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![In a moment saturated with noise, ‘Quiet Rules’ offers a different proposition. It invites viewers to see how control can deepen sensation, how discipline can heighten attention, and how a simple structure—applied with care—can hold an entire emotional world.
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‘Quiet Rules’ is on view at the gallery through August 22.
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[Installation View: ‘Quiet Rules,’ July 11 - August 22, 2026, Moskowitz Bayse, Los Angeles] taken in Moskowitz Bayse by @moskowitzbayse](https://s12.imginn.com/756661930_18610762129032884_974144068350755616_n.jpg?t51.82787-15/756661930_18610762129032884_974144068350755616_n.jpg?stp=dst-jpg_e35_s1290x1290_tt6&_nc_cat=101&ig_cache_key=Mzk0ODY5NDEyMzcwNDkzMzY1Ng%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkNBUk9VU0VMX0lURU0ueHBpZHMuMzA3Mi5zZHIucmVndWxhcl9waG90by5DMyJ9&_nc_ohc=iZIaYozDuKIQ7kNvwFh1uUx&_nc_oc=Adr2N2ejS2hSkum1ypIe4CCrk87R3vlBE3GXI4s7CEQ3yaFFC3mU1HYaYBob_r3RJg7ZFi7E8uNkS3BbNMLUFHFX&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-1.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQBIQzJN6wBmfgARYhJS7EvMJX1j0mIeQ48lZg30qIH2uw&oe=6A6AAC75)
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12 minutes ago
Download ![Join us tonight from 6-8pm for the opening of ‘Quiet Rules,’ with paintings by Tauba Auerbach (@tau_au), Lecia Dole-Recio (@ladrecio), Franziska Goes (@franziskagoes), Cynthia Hawkins (@hawkinsc_art), Angela Heisch (@angelaheisch), Christopher Iseri (@chrisiseri), Justin Margitich (@justin_margitich), Allison Miller (@allllisonmillller), Dianna Molzan (@dianna_molzan), Alex Olson (@alexolson___), Zak Prekop, and Richard Tinkler (@richardtinkler).
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These paintings are neither proof nor improvisation. They understand structure as a form of attention: a way of slowing the hand, sharpening the eye, and granting expression a form in which to appear.
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Somewhere between the rule and its undoing, the paintings find force.
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[Tauba Auerbach, ‘Extended Object,’ 2020, Acrylic on canvas, 15 1/4 x 19 1/4 x 3 1/2 inches (framed), © Tauba Auerbach. Courtesy of the artist, Moskowitz Bayse, Los Angeles, and Paula Cooper Gallery, New York; Installation View: ‘Quiet Rules,’ July 11 - August 22, 2026, Moskowitz Bayse, Los Angeles] taken in Moskowitz Bayse by @moskowitzbayse](https://s12.imginn.com/743133243_18606633832032884_6352071439726940436_n.jpg?t51.82787-15/743133243_18606633832032884_6352071439726940436_n.jpg?stp=dst-jpg_e35_s1290x1290_tt6&_nc_cat=104&ig_cache_key=MzkzOTA5NTg0NDM2NzQ1ODYwMw%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkNBUk9VU0VMX0lURU0ueHBpZHMuMzI2OC5zZHIucmVndWxhcl9waG90by5DMyJ9&_nc_ohc=84gnKULyYuIQ7kNvwF8GvSZ&_nc_oc=AdowkYHXAaD08w1id8r9AnbG_q-i4A1Rx0T9Y6cltygF5GUQO6V7XHbaZzDXaYvGPFPCj-WfUDqIlxgciSSzlK4L&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-2.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQBORBO-GzhnHqr6qx-50m4toqNsdScF4eG5P2355zUbyA&oe=6A6AA5BF)
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14 days ago
Download ![Join us tomorrow, Saturday, July 11, from 6-8pm for the opening of ‘Quiet Rules,’ with paintings by Tauba Auerbach (@tau_au), Lecia Dole-Recio (@ladrecio), Franziska Goes (@franziskagoes), Cynthia Hawkins (@hawkinsc_art), Angela Heisch (@angelaheisch), Christopher Iseri (@chrisiseri), Justin Margitich (@justin_margitich), Allison Miller (@allllisonmillller), Dianna Molzan (@dianna_molzan), Alex Olson (@alexolson___), Zak Prekop, and Richard Tinkler (@richardtinkler).
