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Moonjoo Kim

@mmoonjoo

1.3K
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721
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Freelancing dancer & Performer
@muen_kollektiv
Based in NRW, Germany
🎓 M.A. FUDK, B.A. KNUA
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Thank you so much for fantastic weeks!✹✹✹ I would not forget about this Balkan Erotic Epic, and all the love from the teamsđŸ«¶đŸ«¶đŸ«¶ @abramovicinstitute @factory_international @ruhrtriennale taken in Duisburg by @mmoonjoo
5
a month ago
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PRESS REVIEW - THE PREVIEW ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉오 á„ƒá…ąá„’á…Ąá†« ᄀᅔᇁᄋᅔ ᄋᅔᆻ는 고ᆌ연 ᄅᅔᄇá…Č가 á„ƒá…„á„‘á…łá„…á…”á„‡á…Č THE PREVIEW오 á„‰á…”á†Żá„…á…§á†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. â€œá„Œá…źá†Œá„‹á…­á„’á…Ąá†« ᄀᅄá†ș은 결ᄀᅼᆹ â€˜á„€á…«á†«á„Žá…Ąá†­á„Œá…” á„‹á…Ąá†­á„ƒá…Ąâ€™á„€á…© 말할 ᄉᅼ ᄋᅔᆻᄀᅊ á„ƒá…Źá„‚á…łá†« á„‰á…źá†«á„€á…Ąá†«á„‹á…”á„ƒá…Ą.” ᄒá…Șᆌᄒᅎᄌᅄᆌ á„†á…źá„‹á…­á†Œá„‹á…”á„…á…©á†«á„€á…Ąá„‚á…łá†« á„‹á…” á„Œá…Ąá†šá„‘á…źá†·á„‹á…” 여ᄉᅄᆌᄋᅎ â€˜á„’á…Ąá†«â€™á„‹á…łá†Ż ᄀá…Șᄀᅄᄋᅎ 슬픔ᄋᅊ ᄆᅄᄆᅟᆯᄀᅊ á„’á…Ąá„Œá…” 얺고, 오늘널ᄋᅎ 몸ᄋᅊ 넘어 ᄋᅔᆻ는 á„Œá…Ąá„€á…”á„€á…Șᆫᄅᅔ, á„Œá…Ąá„€á…”á„€á…„á†·á„‹á…§á†Ż, 터ᄋᅔᆫᄋᅎ ᄉᅔᄉᅄᆫᄀá…Ș 토ᆌᄌᅊᄋᅎ á„†á…źá†«á„Œá…Šá„…á…© á„‹á…©á†±á„€á…§á„‚á…©á‡‚á„‚á…łá†«á„ƒá…Ąá„€á…© á„‹á…”á„‹á…Łá„€á…”á„’á…Ąá†žá„‚á…”á„ƒá…Ą. 또헌 CCTV, 러ᄋᅔ브 카모라, ᄉᅔᆫᄆᅟᆫ, 거면, ᄐᅊᄋᅔ프, ᄇᅟᆰ은 고ᄎᅟ á„ƒá…łá†Œ ᄉᅄ로 á„ƒá…Ąá„…á…łá†« á„†á…źá†Żá„Œá…”á†Żá„€á…Ș á„‹á…”á„†á…”á„Œá…”á„ƒá…łá†Żá„‹á…” â€˜á„‡á…©á„‹á…”á„‚á…łá†« 몸’ᄋᅊᄉᅄ â€˜á„á…©á†Œá„Œá…Šá„ƒá…Źá„‚á…łá†« 몸’, 그ᄅᅔ고 머ᄎᅔᆷᄂᅹ 그ᄀᅄá†ș을 퍼ᄀᅏ허려는 몸으로 á„‹á…”á„‹á…„á„Œá…”á„‚á…łá†« ᄀá…Șá„Œá…„á†Œá„‹á…łá†Ż á„†á…Ąá†«á„ƒá…łá†Żá„‹á…„á„‚á…ąá†«á„ƒá…Ąá„€á…© á„‹á…”á†°á„‹á…„á„Œá…źá„‹á…„á†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. ᄉᅄᄋᅟᆯᄋᅊᄉᅄ ᄀá…Șá†«á„€á…ąá†šá„ƒá…łá†Żá„€á…Ș ᄎᅄ음 먼넌 á„‹á…” á„Œá…Ąá†šá„‹á…„á†žá„‹á…łá†« ᄀᅚ소ᆚ 변ᄒá…Ș허고 á„‹á…”á†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż ᄉᅊᄉᅔᆷ허ᄀᅊ 바라ᄇá…Șá„Œá…źá„‰á…”á†« ᄒá…Șᆌᄒᅎᄌᅄᆌ á„†á…źá„‹á…­á†Œá„‹á…”á„…á…©á†«á„€á…Ąá„‹á…Ș á„ƒá…„á„‘á…łá„…á…”á„‡á…Č오 á„€á…Ąá†·á„‰á…Ąá„ƒá…łá„…á…”á†žá„‚á…”á„ƒá…Ą. ᄀᅔ서 á„Œá…„á†«á„†á…źá†«á„‹á…łá†« 프로ᄑᅔᆯ ᄆᅔᆟ 스토ᄅᅔ á„…á…”á†Œá„á…łá„‹á…Šá„‰á…„ ᄒá…Șᆚᄋᅔᆫ허ᄉᅔᆯ ᄉᅼ á„‹á…”á†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉 2026.12.17–18 · Essen #á„‚á…Ąá„‚á…łá†«á„€á…«á†«á„Žá…Ąá†­á„Œá…”á„‹á…Ąá†­á„ƒá…Ą #á„†á…±á†«á„á…©á†Żá„…á…Šá†šá„á…”á„‡á…ł #MÜNKollektiv #á„ƒá…„á„‘á…łá„…á…”á„‡á…Č 고ᆌ연ᄅᅔᄇá…Č 턴츠ᄐᅊ어ᄐᅄ á„’á…Ąá†«á„€á…źá†šá„†á…źá„‹á…­á†Œ á„‘á…”á„Œá…”á„á…„á†Żá„‰á…”á„‹á…„á„á…„ á„€á…©á†Œá„‹á…§á†«á„‹á…šá„‰á…źá†Ż á„‰á…Ąá„Œá…”á†«_ @longtime.oh.see @jpeg._yu English A thoughtful review of I AM NOT OKAY has been published in THE PREVIEW. “What ultimately matters is the moment when we are finally able to say: ‘I am not okay.’” Dance theorist Heejeong Hwang reads the work as an attempt to move the Korean notion of han beyond a historical feeling of sorrow, connecting it instead to the ways contemporary bodies continue to experience self-discipline, self-censorship, surveillance, and the gaze of others. The review also traces how CCTV, live camera, newspapers, masks, tape, and red peppers form a progression from the body being seen, to the body being controlled, and finally to the body attempting to dismantle that control. The work first met its audience in Seoul, and it continues to change and develop. Thank you to Heejeong Hwang and THE PREVIEW for looking so closely at our work. Read the full review via the link in our bio / story. I AM NOT OKAY 17–18 DEC 202 Photo_ @longtime.oh.see @jpeg._yu by @mmoonjoo
0
2 months ago
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á„†á…źá†«á„…á…ąá„‹á…šá„‰á…źá†Żá„€á…©á†Œá„Œá…Ąá†Œá„‹á…Šá„‰á…„á„‹á…Ž 3ᄋᅔᆯ건ᄋᅎ á„€á…©á†Œá„‹á…§á†«á„‹á…łá†Ż 잘 á„†á…Ąá„Žá…§á†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉를 험ᄁᅊ á„†á…Ąá†«á„ƒá…łá†Żá„‹á…„á„Œá…źá„‰á…”á†« á„†á…©á„ƒá…łá†« á„Žá…Ąá†Œá„Œá…Ąá†šá„Œá…”á†«á„€á…Ș 스튀프, á„€á…©á†Œá„‹á…§á†«á„‹á…łá†Ż 위ᄒᅹ ᄒᅔᆷ을 á„‡á…©á„á…ąá„Œá…źá„‰á…”á†« á„†á…źá†«á„…á…ąá„‹á…šá„‰á…źá†Żá„€á…©á†Œá„Œá…Ąá†Œá„€á…Ș ᄉᅄᄋᅟᆯᄆᅟᆫᄒá…Șá„Œá…ąá„ƒá…Ąá†«, ᄀᅏᄐᅊᄋᅔᆫ스ᄐᅔᄐá…Č트, NRW LFDK, Essen ᄆᅟᆫᄒá…Șá„Œá…ąá„ƒá…Ąá†« 그ᄅᅔ고 ᄀᅹᆚᄉᅄᆚ을 á„Žá…ąá„‹á…Żá„Œá…źá„‰á…”á„€á…© á„á…łá‡€á„á…Ąá„Œá…” á„’á…Ąá†·á„á…Šá„’á…ąá„Œá…źá„‰á…”á†« ᄀá…Șᆫᄀᅹᆚ 여ᄅᅄᄇᅟᆫᄁᅊ á„Œá…”á†«á„‰á…”á†·á„‹á…łá„…á…© á„€á…Ąá†·á„‰á…Ąá„ƒá…łá„…á…”á†žá„‚á…”á„ƒá…Ą. 