Instagram story viewer> @no.art_> Posts
๐˜•๐˜–๐˜ˆ๐˜ ๐˜๐˜Œ๐˜“๐˜‹๐˜Œ๐˜™(@no.art_)'s profile avatar HD Profile

๐˜•๐˜–๐˜ˆ๐˜ ๐˜๐˜Œ๐˜“๐˜‹๐˜Œ๐˜™

@no.art_

25.2K
followers
5963
following
โœ• ๐‘“๐‘Ÿ๐‘’๐‘’โ„Ž๐‘Ž๐‘›๐‘‘ ๐‘œ๐‘›๐‘™๐‘ฆ โ€”
๐‘ƒ๐‘’๐‘Ÿ๐‘ ๐‘œ๐‘›๐‘Ž๐‘™ ๐‘๐‘Ÿ๐‘œ๐‘—๐‘’๐‘๐‘ก:
@no.art_404
-
๐ต๐‘Ž๐‘ ๐‘’๐‘‘ ๐‘–๐‘› ๐‘ƒ๐‘Ž๐‘Ÿ๐‘–๐‘ , ๐น๐‘Ÿ๐‘Ž๐‘›๐‘๐‘’.
@lasouchetattoo
๐ด๐‘๐‘๐‘œ๐‘–๐‘›๐‘ก๐‘š๐‘’๐‘›๐‘ก๐‘  ๐‘Ž๐‘›๐‘‘ ๐‘๐‘œ๐‘œ๐‘˜๐‘–๐‘›๐‘”
๐‘‘๐‘–๐‘Ÿ๐‘’๐‘๐‘ก๐‘™๐‘ฆ ๐‘ก๐˜ฉ๐‘Ÿ๐‘œ๐‘ข๐‘”๐˜ฉ ๐‘š๐‘ฆ ๐‘ค๐‘’๐‘๐‘ ๐‘–๐‘ก๐‘’.
POSTS STORIES REELS
๐—ง๐—›๐—˜๐—ฅ๐—˜โ€™๐—ฆ ๐—ก๐—ข ๐—”๐—ฅ๐—ง ๐—ฉ๐—ผ๐—น. ๐Ÿญ - This is my first illustration book, entirely hand-drawn. It features over one hundred pencil sketches, making it the perfect resource for anyone who enjoys my tattoo work and wants to develop their own drawing skills with this rich collection of study material. Physical edition (A4 format): โ‚ฌ35 + shipping (free shipping within the Paris region) *Worldwide shipping available. Digital edition (EPUB): โ‚ฌ20 โ€” ๐˜ผ๐™ซ๐™–๐™ž๐™ก๐™–๐™—๐™ก๐™š ๐™›๐™ค๐™ง ๐™˜๐™ค๐™ก๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ค๐™ฃ ๐™ž๐™ฃ ๐™ฅ๐™š๐™ง๐™จ๐™ค๐™ฃ ๐™›๐™ง๐™ค๐™ข ๐™ข๐™ฎ ๐™จ๐™ฉ๐™ช๐™™๐™ž๐™ค ๐™ž๐™ฃ ๐™‹๐™–๐™ง๐™ž๐™จ. โ€” To purchase yours or for more information, feel free to contact me by DM. by @no.art_
๐™๐™š๐™ฉ๐™ง๐™–๐™ฉ๐™ค ๐™™๐™š ๐™๐™ž๐™™๐™š๐™ก โ€ข (2026) Charcoal and coffe on paper. by @no.art_
Ecdise. (2026) by @no.art_
๐—•๐—น๐—ฎ๐—ฐ๐—ธ๐—ผ๐˜‚๐˜ โ€“ . ๐– ๐—€๐–พ๐—‡๐–ฝ๐–บ ๐—ˆ๐—Ž๐—๐–พ๐—‹๐— โ€” ๐–ฏ๐—ˆ๐—Ž๐—‹ ๐—‰๐—‹๐–พ๐—‡๐–ฝ๐—‹๐–พ ๐—‹๐–พ๐—‡๐–ฝ๐–พ๐—“-๐—๐—ˆ๐—Ž๐—Œ ๐–บ๐—๐–พ๐–ผ ๐—†๐—ˆ๐—‚, ๐–พ๐—‡๐—๐—ˆ๐—’๐–พ๐—“-๐—†๐—ˆ๐—‚ ๐—Ž๐—‡ ๐—†๐–พ๐—Œ๐—Œ๐–บ๐—€๐–พ ๐—Œ๐—Ž๐—‹ ๐—†๐—ˆ๐—‡ ๐—Œ๐—‚๐—๐–พ ๐—‚๐—‡๐—๐–พ๐—‹๐—‡๐–พ๐— (๐—…๐—‚๐–พ๐—‡ ๐–ฝ๐–บ๐—‡๐—Œ ๐—…๐–บ ๐–ป๐—‚๐—ˆ) by @no.art_
