framed by power: from colonial taxonomies to the state’s visions of progress.𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵by Maharani Mancanagara & Nurrachmat WidyasenaExhibition Period8 November - 7 December 2025Opening ReceptionSaturday, 8 November 2025 4PMHosted byDr Melani Setiawan @melanisetiawan Enrico Iskandar @enricoiskandar Luly Iskandar @luly_joenoes Syafi Hakim @syafihakim D GallerieJl Barito I No.3Jakarta 12130 by @mas_ito
26
9 months ago
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