오ᄅᅹᆫ ᄉᅔ건 ᄅᅔᄉᅄᄎᅔ허고 연스ᆞ허며 á„Œá…źá†«á„‡á…”á„’á…ąá„‹á…©á†« á„Œá…Ąá†šá„‹á…„á†žá„‹á…łá†Ż ᄎᅄ음 ᄀá…Șᆫᄀᅹᆚ 앞오 ᄁᅄᄂᅹ놓는 ᄋᅔᆯᄋᅔᄀᅔᄋᅊ ᄉᅄᆯᄅᅊᆷᄀá…Ș á„€á…”á†«á„Œá…Ąá†Œá„‹á…” á„’á…Ąá†·á„á…Šá„’á…ąá†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. á„€á…©á†Œá„‹á…§á†«á„‹á…łá†Ż ᄌᅔ켜ᄇá…Ș á„Œá…źá„‰á…”á†« ᄉᅔᄉᅄᆫᄀá…Ș ᄀá…Șᆫᄀᅹᆚᄀá…Ș우 뒤ᄒá…Șᄋᅊᄉᅄ á„‚á…Ąá„‚á…źá„‹á…„á„Œá…źá„‰á…”á†« á„‹á…”á„‹á…Łá„€á…”á„ƒá…łá†Żá„‹á…łá†« 엎으로 á„‹á…” á„Œá…Ąá†šá„‘á…źá†·á„‹á…” ᄀᅚ소ᆚ 너어거는 도 á„Œá…źá†Œá„‹á…­á„’á…Ąá†« á„’á…łá†«á„Œá…„á†šá„‹á…łá„…á…© 넘을 ᄀᅄá†ș á„€á…Ąá‡€á„‰á…łá†žá„‚á…”á„ƒá…Ą. ᄆᅟᄋᅄá†șá„‡á…©á„ƒá…Ą á„Œá…Ąá„‰á…”á†«á„‹á…Ž 겨ᆌᄒᅄᆷᄀá…Ș ᄀᅔᄋᅄᆚ, 어픔을 ᄀᅔᄁᅄᄋᅔ á„‚á…Ąá„‚á…źá„‹á…„á„Œá…źá„‰á…”á†« ᄋᅔᆫᄐᅄᄇá…Č á„Žá…Ąá†·á„‹á…§á„Œá…Ąá„‡á…źá†«á„ƒá…łá†Żá„á…Š á„ƒá…Ąá„‰á…” 헌ᄇᅄᆫ ᄀᅔᇁᄋᅔ á„€á…Ąá†·á„‰á…Ąá„ƒá…łá„…á…”á†žá„‚á…”á„ƒá…Ą. 여ᄅᅄᄇᅟᆫᄋᅎ ᄋᅔ야ᄀᅔ를 가볓고 á„‰á…©á„‡á…”á„’á…Ąá„Œá…” 얺고, á„‹á…©á„…á…ą 고ᄆᅔᆫ허며 á„Œá…Ąá†šá„‘á…źá†· 언ᄋᅊ á„ƒá…Ąá†·á„‹á…Ąá„€á…Ąá„€á…Šá†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. ᄉᅄᄋᅟᆯᄋᅊᄉᅄᄋᅎ á„€á…©á†Œá„‹á…§á†«á„‹á…łá†« á„á…łá‡€á„‚á…Ąá†»á„Œá…”á„†á…Ąá†« ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉우 á„‹á…§á„Œá…„á†Œá„‹á…łá†« á„€á…šá„‰á…©á†šá„ƒá…Źá†žá„‚á…”á„ƒá…Ą. ᄋᅔ고á†șᄋᅊᄉᅄ 먼넌 á„Œá…”á†Żá„†á…źá†«á„€á…Ș á„‘á…”á„ƒá…łá„‡á…ąá†šá„‹á…łá†Ż á„€á…Ąá„Œá…”á„€á…© á„ƒá…Ąá„‰á…” á„ƒá…©á†šá„‹á…”á†Żá„…á…© á„ƒá…©á†Żá„‹á…Ąá„€á…Ą á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†Ż á„‹á…”á„‹á…„á„€á…Ąá„€á…Šá†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. á„’á…Ąá†·á„á…Šá„’á…ąá„Œá…źá„‰á…”á†« á„†á…©á„ƒá…łá†« á„‡á…źá†«á„ƒá…łá†Żá„á…Š, á„Œá…”á†«á„‰á…”á†·á„‹á…łá„…á…© á„€á…Ąá†·á„‰á…Ąá„’á…Ąá†žá„‚á…”á„ƒá…Ą. ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉 2026.08.14–16 á„†á…źá†«á„…á…ąá„‹á…šá„‰á…źá†Żá„€á…©á†Œá„Œá…Ąá†Œ 버ᆚ스ᄊᅔᄋᅄᄐᅄ We successfully wrapped up our first showing at Mullae Arts Factory. We would like to sincerely thank all the artists and staff who created I Am Not Okay with us, Mullae Arts Factory and the Seoul Foundation for Arts and Culture, Goethe Institut,NRW LFDK, Kulturamt Essen for their support, and everyone who came, stayed with us, and shared the space. After a long period of research, rehearsals, and experimentation, this was the first time we opened the work to an audience. The attention, responses, and conversations we shared—especially during the audience talk—will remain an important part of how this work continues to develop. We would also like to express our deepest gratitude to everyone who shared their personal experiences, memories, and pain with us through interviews. We will continue to carry these stories with care and responsibility as the work evolves. Our first showing in Seoul has come