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Nina Frommelt

@ninaughtyyy

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Mainly working in Berlin/Frankfurt, occasionally to be found in Liechtenstein.
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Reject Tradition, Embrace Modernity, 2024

The work emerged against a backdrop of notable global shifts in conservatism. Recent polls in the United States show a significant rise in social conservatism, reaching it’s highest level in over a decade. Similarly, in Europe, conservatism is being reshaped by challenges such as populism, immigration, and cultural identity. This resurgence finds a voice in meme culture through phrases like “Reject Modernity, Embrace Tradition,” often wielded to idealise the past. By reversing this phrase, and creating a hazardous direct translation of a 2010s micro-trend, LED shoes, the work challenges nostalgia-driven ideologies, urging a critical examination of tradition’s role in hindering progress. by @ninaughtyyy

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2 years ago

„Camo” Series
Untitled (DPM)
Untitled (Chocolate Chip)
Untitled (M81 Woodland)

2026

construction timber, clothing, care tag

Camo is an ongoing series exploring the transformation of military camouflage into a cultural and fashion language. Combining hand-carved timber with found garments, the works examine how symbols of power and utility become detached from their original function and absorbed into everyday life.

📸: @luissulzmann by @ninaughtyyy

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3 months ago

it has been a ride!

this is the last weekend to see my graduation work @ radsetzerei in Berlin among many other amazing works

Opening hours: Sat. & Sun. 12:00–19:00 by @ninaughtyyy

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3 months ago

Betty, 2026
Synthetic hair on birchwood
62 × 84 × 3 cm by @ninaughtyyy

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6 months ago

We are happy to announce our next exhibition:
Soft skin, chapped lips (so kissable)

From artists Gabriela Lesmes López & Nina Frommelt @gllcradaca @ninaughtyyy

Opening 04.03.26. 18:00-21:00
Exhibition open 05.03-30.03.26

Soft skin, chapped lips (so kissable) draws on the spatial logic of staircases, zones suspended between public exposure and private interiority. Transitional places: sites of passage, hesitation, encounter. Lined with doors and peepholes, they offer observation without confirmation. A quiet voyeurism.
Staircases appear again and again in popular culture. They are places where someone waits outside a door a little too long. Where a long-anticipated date is pulled across the threshold by the collar. Where kisses happen on the cusp of fully entering the apartment. Between hallway and home, they carry a suspended charge, part exposure, part invitation. They are where desire begins… the first scene in a longer drama.

Across the installation, inanimate materials get tangled up with desire. A disassembled railing runs through the space, then reassembles into lathe turned wooden figures leaning and hinging into one another. Objects come alive through contact, through a body activating them, through use. A laser-cut rug traces where clothing has pooled on the floor. The works linger on how sexuality often rehearses itself through objects… doors, railings, fabrics, bedrooms, before it dares to find its way between people.

Soft skin, chapped lips (so kissable) borrows its title from three minutes of pop melodrama that frames desire as experiment, performance, spectacle. An invitation to cause a scene.

Curated my @markwalkermark
Thanks to @lena_grewenig @lab_106 by @ninaughtyyy

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8 months ago

‘Robyn’, 2026
Synthetic hair on birchwood
89 × 61 × 3 cm by @ninaughtyyy

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8 months ago

Portrait series shown at Städelschule Rundgang 2026 by @ninaughtyyy

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8 months ago

Never posted this cute group show from earlier this year @acudgalerie
exhibition view of my work ‘Kirschbaum Bestellterlinal’ by @ninaughtyyy

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a year ago

more closeup’s and process images of ‘Kum mer gohn gi Bambi luaga’ (Let’s go watch Bambi), 2025 by @ninaughtyyy

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a year ago

Kum mer gohn gi Bambi luaga (Let’s go watch Bambi), 2025

Project I’ve been working on these past months: physically capturing one of my dad’s few good childhood memories of his father — evenings spent on the hunting high chair, and the time they once raised their own Bambi deer. I combine a stream of consciousness around my own upbringing and the extended family I mostly know through stories, with motion-detect footage from my father’s family’s former hunting territory in Liechtenstein. Reflecting on the complexities and absurdities of family, the ways we become who we are, and the imprint of generational trauma. by @ninaughtyyy

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a year ago

Performance «Circadian» von Gabriela Lesmes López und Nina Frommelt – beim MITTWOCH XL am 4. Juni um 19 Uhr im @kunstmuseum_liechtenstein. Seid dabei!

Programm | 4. Juni
MITTWOCH XL zur Ausstellung «Auf der Strasse»

🕖 19 Uhr:
Circadian – Performance von Gabriela Lesmes López + Nina Frommelt

🕗 ab 20 Uhr:
Afterparty mit Live-Musik und DJ-Set von Bones Tan Jones und Different Shades

Eine Veranstaltung des @kunstverein_schichtwechsel
🎟️ Der Eintritt ist frei!

___

Performance «Circadian» by Gabriela Lesmes López and Nina Frommelt – part of WEDNESDAY XL on 4 June at 7pm at @kunstmuseum_liechtenstein. Join us!

Programme | 4 June
WEDNESDAY XL in conjunction with the exhibition «On the Street»

🕖 7pm:
Circadian – Performance by Gabriela Lesmes López + Nina Frommelt

🕗 from 8pm:
Afterparty with live music and DJ set by Bones Tan Jones and Different Shades

An event by @kunstverein_schichtwechsel
🎟️ Free admission!
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@erlebevaduz @bonestanjones
#MITTWOCHXL #WEDNESDAYXL #KunstmuseumLiechtenstein #AufDerStrasse #OntheStreet #KunstvereinSchichtwechsel #Performance #DJ #Jubiläumsjahr2025 #GabrielaLesmesLópez #NinaFrommelt by @ninaughtyyy

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a year ago

04.06. WED. 7PM. Circadian –Performance by Gabriela Lesmes López and Nina Frommelt

Live Music by Bones Tan Jones and Different Shades.

We are excited to bring performance to our FL peaks and pavements. taken in Kunstmuseum Liechtenstein by @ninaughtyyy

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a year ago