FLASH DAY CARITATIF โ€ข Cโ€™est la deuxiรจme รฉdition de cet รฉvรฉnement qui rรฉunit plusieurs artistes aux styles diffรฉrents, et dont lโ€™intรฉgralitรฉ des fonds rรฉcoltรฉs sera reversรฉe ร  lโ€™Hรดpital Saint-Maurice, spรฉcialisรฉ dans la prise en charge de lโ€™arthrogrypose. Cette annรฉe, jโ€™ai eu lโ€™honneur dโ€™รชtre invitรฉ ร  participer aux cรดtรฉs de personnes incroyables. 31/10/2026 11h jusquโ€™ร  20h - Au 1 rue Dulong, 75017 by @no.art_
๐™Š๐™ฃ๐™ž ๐™–๐™ซ๐™š๐™˜ ๐™ช๐™ฃ ๐™ข๐™–๐™จ๐™ฆ๐™ช๐™š ๐™™๐™š ๐™ฃ๐™คฬ‚ โ€ข โœ• ๐‘Žฬ€ ๐‘š๐‘Ž๐‘–๐‘› ๐‘™๐‘’๐‘ฃ๐‘’ฬ๐‘’ ๐‘ข๐‘›๐‘–๐‘ž๐‘ข๐‘’๐‘š๐‘’๐‘›๐‘ก โ€” โœ• ๐‘“๐‘Ÿ๐‘’๐‘’โ„Ž๐‘Ž๐‘›๐‘‘ ๐‘œ๐‘›๐‘™๐‘ฆ โ€” ๐–ฃ๐—ˆ๐—‡๐–พ ๐–บ๐—: @lasouchetattoo ๐– ๐—€๐–พ๐—‡๐–ฝ๐–บ ๐—ˆ๐—Ž๐—๐–พ๐—‹๐— โ€” ๐–ฏ๐—ˆ๐—Ž๐—‹ ๐—‰๐—‹๐–พ๐—‡๐–ฝ๐—‹๐–พ ๐—‹๐–พ๐—‡๐–ฝ๐–พ๐—“-๐—๐—ˆ๐—Ž๐—Œ ๐–บ๐—๐–พ๐–ผ ๐—†๐—ˆ๐—‚, ๐–พ๐—‡๐—๐—ˆ๐—’๐–พ๐—“-๐—†๐—ˆ๐—‚ ๐—Ž๐—‡ ๐—†๐–พ๐—Œ๐—Œ๐–บ๐—€๐–พ ๐—Œ๐—Ž๐—‹ ๐—†๐—ˆ๐—‡ ๐—Œ๐—‚๐—๐–พ ๐—‚๐—‡๐—๐–พ๐—‹๐—‡๐–พ๐— (๐—…๐—‚๐–พ๐—‡ ๐–ฝ๐–บ๐—‡๐—Œ ๐—…๐–บ ๐–ป๐—‚๐—ˆ) by @no.art_
๐—ฉ๐—ถ๐—ฝ๐—ฒ๐—ฟ โ€ข โœ• ๐‘Žฬ€ ๐‘š๐‘Ž๐‘–๐‘› ๐‘™๐‘’๐‘ฃ๐‘’ฬ๐‘’ ๐‘ข๐‘›๐‘–๐‘ž๐‘ข๐‘’๐‘š๐‘’๐‘›๐‘ก โ€” โœ• ๐‘“๐‘Ÿ๐‘’๐‘’โ„Ž๐‘Ž๐‘›๐‘‘ ๐‘œ๐‘›๐‘™๐‘ฆ โ€” ๐–ฃ๐—ˆ๐—‡๐–พ ๐–บ๐—: @lasouchetattoo ๐– ๐—€๐–พ๐—‡๐–ฝ๐–บ ๐—ˆ๐—Ž๐—๐–พ๐—‹๐— โ€” ๐–ฏ๐—ˆ๐—Ž๐—‹ ๐—‰๐—‹๐–พ๐—‡๐–ฝ๐—‹๐–พ ๐—‹๐–พ๐—‡๐–ฝ๐–พ๐—“-๐—๐—ˆ๐—Ž๐—Œ ๐–บ๐—๐–พ๐–ผ ๐—†๐—ˆ๐—‚, ๐–พ๐—‡๐—๐—ˆ๐—’๐–พ๐—“-๐—†๐—ˆ๐—‚ ๐—Ž๐—‡ ๐—†๐–พ๐—Œ๐—Œ๐–บ๐—€๐–พ ๐—Œ๐—Ž๐—‹ ๐—†๐—ˆ๐—‡ ๐—Œ๐—‚๐—๐–พ ๐—‚๐—‡๐—๐–พ๐—‹๐—‡๐–พ๐— (๐—…๐—‚๐–พ๐—‡ ๐–ฝ๐–บ๐—‡๐—Œ ๐—…๐–บ ๐–ป๐—‚๐—ˆ) by @no.art_
Iโ€™d like to tell you a little about my story. My name is Noah Helder. Iโ€™m Brazilian, and I was born in 1998 on the outskirts of the far eastern part of Sรฃo Paulo, in the neighbourhood of Sรฃo Mateus. Because of my background growing up in a favela, Iโ€™ve been working since I was a teenager. Iโ€™ve sold sweets on the streets, getting on buses through the back door, worked in a car repair shop, in telemarketing, at a petrol station, and as a doorman, and the list goes on. All of this was long before I turned 18. For me, work was always connected to survival. But when I came across tattooing, I realised there could be something