to an end, but the journey of I Am Not Okay continues. We are now taking the questions, encounters, and feedback from Seoul back to Germany, where we will continue developing the piece toward its next stage. Thank you to everyone who was part of this beginning. I Am Not Okay 14–16 August 2026 Mullae Arts Factory, Box Theater @84wonik_kim @este_kirchhoff @mr_maribel @soyoungandblank @studio_42___ @m_costume @gureumson_design @longtime.oh.see @nohana_1 #ᄀᅔᆷᄋá…Čᆫᄒᅎ #ᄀᅔᆷ도ᄒᅚ #á„€á…”á†·á„‘á…Ąá†«á„Œá…źá†Œ #ᄋᅔᆷᄇᅄᆷᄀá…Č #á„Œá…©á„†á…§á†Œá„†á…źá„ƒá…ąá„á…łá„…á…ź @sfac2004 @goetheinstitut @nrwlandesbuero @kulturamtstadtessen by @mmoonjoo
4
2 months ago
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á„‹á…§á„‰á…„á†Œá„‰á…”á†«á„†á…źá†«á„‹á…Š MÜN Kollektiv우 ᄋᅔᆫᄐᅄᄇá…Č가 á„‰á…”á†Żá„…á…§á†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. ᄋᅔᄇᅄᆫ ᄀᅔ서ᄋᅊᄉᅄ는 ᄌᅄᄒᅎᄋᅎ á„Œá…Ąá†šá„‹á…„á†ž ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉를 á„á…©á†Œá„’á…ą 헌ᄀᅟᆚ 여ᄉᅄᆌᄋᅎ 몸ᄋᅊ á„Žá…źá†šá„Œá…„á†šá„ƒá…Źá†« ᄀᅔᄋᅄᆚ, 그ᄅᅔ고 â€˜á„€á…«á†«á„Žá…Ąá†­á„‹á…Ąá„‹á…Łá„†á…Ąá†« 허는 사회’가 넘ᄀᅔᆫ 앛밦ᄀá…Ș ᄎᅔᆷᄆᅟᆚᄋᅊ 뒤휘 á„‹á…”á„‹á…Łá„€á…”á„’á…ąá†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. 소뒤마다 á„ƒá…Ąá„…á…łá†« á„‡á…Ąá†Œá„‰á…”á†šá„‹á…łá„…á…© 몸ᄋᅊ 넘어 ᄋᅔᆻ는 á„€á…Ąá†·á„Œá…„á†Œá„€á…Ș ᄀá…Čᄇᅄᆷ, 그ᄅᅔ고 ᄋᅟᄅᅔ거 그ᄀᅄá†ș을 ᄋᅄᄄᅄᇂᄀᅊ á„†á…Ąá„Œá…źá„’á…Ąá„€á…© á„‹á…źá†·á„Œá…”á†šá„‹á…”á†·á„‹á…łá„…á…© á„ƒá…łá„…á…„á„‚á…ąá„‚á…łá†«á„Œá…” ᄀᅔ서ᄋᅊᄉᅄ ᄃᅄ á„Œá…Ąá„‰á…Šá„’á…” 먼너보ᄉᅔᆯ ᄉᅼ á„‹á…”á†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. ᄉᅄᄋᅟᆯ á„‰á…­á„á…Šá„‹á…”á„‰á…łá„…á…łá†Ż á„Œá…”á„‚á…Ą, á„‹á…” á„Œá…Ąá†šá„‘á…źá†·á„‹á…łá†« 오는 12월 á„ƒá…©á†šá„‹á…”á†Ż ᄋᅊᄉᅊᆫ Katakomben Theaterᄋᅊᄉᅄ도 á„‹á…”á„‹á…„á„Œá…”á†žá„‚á…”á„ƒá…Ą. ᄀᅔ서 á„Œá…„á†«á„†á…źá†«á„‹á…łá†« 스토ᄅᅔ á„…á…”á†Œá„á…łá„‹á…Šá„‰á…„ ᄒá…Șᆚᄋᅔᆫᄒᅹ ᄌᅼ소요. á„€á…Ąá†·á„‰á…Ąá„’á…Ąá†žá„‚á…”á„ƒá…Ą. @á„‹á…§á„‰á…„á†Œá„‰á…”á†«á„†á…źá†« We are grateful to share that an interview about our work “I Am Not Okay” has been featured in Women’s News Korea. The article talks about accumulated memory in women’s bodies, the pressure of a society that demands us to be “okay,” and how these emotions and histories are embodied through performance. Full article available via the story link. #á„‚á…Ąá„‚á…łá†«á„€á…«á†«á„Žá…Ąá†­á„Œá…”á„‹á…Ąá†­á„ƒá…Ą #MUNKollektiv #á„€á…”á†·á„†á…źá†«á„Œá…ź #á„€á…”á†·á„†á…”á†«á„Œá…ź #á„‹á…§á„‰á…„á†Œá„‰á…”á†«á„†á…źá†« ᄋᅔᆫᄐᅄᄇá…Č ᄑᅄ포ᄆᅄᆫ스 á„†á…źá„‹á…­á†Œ á„‘á…”á„Œá…”á„á…„á†Żá„Šá…”á„‹á…„á„á…„ 헌 á„‹á…§á„‰á…„á†Œá„‰á…„á„‰á…Ą á„†á…źá†«á„…á…ąá„‹á…šá„‰á…źá†Żá„€á…©á†Œá„Œá…Ąá†Œ á„€á…©á†Œá„‹á…§á†«á„‹á…šá„‰á…źá†Ż KatakombenTheater by @mmoonjoo
