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Mike Lindsay, Producer/ Creative Mixer / Composer /Tunng / LUMP / Supershapes and all the other gubbins…
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Hello, my new song The Moon in the Movies is out today—featured over at God is in the TV zine 🌝

Three little things to know about it:

— it’s dedicated to my dear friend Sam Tyler, whose incredible anecdote about a night in LA inspired the song. I’ll try and get him to tell it to you. 

— it’s a live take, warts and all, which is what the moon would want I think. Additional production was by @miketunng and strings by @zmaragda 

— once you start spotting the moon in films, and you realise that it is the same moon in all of them, and that that same moon looked down on Sappho looking up, and that that moon looked down on dying dinosaurs, sliding ice sheets making their way across the earth, pagan rituals and ravers in a field, it’s advisable, then, to put this device down and seek out your nearest moon. 

Thank you for listening and pre-ordering the new record 🌙🌛🌕 by @miketunng
9
23 days ago
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Had a few sessions in Mike's @miketunng Excellent Sound Space (MESS) here in Margate, where we recorded guitar, vocals, bass, trombone, synths and a variety of his gubbins for my EP. Here's a rundown:

(*Song Title)
1. Me and my Dynelectron 60s fretless bass
2. Mike in his MESS
(My Soul is Somewhere Over the Indian Ocean)
3. Getting the right sub bass tone from the Grandmother 
4. Playing around with my voice
(Mania)
5./6. Setting up the Tomstrument. I sang a long C and Mike turned my voice into an instrument
7. Tomstrument dialled in
8. Tomstrument in action
9. Getting inspiration for bass tones
Note: sometimes in the tracking process I would get distracted by looking at my phone while Mike gets everything fine tuned on his computer, and not notice him teleport to one of his gubbins to add the perfect sound, the missing piece. So I would hear this beautiful extra part out of nowhere, look ahead, he's disappeared, look around and suddenly I spot him stood behind something playing something beautiful. Next two slides will show this.
10. VC340 string part at the end
11. Strings in action
(Holiday in Lemuria)
12. Mike getting the Jen involved
13. Fulltone tube tape echo on the Jen
14. Mike sending the vocals into the abyss
(How's Everything Going)
15. Getting some dirty tones on the guitar
16. Putting my trombone through the Leslie speaker
17. Swirling my voice with the tape echo

X by @miketunng
11
2 months ago
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 by @miketunng
9
5 months ago
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Night sessions in MESS by @miketunng
23
5 months ago
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TOMORROW! April 30th at @mothclub

Baba Yaga's Hut & @weird_walk Presents:
CULT NIGHT a double bill of cinematic musical enchantment hosted by Stewart Lee

The Portcullis - Performed by @grahamreynoldsmusic (visionary composer behind Richard Linklater's A Scanner Darkly, Before Midnight, Blue Moon and countless others)

The Last Sacrifice - Performed by @miketunng (@thisistunng)

Doors open at 7.30pm
Mike Lindsay on stage at 8pm 
Graham Reynolds at 9

Graham Reynolds' The Portcullis draws on dungeon-synth textures, medieval ambience, and the imaginative pull of folklore. Taking the listener on a focused journey through shifting eras, symbols, and atmospheres. It plays like a lost fantasy soundtrack, inviting the listener into an adventure that feels both ancient and newly invented. 

Mike Lindsay, co-founder of folktronica legends Tunng, summons the perfect, chilling accompaniment to Rupert Russell’s The Last Sacrifice – a sinister true crime tale about the real-life witchcraft killing that inspired The Wicker Man. Folk horror in audio form!

Last tickets on sale via Dice by @miketunng
0
6 months ago
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The journey takes shape !!!
#tiptopaudiobuchla #soundgas #audiocomputer #buchla #recordingstudios studio by @miketunng
17
6 months ago
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ONE MONTH TO GO, April 30th at @mothclub 

Baba Yaga's Hut & @weird_walk Presents:
CULT NIGHT a double bill of cinematic musical enchantment hosted by Stewart Lee

The Portcullis - Performed by @grahamreynoldsmusic (visionary composer behind Richard Linklater's A Scanner Darkly, Before Midnight, Blue Moon and countless others)

The Last Sacrifice - Performed by @miketunng (@thisistunng)

Graham Reynolds' The Portcullis draws on dungeon-synth textures, medieval ambience, and the imaginative pull of folklore. Taking the listener on a focused journey through shifting eras, symbols, and atmospheres. It plays like a lost fantasy soundtrack, inviting the listener into an adventure that feels both ancient and newly invented. 