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Rather than treat abstraction as improvisation, the artists in this exhibition understand it as a negotiation. A rule is set, then bent. A pattern is established, then troubled. Color is measured, then allowed a moment of drift. Surfaces carry the traces of method, yet they resist becoming merely procedural. It is striking how much the viewer can sense: the tension between precision and impulse, the quiet hum of decisions made and unmade, the subtle life that emerges when a system is pushed over the edge. The paintings do not seek clarity of message, but clarity of means, and from that clarity comes a distinct richness.
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[Installation View: ‘Quiet Rules,’ July 11 - August 22, 2026, Moskowitz Bayse, Los Angeles] taken in Moskowitz Bayse by @moskowitzbayse](https://s12.imginn.com/736479200_18606090184032884_3544680960570098371_n.jpg?t51.82787-15/736479200_18606090184032884_3544680960570098371_n.jpg?stp=dst-jpg_e35_s1290x1290_tt6&_nc_cat=100&ig_cache_key=MzkzNzgyODA0MTI5ODAwMjk2Mw%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkZFRUQueHBpZHMuNDA5Ni5zZHIucmVndWxhcl9waG90by5DMyJ9&_nc_ohc=LqkOKSaR1psQ7kNvwEeY08p&_nc_oc=AdrHuSGWBk3STczDp58nXF7bqAOU8qeArc4XfhXqh95_KFhZYd_jd4GfLlq2rTwJItJnn6n2LskIf225ShY_t-SZ&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-3.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQCNH3JMLc-W9bZAxE3Xynw6IVp4Hrnm0LwYPVP6AQxoVQ&oe=6A6AD20E)
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15 days ago
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15 days ago
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16 days ago
Download ![Julia Weist’s ‘Questioning” featured in the Los Angeles Times (@latimes) article “The curious case of the private eye artist and the governement inquiry” by Rhoda Feng.
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“In a calm and measured tone, [Weist] tells the audience that in 2024 she was investigated by the N.Y. Department of State for using a private investigator license to make artwork and that the images on screen are taken from her case file. (Since New York is a one-party consent state, Weist was able to covertly record the conversation by slipping her phone into the pocket of her blazer; the audio used in the performance retains the sound of rustling fabric).“
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Full article linked in bio
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Julia Weist, ‘Questioning’
Starring: Erika Mugglin @mugglinstagram
Michael Joseph Pierce (upcoming) @michaelpiercesd
Adron Duell @adronduell
Buster Petruzzi (shown)
Executive Producer: Seth Stolbun @sethstolbun
Producers: Calla Henkel and Max Pitegoff @newtheaterhollywood
Production Coordinator: Louise Wurzelbacher @moskowitzbayse
Cinematographer: Abigail Raphael Collins @a___r___c
Casting Director: Samantha Blake Goodman @samanthablakecasting
PR: Christina Schoen/PURPLE PR @purplepr
Hair: Alex Ford
Friday, July 10, 8pm
Saturday, July 11, 8pm
Sunday, July 12, 8pm
Friday, July 17, 8pm
Saturday, July 18, 8pm
Sunday, July 19, 8pm
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$35 – Seating is limited.
$19 tickets available for audiences ages 26 and under.
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Ticket link in bio by @moskowitzbayse](https://s12.imginn.com/741428317_18605458441032884_8541056705577505136_n.jpg?t51.82787-15/741428317_18605458441032884_8541056705577505136_n.jpg?stp=dst-jpg_e35_p828x828_tt6&_nc_cat=100&ig_cache_key=MzkzNjE3NzI2MTQ2Mzg4NTIyMw%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkNBUk9VU0VMX0lURU0ueHBpZHMuMTE3MC5zZHIucmVndWxhcl9waG90by5DMyJ9&_nc_ohc=8Y1RAclqEdEQ7kNvwGYTCYd&_nc_oc=AdpGFJwFKGd4pXKxgvyaaZYkUNPmHnszmaroHATisfRk0G-KHFwHWAPaHtJQzSDNJ2y-ZMM6-CmLLnZfzrZ0l16P&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-3.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQD9oDJWmJiJMsc8YTyV2ioCw8w9Brn6OSBScKBS5gNneg&oe=6A6AA4E3)
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18 days ago
Download ![Please join us in wishing Alexa Guariglia (@neglexa) a very happy birthday today. 🎉