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ᄆᅼ뒤 위ᄋᅎ 며ᆟ ᄇᅟᆫ을 위ᄒᅹ ᄉᅟᄋᅄá†čá„‹á…” 번보ᆚ허고, á„‡á…źá„ƒá…”á†œá„’á…”á„€á…©, á„ƒá…Ąá„‰á…” á„‰á…”á„Œá…Ąá†šá„’á…Ąá†žá„‚á…”á„ƒá…Ą. 몸으로 á„Œá…”á†Żá„†á…źá†«á„’á…Ąá„€á…©, 몸으로 닻을 á„Žá…Ąá†œá„‹á…Ąá„€á…Ąá„‚á…łá†« ᄉᅔ건. á„‹á…Ąá„Œá…”á†š ᄋá…Șá†«á„‰á…„á†Œá„ƒá…Źá„Œá…” 얺은 ᄋᅟᄅᅔᄋᅎ 연스ᆞ á„‰á…łá„á…Šá„Žá…”. ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉 For the few minutes that will exist on stage, we repeat, collide, question, and begin again. Searching for answers through the body. A glimpse into our process, still unfinished and still becoming. 〈Nicht in Ordnung – 너는 á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉 @sfac2004 @goetheinstitut @nrwlandesbuero @kulturamtstadtessen Photo by_ @longtime.oh.see by @mmoonjoo
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너는 á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다 고ᆌ도ᆌ 연ᄎᅟᆯ ᄆᅔᆟ ᄎᅟᆯ연  : á„€á…”á†·á„†á…źá†«á„Œá…ź, á„€á…”á†·á„†á…”á†«á„Œá…ź @mmoonjoo @minju_kiim 음어ᆚ á„€á…Ąá†·á„ƒá…©á†š ᄆᅔᆟ ᄎᅟᆯ연 : 오스토 á„á…”á„…á…łá„’á…”á„’á…©á„‘á…ł (Este Kirchhoff) @este_kirchhoff 드라마ᄐᅼ르그 : ᄀᅔᆷᄉᅊᄋᅔᆫ @84wonik_kim á„†á…źá„ƒá…ąá„Œá…Šá„Œá…Ąá†šá„†á…”á†Ÿ á„ƒá…”á„Œá…Ąá„‹á…”á†« :  á„‡á…Ąá†šá„‰á…©á„‹á…§á†Œ @studio_42___ á„‹á…Žá„‰á…Ąá†Œá„ƒá…”á„Œá…Ąá„‹á…”á†«: ᄆᅔᆫᄎᅄᆫ호ᆌ @m_costume á„Œá…©á„†á…§á†Œá„€á…Ąá†·á„ƒá…©á†š : ᄀᅔᆷᄋá…Čᆫᄒᅎ 조며ᆌ오ᄑᅄ :  언ᄒᅎ원 á„‹á…§á†Œá„‰á…Ąá†Œ ᄆᅔᆟ 카모라 á„€á…”á„‰á…źá†Żá„Œá…”á„‹á…Żá†« : á„€á…”á†·á„‘á…Ąá†«á„Œá…źá†Œ á„’á…©á†Œá„‡á…©á„†á…źá†Ż á„ƒá…”á„Œá…Ąá„‹á…”á†« : á„€á…źá„…á…łá†·á„‰á…©á†«á„ƒá…©á†Œá„‚á…Š @gureumson_design 온러ᄋᅔᆫ 호ᆌ보 : ᄀᅔᆷ도ᄒᅚ á„‰á…Ąá„Œá…”á†«á„Žá…Șá†Żá„‹á…§á†Œ: 오요ᆌᄌᅔᆫ @longtime.oh.see ᄒᅟ원 : ᄉᅄᄋᅟᆯᄉᅔ, ᄉᅄᄋᅟᆯᄆᅟᆫᄒá…Șá„Œá…ąá„ƒá…Ąá†« @sfac2004 by @mmoonjoo
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너는 á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다 고ᆌ도ᆌ 연ᄎᅟᆯ ᄆᅔᆟ ᄎᅟᆯ연  : á„€á…”á†·á„†á…źá†«á„Œá…ź, á„€á…”á†·á„†á…”á†«á„Œá…ź @mmoonjoo @minju_kiim 음어ᆚ á„€á…Ąá†·á„ƒá…©á†š ᄆᅔᆟ ᄎᅟᆯ연 : 오스토 á„á…”á„…á…łá„’á…”á„’á…©á„‘á…ł (Este Kirchhoff) @este_kirchhoff 드라마ᄐᅼ르그 : ᄀᅔᆷᄉᅊᄋᅔᆫ @84wonik_kim á„†á…źá„ƒá…ąá„Œá…Šá„Œá…Ąá†šá„†á…”á†Ÿ á„ƒá…”á„Œá…Ąá„‹á…”á†« :  á„‡á…Ąá†šá„‰á…©á„‹á…§á†Œ @studio_42___ á„‹á…Žá„‰á…Ąá†Œá„ƒá…”á„Œá…Ąá„‹á…”á†«: ᄆᅔᆫᄎᅄᆫ호ᆌ @m_costume á„Œá…©á„†á…§á†Œá„€á…Ąá†·á„ƒá…©á†š : ᄀᅔᆷᄋá…Čᆫᄒᅎ 조며ᆌ오ᄑᅄ :  언ᄒᅎ원 á„‹á…§á†Œá„‰á…Ąá†Œ ᄆᅔᆟ 카모라 á„€á…”á„‰á…źá†Żá„Œá…”á„‹á…Żá†« : á„€á…”á†·á„‘á…Ąá†«á„Œá…źá†Œ á„’á…©á†Œá„‡á…©á„†á…źá†Ż á„ƒá…”á„Œá…Ąá„‹á…”á†« : á„€á…źá„…á…łá†·á„‰á…©á†«á„ƒá…©á†Œá„‚á…Š @gureumson_design 온러ᄋᅔᆫ 호ᆌ보 : ᄀᅔᆷ도ᄒᅚ á„‰á…Ąá„Œá…”á†«á„Žá…Șá†Żá„‹á…§á†Œ: 오요ᆌᄌᅔᆫ @longtime.oh.see ᄒᅟ원 : ᄉᅄᄋᅟᆯᄉᅔ, ᄉᅄᄋᅟᆯᄆᅟᆫᄒá…Șá„Œá…ąá„ƒá…Ąá†« @sfac2004 by @mmoonjoo
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『ᄎᅟᆷᄀá…Ș á„‰á…Ąá„…á…Ąá†·á„ƒá…łá†Żă€á„‹á…Š ᄋᅔᆫᄐᅄᄇá…Č가 á„‰á…”á†Żá„…á…§á†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉를 á„†á…Ąá†«á„ƒá…łá†Żá„†á…§ á„‰á…”á„Œá…Ąá†šá„ƒá…Źá†« á„Œá…”á†Żá„†á…źá†«á„ƒá…łá†Ż, â€˜á„’á…Ąá†«â€™á„€á…Ș 여ᄉᅄᆌᄋᅎ 몸, 그ᄅᅔ고 á„Œá…”á„€á…łá†· ᄋᅟᄅᅔ거 á„†á…Ąá†«á„ƒá…łá†Żá„€á…© ᄋᅔᆻ는 á„Œá…Ąá†šá„‹á…„á†žá„‹á…Š 뒤휘 á„‹á…”á„‹á…Łá„€á…”á„’á…ąá†»á„‰á…łá†žá„‚á…”á„ƒá…Ą. á„€á…©á†Œá„‹á…§á†«á„‹á…łá†Ż á„‹á…Ąá‡á„ƒá…źá„€á…© ᄋᅟᄅᅔᄋᅎ á„‰á…ąá†Œá„€á…Ąá†šá„‹á…łá†Ż á„Œá…©á„€á…łá†· ᄆᅄᆫᄌᅄ 먼너볼 ᄉᅼ ᄋᅔᆻ는 ᄋᅔᆫᄐᅄᄇá…Čá„‹á…”á†žá„‚á…”á„ƒá…Ą. ᄋᅔᆫᄐᅄᄇá…Čá„’á…ąá„Œá…źá„‰á…”á†« 『ᄎᅟᆷᄀá…Ș á„‰á…Ąá„…á…Ąá†·á„ƒá…łá†Żă€á„‹á…Š á„€á…Ąá†·á„‰á…Ąá„ƒá…łá„…á…”á†žá„‚á…”á„ƒá…Ą. ă€ˆá„‚á…Ąá„‚á…łá†« á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다〉 8.14–16 á„†á…źá†«á„…á…ąá„‹á…šá„‰á…źá†Żá„€á…©á†Œá„Œá…Ąá†Œ 버ᆚ스ᄊᅔᄋᅄᄐᅄ Our interview has been published in Dance & People. We talked about the questions that emerged while creating I’m Not Okay — about Han, the female body, and the work we are creating now. A glimpse into our thoughts and process before the performances. Thank you to Dance & People for the interview. I’m Not Okay Aug 14–16 Mullae Arts Factory, Box Theater @dance_and_people by @mmoonjoo
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너는 á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다 고ᆌ도ᆌ 연ᄎᅟᆯ ᄆᅔᆟ ᄎᅟᆯ연  : á„€á…”á†·á„†á…źá†«á„Œá…ź, á„€á…”á†·á„†á…”á†«á„Œá…ź @mmoonjoo @minju_kiim 음어ᆚ á„€á…Ąá†·á„ƒá…©á†š ᄆᅔᆟ ᄎᅟᆯ연 : 오스토 á„á…”á„…á…łá„’á…”á„’á…©á„‘á…ł (Este Kirchhoff) @este_kirchhoff 드라마ᄐᅼ르그 : ᄀᅔᆷᄉᅊᄋᅔᆫ @84wonik_kim á„†á…źá„ƒá…ąá„Œá…Šá„Œá…Ąá†šá„†á…”á†Ÿ á„ƒá…”á„Œá…Ąá„‹á…”á†« :  á„‡á…Ąá†šá„‰á…©á„‹á…§á†Œ @studio_42___ á„‹á…Žá„‰á…Ąá†Œá„ƒá…”á„Œá…Ąá„‹á…”á†«: ᄆᅔᆫᄎᅄᆫ호ᆌ @m_costume á„Œá…©á„†á…§á†Œá„€á…Ąá†·á„ƒá…©á†š : ᄀᅔᆷᄋá…Čᆫᄒᅎ 조며ᆌ오ᄑᅄ :  언ᄒᅎ원 á„‹á…§á†Œá„‰á…Ąá†Œ ᄆᅔᆟ 카모라 á„€á…”á„‰á…źá†Żá„Œá…”á„‹á…Żá†« : á„€á…”á†·á„‘á…Ąá†«á„Œá…źá†Œ á„’á…©á†Œá„‡á…©á„†á…źá†Ż á„ƒá…”á„Œá…Ąá„‹á…”á†« : á„€á…źá„…á…łá†·á„‰á…©á†«á„ƒá…©á†Œá„‚á…Š @gureumson_design 온러ᄋᅔᆫ 호ᆌ보 : ᄀᅔᆷ도ᄒᅚ á„‰á…Ąá„Œá…”á†«á„Žá…Șá†Żá„‹á…§á†Œ: 오요ᆌᄌᅔᆫ @longtime.oh.see ᄒᅟ원 : ᄉᅄᄋᅟᆯᄉᅔ, ᄉᅄᄋᅟᆯᄆᅟᆫᄒá…Șá„Œá…ąá„ƒá…Ąá†« @sfac2004 by @mmoonjoo
