Instagram story viewer> @mvgellan> Posts
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Director with a soft spot for love, chaos, and art.
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From losing locations the night before cameras rolled, to the complexity of filming on an active military base, to pleading with visual effects vendors to help me push the shots further, to the merciless summer heat that weighed on every shoot day… this project tested me in every way. I hope my devotion to seeing it through can be felt in these moments from REQUIEM MACHINA. by @mvgellan
16
a month ago
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What started as a rare opportunity to shoot on a remote military base, turned into this… concept, edit, and direction by me, mech characters and cgi by @titouanvfx, cinematography by @maxgoldmandp, music and sound by @polaire.audio (led by @lukashasiba), visual effects by @cinevisualfx, and color by @peter_oppersdorff_colour. by @mvgellan
26
a month ago
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I recently had the pleasure of directing @naomiosaka for her debut with @tagheuer. Here’s some scenes from the spot. The team killed it with only a couple of hours to work with Naomi... she’s the real deal!! by @mvgellan
19
2 years ago
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How do you take something as mundane as a testimonial and turn it into a nail-biting piece of exposition? Turn up your volume and swipe right... by @mvgellan
5
2 years ago
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Our ai team collaborated with renowned director @ultronfilms to bring his Audi F1 vision to life, a true collision of craft and next-gen tools. As we push into this new era, we’re excitedly exploring workflows that bridge traditional filmmaking, generative models, and cgi pipelines. Additional shoutout to @_w1echuz, @who.oti, @amiroseinh, @matt.visualz, and @un.studios. by @mvgellan
14
a year ago
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I wanted to create a world I’ve pitched but never had the chance to bring to life. I wanted to see if I could hold my own as an editor in the era of fast-twitch editing. And most of all, I wanted to do it now… keep swiping right to see the full ai-powered spot for puma motorsport, produced by the gang, @grzwrld. Big ups to @apolloposthouse, @ayodouson, and @tanvirhc1. by @mvgellan
41
a year ago
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It’s always thrilling when the set comes to life exactly as it was imagined on paper… talking through the next shot with @kaylalaurenofficial. by @mvgellan
3
2 years ago
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Be The Dark. Be The Dawn

We’re excited to spotlight one of the first releases from the LTX Ambassadors Program.

Created by @mvgellan and @grzwrld, this piece explores what happens when style, atmosphere, and storytelling collide with next-generation AI video tools.

Every frame was built in LTX, using a combination of Veo 3.1 and LTX-2.

More ambassador showcases coming soon.

#LTXAmbassadors #LTX2 by @mvgellan
21
10 months ago
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It’s been a while since I’ve posted new work. Here’s the first of several projects that carry a little piece of me… starting with a mediation on toxic relationships and therapy for @betterhelp. I think we had about thirty minutes at the end of the day to capture this director’s cut of the script. Shoutout to @erikdotcom, @longdivision.film, @kubsssssssss, @chaliwastudios, @snapanimationinc, @jonniesirotek, @marisa.bertani, and @vokestudio. by @mvgellan
5
a year ago
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What’s real… and what’s not? The more important question is does the audience feel something. by @mvgellan
2
a year ago
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The devil is in the details. So much work goes into some of the shots we see on our little screens. by @mvgellan
0
2 years ago
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Here’s my take on AI… but first, a scene from the project that kinda started it all for me. I poured myself into writing and directing this short film before making my way to LA. The piece was well-received, picked up a few (local) accolades, and I thought the road ahead would be smooth. But that wasn’t the case… so many ideas, characters, and stories were pitched, misunderstood, and shelved. When all you’ve ever wanted is to see your ideas on screen, that cycle wears on you. With AI, I feel the spark again… suddenly, old treatments and scripts can be resurrected and cost-prohibitive shots are within reach. And it’s only going to improve… I mean, come on y’all, supercomputers are studying huge datasets of the craft all day, every day. I bet it’s only a matter of time until we can select a lens profile, camera body, film stock, etc… and directorial styles will exist like LUTs. But in the end, it will always come back to one thing: story. by @mvgellan
26
7 years ago
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