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Miles 🌙

@miles_arm

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Tape manipulation night at @ganesh_capetown, arranged by @heretohear.sound

Very grateful to have performed with such impressive artists 📼

Photography: @djshelwell

Performances by: @bottilsmusic @stanley_sibande_music @brendon_bussy and @james8392564 by @miles_arm

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No sponsors, no ads, just a community trying to build something real.

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Miles Armstrong. Acoustmatic hauntologist tape loop improv.

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mlondiwethu, born and raised in Durban, South Africa, grew up as a curious, shy-loud, tree-talking kid. Mlondiwethu identifies himself as a creative sound and performance-maker, and improviser. The sonic vision he’s preoccupied with is one which aims to cultivate a sensitivity toward the heart, in sound and in practice. Mlondiwethu considers his music to be an offering toward the space of inspiration that thrums within us all.

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Naledi Chai is a Johannesburg‑based anti‑disciplinary artist and DJ blending film, sculpture, sound art, and music production. She co‑founded Fly Machine Projects and Septober Energy, holds a BA in cinematography and sound design, and explores object displacement, reimagined materials, traditional South African methods, and turntabilism. Her work has featured on Boiler Room TV, UK Radio Drama Festival, Radiophrenia, and Club Late Music, and she curated Jo’burg’s Drone Day (2024). Her practice incorporates field recordings, synths, archive material, broken records, and old mobile tech, with collaborations across galleries and festivals. She mentors youth, runs workshops, and researches decolonial sound studies, with work featured in Wire, NTS, and academic journals.

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Nandele Maguni (also credited as Nandele) is a Mozambican artist whose work bridges analog electronics, field-recorded soundscapes, ambient structures, and sonic ritual. Based in Maputo, with international residencies in Zurich,Rotterdam and South Africa, his creative language foregrounds texture, improvisation, and a deep-rooted Afro-futurist sensibility. He was featured in DJ Mag’s “Eight Emerging Artists You Need to Hear – August 2024”, praised for his fearless hybrid of industrial, ambient and ritualistic techno rooted in Southern African sonic memory. by @miles_arm

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pictures by @zulucowboi 📸 taken in Wits School of Arts by @miles_arm

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by @miles_arm

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