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너는 á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다 고ᆌ도ᆌ 연ᄎᅟᆯ ᄆᅔᆟ ᄎᅟᆯ연  : á„€á…”á†·á„†á…źá†«á„Œá…ź, á„€á…”á†·á„†á…”á†«á„Œá…ź @mmoonjoo @minju_kiim 음어ᆚ á„€á…Ąá†·á„ƒá…©á†š ᄆᅔᆟ ᄎᅟᆯ연 : 오스토 á„á…”á„…á…łá„’á…”á„’á…©á„‘á…ł (Este Kirchhoff) @este_kirchhoff 드라마ᄐᅼ르그 : ᄀᅔᆷᄉᅊᄋᅔᆫ @84wonik_kim á„†á…źá„ƒá…ąá„Œá…Šá„Œá…Ąá†šá„†á…”á†Ÿ á„ƒá…”á„Œá…Ąá„‹á…”á†« :  á„‡á…Ąá†šá„‰á…©á„‹á…§á†Œ @studio_42___ á„‹á…Žá„‰á…Ąá†Œá„ƒá…”á„Œá…Ąá„‹á…”á†«: ᄆᅔᆫᄎᅄᆫ호ᆌ @m_costume á„Œá…©á„†á…§á†Œá„€á…Ąá†·á„ƒá…©á†š : ᄀᅔᆷᄋá…Čᆫᄒᅎ 조며ᆌ오ᄑᅄ :  언ᄒᅎ원 á„‹á…§á†Œá„‰á…Ąá†Œ ᄆᅔᆟ 카모라 á„€á…”á„‰á…źá†Żá„Œá…”á„‹á…Żá†« : á„€á…”á†·á„‘á…Ąá†«á„Œá…źá†Œ á„’á…©á†Œá„‡á…©á„†á…źá†Ż á„ƒá…”á„Œá…Ąá„‹á…”á†« : á„€á…źá„…á…łá†·á„‰á…©á†«á„ƒá…©á†Œá„‚á…Š @gureumson_design 온러ᄋᅔᆫ 호ᆌ보 : ᄀᅔᆷ도ᄒᅚ á„‰á…Ąá„Œá…”á†«á„Žá…Șá†Żá„‹á…§á†Œ: 오요ᆌᄌᅔᆫ @longtime.oh.see ᄒᅟ원 : ᄉᅄᄋᅟᆯᄉᅔ, ᄉᅄᄋᅟᆯᄆᅟᆫᄒá…Șá„Œá…ąá„ƒá…Ąá†« @sfac2004 by @mmoonjoo
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2 months ago
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너는 á„€á…«á†«á„Žá…Ąá†­á„Œá…” 않다 고ᆌ도ᆌ 연ᄎᅟᆯ ᄆᅔᆟ ᄎᅟᆯ연  : á„€á…”á†·á„†á…źá†«á„Œá…ź, á„€á…”á†·á„†á…”á†«á„Œá…ź @mmoonjoo @minju_kiim 음어ᆚ á„€á…Ąá†·á„ƒá…©á†š ᄆᅔᆟ ᄎᅟᆯ연 : 오스토 á„á…”á„…á…łá„’á…”á„’á…©á„‘á…ł (Este Kirchhoff) @este_kirchhoff 드라마ᄐᅼ르그 : ᄀᅔᆷᄉᅊᄋᅔᆫ @84wonik_kim á„†á…źá„ƒá…ąá„Œá…Šá„Œá…Ąá†šá„†á…”á†Ÿ á„ƒá…”á„Œá…Ąá„‹á…”á†« :  á„‡á…Ąá†šá„‰á…©á„‹á…§á†Œ @studio_42___ á„‹á…Žá„‰á…Ąá†Œá„ƒá…”á„Œá…Ąá„‹á…”á†«: ᄆᅔᆫᄎᅄᆫ호ᆌ @m_costume á„Œá…©á„†á…§á†Œá„€á…Ąá†·á„ƒá…©á†š : ᄀᅔᆷᄋá…Čᆫᄒᅎ 조며ᆌ오ᄑᅄ :  언ᄒᅎ원 á„‹á…§á†Œá„‰á…Ąá†Œ ᄆᅔᆟ 카모라 á„€á…”á„‰á…źá†Żá„Œá…”á„‹á…Żá†« : á„€á…”á†·á„‘á…Ąá†«á„Œá…źá†Œ á„’á…©á†Œá„‡á…©á„†á…źá†Ż á„ƒá…”á„Œá…Ąá„‹á…”á†« : á„€á…źá„…á…łá†·á„‰á…©á†«á„ƒá…©á†Œá„‚á…Š @gureumson_design 온러ᄋᅔᆫ 호ᆌ보 : ᄀᅔᆷ도ᄒᅚ á„‰á…Ąá„Œá…”á†«á„Žá…Șá†Żá„‹á…§á†Œ: 오요ᆌᄌᅔᆫ @longtime.oh.see ᄒᅟ원 : ᄉᅄᄋᅟᆯᄉᅔ, ᄉᅄᄋᅟᆯᄆᅟᆫᄒá…Șá„Œá…ąá„ƒá…Ąá†« @sfac2004 by @mmoonjoo
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2 months ago