Mike Lindsay, co-founder of folktronica legends Tunng, summons the perfect, chilling accompaniment to Rupert Russell’s The Last Sacrifice – a sinister true crime tale about the real-life witchcraft killing that inspired The Wicker Man. Folk horror in audio form!

Tickets on sale now via Dice by @miketunng
0
7 months ago
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The dream @studioblackboxfrance producing dreamy band @marsy.band ! Loving every second of this vintage heaven ! #flickinger by @miketunng
21
7 months ago
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"Window Tax", le nouvel album de Maxwell Farrington & Le Superhomard, paraîtra le 24 avril prochain !

Les précommandes sont ouvertes en CD, vinyle et vinyle édition limitée cream white (liens en bio).

Depuis "Once" (Talitres, 2021), @mfarrington_lesuperhomard construisent une pop orchestrale fondée sur l’art du récit, la richesse harmonique et la précision des arrangements. La voix grave de @maxwellfarrington s’inscrit dans des compositions élégantes portées par Christophe Vaillant, héritières des grandes écritures anglo-saxonnes des années 1960–1970. "I Had it All" (EP, 2022) a confirmé cette orientation mélodique, tandis que "Please, Wait…" (2024), enregistré avec des musiciennes et musiciens de l’Opéra et du Conservatoire de Nancy, a marqué un tournant vers une ampleur orchestrale assumée.

Pour "Window Tax", le duo a choisi de travailler en Angleterre. L’album a été enregistré à Margate, près de Londres, avec Mike Lindsay (Tunng), dans un studio pensé comme un espace d’expérimentation sonore, rempli de synthétiseurs analogiques, de percussions atypiques et d’instruments singuliers. Ce nouveau disque approfondit leur écriture pop et renforce leur goût pour les textures, l’architecture des morceaux et une production plus ouverte, au service d’une identité désormais pleinement affirmée.

Le premier single et son clip "Supermarket", réalisé par Cyril « Pooley » Jean ( @woom_studio), sont déjà disponibles.

Production & Mix : @miketunng (M.E.S.S, Margate, UK + SuperHomard Studio, FR)
Mastering : Benjamin Joubert (Biduloscope, Paris)
Illustration : "Chaos" par Guillaume Pinard
Artwork : @samuelcrap
Photo : @philippemazzoni

With the participation of @lilybuchananartist

#talitres #maxwellfarrington #lesuperhomard #windowtax #newalbum #indiepop #baroquepop #orchestralpop #frenchpop #supermarket #vinyl #newmusic by @miketunng
18
8 months ago
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NEW SHOW: April 30th - @mothclub 

BYH & @weird_walk present:
Cult Night

@miketunng - The Last Sacrifice 
@grahamreynoldsmusic - The Portcullis

Hosted by Stewart Lee.

Tickets on sale now on Dice. taken in MOTH CLUB by @miketunng
1
9 months ago
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COMING UP: @thisistunng 
+ support from @pictishtrail 

Following their sold out @earthackney show celebrating 20 years of their incredible debut, Tunng are back to play Islington Assembly Hall this Saturday 22 November with support from the ever brilliant @pictishtrail. 

📍@islington_ah 
🗓️ Saturday 22 November

🎟️ Final tickets on sale now taken in Islington Assembly Hall by @miketunng
3
a year ago
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RELEASE DAY! In/Verse is out today on Noises/Toyses. I'm so excited for it to be released into your ears and eyes 💫Here are 4 of the remixes...in wee form.

It has been such a wonderful thing to slowly pull these pieces together and make something coherent and special. Every single remix is its own re/world. Thank you to all of you for taking a punt and giving your energy 🤍

@miketunng animated by @graceattlee 
@benedictdrew 
@a_bear_sounds video remix by @clementine__blue 
@k_gallerneaux 

Add the toxic tape to your collection 🦠 ...if you're local dm me and I'll hand deliver! 🫳 

Link in the ole biooooo 

Special thanks to Matt @ashtoninspace & Bernie @dhallllc for boundless support 🐙 by @miketunng
4
a year ago
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