She is pictured here in her studio by Mitch Weiss (@putneybellows), preparing for her forthcoming solo exhibition at the gallery this fall. We are greatly looking forward to sharing this new body of work. Here’s to another trip around the sun. 🌞
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[Artist’s Studio, 2026; ‘Limelight,’ 2024, Gouache, watercolor, and ink on paper, 64 3/4 x 93 1/4 x 1 1/2 inches (framed)] by @moskowitzbayse](https://s12.imginn.com/734472266_18603904942032884_8552729520055842762_n.jpg?t51.82787-15/734472266_18603904942032884_8552729520055842762_n.jpg?stp=dst-jpg_e35_s1290x1290_tt6&_nc_cat=107&ig_cache_key=MzkzMjc0ODEyNzAzNjY0ODc2Mw%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkNBUk9VU0VMX0lURU0ueHBpZHMuMjM1Ni5zZHIucmVndWxhcl9waG90by5DMiJ9&_nc_ohc=dRtqf3UA5N8Q7kNvwG6TzLw&_nc_oc=AdoZKMQXQfbhw557071d8H4On9pdmzPMgDG4O8j7BpuVaRocXktLNTNZfXU2I95BbMGBsyQE0EHcY0rn_lDsZdsS&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-3.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQCfQre0xwjk6m0CMCRjPiXXSyYdJRvvxeH-06FNb3mUCA&oe=6A6AC465)
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22 days ago
Download ![Join us on Saturday, July 11, from 6-8pm for the opening of ‘Quiet Rules,’ with paintings by Tauba Auerbach (@tau_au), Lecia Dole-Recio (@ladrecio), Franziska Goes (@franziskagoes), Cynthia Hawkins (@hawkinsc_art), Angela Heisch (@angelaheisch), Christopher Iseri (@chrisiseri), Justin Margitich (@justin_margitich), Allison Miller (@allllisonmillller), Dianna Molzan (@dianna_molzan), Alex Olson (@alexolson___), Zak Prekop, and Richard Tinkler (@richardtinkler).
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The exhibition brings together twelve artists who use systems and structures as framework to seek expression through abstraction. Grids, repetitions, chromatic sequences, material protocols, and diagrammatic logics recur throughout the exhibition as an armature from which expression prevails. For these artists, the rule is not the subject. Instead, it is a kind of emotional architecture, where restraint becomes a catalyst and order makes room for nuance.
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[Franziska Goes, ‘Rain / RedGreen,’ 2026, Acrylic, sand, and modeling paste on canvas, 35 3/8 x 51 1/8 x 1 1/8 inches. Photographer: Eric Tschernow] taken in Moskowitz Bayse by @moskowitzbayse](https://s12.imginn.com/731027164_18603885970032884_6517367748394768519_n.jpg?t51.82787-15/731027164_18603885970032884_6517367748394768519_n.jpg?stp=dst-jpg_e35_s1290x1290_tt6&_nc_cat=105&ig_cache_key=MzkzMjY4NjE0OTE1NTY1MzMwNw%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkZFRUQueHBpZHMuNDA5Ni5zZHIucmVndWxhcl9waG90by5DMyJ9&_nc_ohc=JYCI6yMj8R0Q7kNvwGQOI1u&_nc_oc=AdoKQfhAXaO35YyCvrG0_tEIKlXqvZ06s6_beoCHKRk1vcsDFvRlaWQs1IAIJhAaiRNkJYXPRHtCOIln4sZU_JO6&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-2.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQALbXE6eciqNfX6BtsOcWUuBi68vR9a8uswdTmum8LKUg&oe=6A6AC133)
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23 days ago
Download ![Join us in wishing Joe Biel (@jobiel20) a very happy belated birthday!
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Rendered with extreme care and fidelity, Joe Biel’s practice, consisting mostly of drawing, transcends its own medium and objecthood, and especially those of its many subjects. Biel presents an accounting of our heroes, fears, and intersecting histories through chanced-upon cultural fragments. Biel’s mind is grafted to the viewer’s; his viewed experiences and memories become a commons, proof of something shared, for better and worse, amid calcified attitudes of siloed individuality and tribalism.
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Biel’s research ranges from the instantly iconic to the murkily obscure. “The medium is the message”, said pioneering media theorist Marshall McLuhan: that the television exists matters more than what’s shown on it–which, of course, is nearly everything. Biel’s work, making its depicted mediums envious, jolts and excites even as it numbs, offering the palliative comforts of shared anxiety.