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“What is dance, really?” “What is Korean dance?” Is Korean dance a form, a rhythm, a way of breathing, or an emotional state? Or is it the time carried within the body that dances it? Through these questions, we arrived at the sentiment known as han. Han is not simply a sorrow belonging to the past. It is the way sensations that have long remained unspoken continue to inhabit the body. Things that were suppressed. Things that had to be endured. Things that could not easily be put into words. When they become movement, dance is no longer a representation of the past. It becomes a sensation born anew in the body of the present. “Could Korean dance be the movement of contemporary bodies carrying the han accumulated within those living in 2026?” After this thought emerged, our questions became more specific. What kind of han has accumulated in the bodies of women living in 2026? What remains in our mothers’ bodies? What was suppressed in our grandmothers’ bodies? What have the bodies of the women before us endured? What were the women before them unable to say? I Am Not Okay begins with these questions. In this work, Korean dance is not presented as a completed or fixed traditional form. It is a sensation that passes through the body here and now. Theatre is not used as a device for explaining a story, but as a means of revealing the situations, gazes, and structures in which the body is placed. The two performers move through bodies that are managed, observed, restrained, and silenced, tracing the han that remains within contemporary women’s bodies. We do not want to treat this deep and multilayered emotion merely as sorrow. Han is a suppressed emotion, but it is also a force beginning to move. It is silence, but also a sound on the verge of bursting out. It is not a past frozen in time, but a present that continues to reverberate within the body. This work asks: What does the female body remember? Was the body that kept saying “I’m okay” ever truly okay? And now, where can a body that says “I am not okay” go? #goetheinstitut #landesbürofürdarstellendekünstenrw #á„†á…źá†«á„…á…ąá„‹á…šá„‰á…źá†Żá„€á…©á†Œá„Œá…Ąá†Œá„‡á…Ąá†šá„‰á…łá„Šá…”á„‹á…„á„á…„ #kulturamtessen #ᄉᅄᄋᅟᆯᄆᅟᆫᄒá…Șá„Œá…ąá„ƒá…Ąá†« by @mmoonjoo
0
3 months ago
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