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DI Colorist
📍New Orleans
[email protected]
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“GLOOM IS YOUR BUSINESS & BUSINESS IS GOOD” @slxmgucci 

Such a joy being part of this incredible team.

Directed and edited by @theoffbeatdept 
Cinematography by @yealevi 
Prod. Coordinator @camibar 
Casting Director and producer @rudebellycasting 
Producer @shawscope 
Executive producer @slxmgucci 
Art Direction and Styling @von5tafford 
Set Designer @roguebug_ 
Hair Makeup and Styling @shvnti.v 
SFX Makeup @ashtreadaway 
FX @mrexumbra 
Colorist 👋🏼
Gaffer @filthyfewfilmcrew 
1st AC @page.2zet 
1st AC @qbaongo 
Creative Studio Space @channelvivid 
VHS B Cam @shotbyhayk47 @charburstt by @mathews_seth
7
2 months ago
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Such a pleasure working with this talented team!

Client @skinnydipped 
Agency @fatearthmedia 
Production Company @fathappymedia 
Co-directors Baz + Wilder
DP @nick_shamblott 
Executive Producer @nicweinfeld 
Executive Producer @tejae594 
Line Producer @alison.goldberger 
Production Manager @kaymarz 
1st AD @meat_sweats2 
2nd AD Kylie Swanson
PA @embryomystic 
1st AC @mohawk_friday 
2nd AC @marymcdade 
Photographer @justenwilliams 
Photography Assistant @devohnthagreat_ph 
BTS @sydniallen 
DIT @danikaandrade_ 
VTR operator Robert Barr
Gaffer @ian_pigg 
BBE Scott Morrison
Electric Swing @blistfulignorance 
Key Grip jimiryan818
Best Boy Grip Dan Wyssmann
Production Designer @melissacripe 
Art Director @aperture_dos 
Art Assistants @virg________ and Mo Murphy
Food Stylist @warrens_world 
HMU @kimberlynwilson_mua 
Wardrobe Stylist @bluejeanbabayy 
Wardrobe Assistant Heidi Bannon
Craft Services Anne Mendez
Catering @myhouseevents 
Location Manager @itselle_bb 
Talent @avy.a.pret @bayleyalbinger Martina Menses @masonkreidt @jonathantuohey 
Camera @keslowcamera 
Grip/Electric @mbseco 
Post Production Supervisor @bazambas 
Post Producer @itselle_bb 
Editor @md_wilder 
GFX/VFX @memotione 
Color 👋🏼
Sound Design and Mix @b_mullaney by @mathews_seth
0
a year ago
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Unseen Olympiad premieres today at the Tonia Marketaki @filmfestivalgr in Thessaloniki, Greece!!

@unseenolympiad 

Presented in @shawscope 

Directed by @liminal_case 
Written by @labatfilms @liminal_case 
Produced by @shawscope @k_dawk123 @labatfilms 
Executive produced by @gshaw1234 Alan Shaw, and epic
In grateful cooperation with @fisu 
In grateful cooperation with @chengdu2021 @lakeplacid2023 
Cinematography by @yealevi 
Sound by @spencerdavidpoole 
Edited by @mediamelissa @shawscope 
Original score by @oliverboniemusic 
Colorist by 👋🏼
Associate Producers @haleyjshaw @alexandrakern @dreambig_bri 
Still Photogtaphy by @exprd_photo @augustlxx @yealevi 
Film Loader, NY: @haleyjshaw 
Fixer/ Interpreter, Chengdu: @augustlxx 
Post Sound Provided by Monolith Post
Music Supervisor @labatfilms 
Film Processing: @kodak_shootfilm @negativelandfilm @moderncinemalab @spectrafilm 
Film Scanning: @preservefilm @moderncinemalab by @mathews_seth
1
2 years ago
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Space to Breathe

This is such an important film about a future worth fighting for, a future without prisons. 

Director @oppressedjuice 
Producer Jordan Flaherty
Director of Photography @bronmoyi 

Grateful to be a small part of this 6 year project! by @mathews_seth
1
2 years ago
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Amongst the Disquiet

Director/editor @tuan.andrew.nguyen 
Producer/editor @ma.rion.hnh 
Director of Photography @bronmoyi 
Original Music @thaogetstaydown 

Line Producer @catmigz 
Stylist & Art Director @lyn.kim 
Location Sound Lee Garcia
Sound Designer @aidandykes 
Color 👋🏼
Swing @leforbusier 

Featuring 
@thaogetstaydown 
@amy_h_le 
@kienmichaelspiller 
@bbbbbbbennie 

This installation will be on display at the New Orleans Sculpture Garden Pavilion as a part of @prospect_nola through January 29th 2025. by @mathews_seth
5
2 years ago
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Spring Will Come

This is a stunning film from @ma.rion.hnh.  Check it out at the 2024 @neworleansfilmfestival!

Writer/Director/Editor @ma.rion.hnh 

Starring @van______anh , @luzboku , @amy_h_le , @thucmaixxi 

Cinematographer @danosawrr 

Producer @thucmaixxi 

Co-Producer @louisdatta 

Art Director @golliwog21

Art Team @_iep.d 

Colorist 👋🏼

Executive Producers @claudiahshin @mandypham & KYL by @mathews_seth
5
2 years ago
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This Weary Flesh

Director: Nolam Plaas
Producer: @bbbbbbbennie and Emily Mouton
DP: @brettfelty 
1st AC: @bennnn_there 
Gaffer: @killakowalski 
Key Grip: @smiles_on_set 
Sound: @prestonallthewaysuperstar93 
Prod. Design: Cristina Pando
Catering: @houseofslop 
Color: 👋🏼
Editor: @stevpfhen 

Come watch this film at @neworleansfilmfestival this October!! by @mathews_seth
1
2 years ago
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🖍️ by @mathews_seth
1
2 years ago
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Got some more looks for ya 😘 by @mathews_seth
0
2 years ago
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One of the most rewarding parts of my job is figuring out ways to tell a better story through color.

Analyzing the emotional weight of any particular scene or shot is paramount to what I do.

What is the character feeling? And what should the audience be feeling?

These are the questions that endlessly give my craft new life, and it’s a joy to discover new ways to answer those questions over each new project.

#colorgrading #davinciresolve #cinematography #colorist #filmmaker #cinematographer #postproduction #colorgrade #film #color #directorofphotography #colorcorrection #portrait #photoshop #videography #filmmakers #cinema #blackmagicdesign #videoproduction #editing by @mathews_seth
0
2 years ago
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Director of Photography Linus Sandgren created such a lush world in this film. He shot on mostly 35mm kodak vision 3 500T/5219.  The skin tones, atmosphere, texture and foliage of the film are so rich. 
This was a fun one to emulate. 
One thing I’d like to note about these emulations that my goal is not to create a 1-1 replica of the shots from the film, but rather to try and recreate more broadly the DNA of the films look. The majority of this is being done by honing in on the right contrast curve— finding the right weight to the image. 
From there I fine tune the palette and texture of the images, trying my best to avoid using tools like qualifiers and secondaries.  If I can work more broadly, the looks I create can be replicated across a body of work more easily. by @mathews_seth
5
2 years ago
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Gorgeous film— so many wonderful, off-putting, and potent looks created by cinematography Robbie Ryan and colorist Greg Fisher (along with the incredible costume and set design team). 

Poor things was shot on film with Kodak Vision3 500T 5219, and some color reversal Ektachrome 100D 5294. by @mathews_seth
3
3 years ago
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