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[Joe Biel, Stack 60 (Anakin), 2025, Acrylic and graphite on paper, 24 1/2 x 17 1/2 x 1 1/2 inches (framed)] by @moskowitzbayse](https://s12.imginn.com/731027285_18602823595032884_5366630109175367981_n.jpg?t51.82787-15/731027285_18602823595032884_5366630109175367981_n.jpg?stp=dst-jpg_e35_p1290x1290_tt6&_nc_cat=104&ig_cache_key=MzkzMDI3NjM5MzkwMjQ5MDQzMw%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkNBUk9VU0VMX0lURU0ueHBpZHMuMzExNC5zZHIucmVndWxhcl9waG90by5DMyJ9&_nc_ohc=tDKAVy2XKYoQ7kNvwFdLjVf&_nc_oc=AdrkUpNf7QNeAEfOsO8NbbsB6IHIjL3O3Zoakp89iCNob4DikGr30uOSOfpYGb_VspLWgrys0BqZYFYDdx96ZuL1&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-2.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQDywsEfyjHOkosKRUDNBh2J6dmbBVTpvx4zaYANP4y2OQ&oe=6A6ABBD1)
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a month ago
Download ![This is the last day to visit “Fate Machine,” an exhibition of new paintings by Noah Schneiderman (@pleasedontlookmeup)
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Join us at the gallery today at 2pm for a special conversation between Schneiderman and Ross Simonini (@rosssimonini).
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[Installation View: Noah Schneiderman, ‘Fate Machine,’ May 23 - June 27, 2026, Moskowitz Bayse, Los Angeles; ‘The Messenger,’ 2026, Oil and chalk on swen canvas with logwood, fustic, and rose, 45 x 50 x 1 1/2 inches] taken in Moskowitz Bayse by @moskowitzbayse](https://s12.imginn.com/729616192_18602146837032884_6503227315576624139_n.jpg?t51.82787-15/729616192_18602146837032884_6503227315576624139_n.jpg?stp=dst-jpg_e35_s1290x1290_tt6&_nc_cat=110&ig_cache_key=MzkyODkxMTAxMzg0OTg0MTcxOQ%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkNBUk9VU0VMX0lURU0ueHBpZHMuMzQ1MS5zZHIucmVndWxhcl9waG90by5DMyJ9&_nc_ohc=m3XuZyZ9H6QQ7kNvwHPsXvZ&_nc_oc=AdqHU3N1FeJyggp1AHc8hCsWo1rLm008oXTNqS2MTzEPn0oiPyxfpbArYyN6jXrzrJschPxmd4N7tyRQvZIFFHdS&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-2.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQB7mVaX_gh-GDD_QI6b02dNSH7UNN3xCGrHUOjx5HKp2w&oe=6A6AC627)
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a month ago
Download ![Join us this Saturday, June 27, at 2pm for a special conversation between Noah Schneiderman (@pleasedontlookmeup) and Ross Simonini (@rosssimonini). This is the last week to visit “Fate Machine.”
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RSVP at the link in our bio
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[Noah Schneiderman, ‘Heavy Waters,’ 2026, Oil on patinated copper, artist’s frame, 8 1/4 x 6 1/4 x 1 1/4 inches (framed)
‘Tower of Experience,’ 2025, Oil on sewn canvas with cutch, 14 x 12 x 1 1/2 inches] taken in Moskowitz Bayse by @moskowitzbayse](https://s12.imginn.com/730182602_18601499851032884_1844410330294798836_n.jpg?t51.82787-15/730182602_18601499851032884_1844410330294798836_n.jpg?stp=dst-jpg_e35_p1290x1290_tt6&_nc_cat=108&ig_cache_key=MzkyNzUwODI5MjU2MTQ3NTUxNQ%3D%3D.3-ccb7-5&ccb=7-5&_nc_sid=58cdad&efg=eyJ2ZW5jb2RlX3RhZyI6IkNBUk9VU0VMX0lURU0ueHBpZHMuMzI1NC5zZHIucmVndWxhcl9waG90by5DMyJ9&_nc_ohc=E8xweO6ihc0Q7kNvwG-yXD-&_nc_oc=AdrjUDTyUNwFvkKGJKUsubBPj8WuHErEvtyT2IkGtUz1JTSJpcuYcSECnQO6er7sB1YFTtdpn5drit6HJ-70Nehh&_nc_ad=z-m&_nc_cid=0&_nc_zt=23&_nc_ht=scontent-ord5-1.cdninstagram.com&_nc_gid=He0ElQVUZEvnD_K6bEhxGg&_nc_ss=7a22e&oh=00_AQCpo-2h_XLonoHmv7kAkS2JplqRA8FUZt2C4BAceEdWwQ&oe=6A6A9F07)
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a month ago
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a month ago
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