more. For a while, I combined working as a motorbike delivery rider through apps with spending time in the studio. Whenever things slowed down on the streets, I would run back to drawing. Little by little, the income from the studio began to approach what I was earning on the streets. That was the turning point. From that moment on, I threw myself completely into tattooing, and before long, it became an obsession. I never stopped drawing. Drawing has always been the central axis of my work, and within this context, becoming a tattoo artist specialising in Freehand became an obvious path for me. It taught me how to create without having absolute control, to trust the gesture, improvisation and the way I read the body. While already working as a tattoo artist, I completed a degree in Visual Arts Education, but ultimately chose to dedicate my life to tattooing. In 2022, I moved to another country and decided to build my career in Europe. In September 2024, I published my first research book on tattooing: The Garden of a Thousand Vipers. It was a project organised by me and made possible through the collaboration of around 70 artists from 17 different countries. Now, in 2026, my newest project, Thereโ€™s No Art Vol. 1, is a tribute to the history of tattooing. This is a brief summary of my career so far, and I am eternally grateful to all the friends and clients who have brought me this far. Without you, none of this would have been possible, and it wouldnโ€™t have had a reason to exist. ๐Ÿ–ค by @no.art_
๐—Ÿ๐—ฒ๐˜€ ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ฐ๐—ฟ๐—ฎฬ‚๐—ป๐—ฒ๐˜€ ๐—ณ๐—ฎ๐—ป๐˜๐—ผฬ‚๐—บ๐—ฒ๐˜€ โ€ข โ€” โœ• ๐‘Žฬ€ ๐‘š๐‘Ž๐‘–๐‘› ๐‘™๐‘’๐‘ฃ๐‘’ฬ๐‘’ ๐‘ข๐‘›๐‘–๐‘ž๐‘ข๐‘’๐‘š๐‘’๐‘›๐‘ก โ€” โœ• ๐‘“๐‘Ÿ๐‘’๐‘’โ„Ž๐‘Ž๐‘›๐‘‘ ๐‘œ๐‘›๐‘™๐‘ฆ โ€” ๐–ฃ๐—ˆ๐—‡๐–พ ๐–บ๐—: @lasouchetattoo ๐– ๐—€๐–พ๐—‡๐–ฝ๐–บ ๐—ˆ๐—Ž๐—๐–พ๐—‹๐— โ€” PARIS, MONTPELLIER te BORDEAUX ๐–ฏ๐—ˆ๐—Ž๐—‹ ๐—‰๐—‹๐–พ๐—‡๐–ฝ๐—‹๐–พ ๐—‹๐–พ๐—‡๐–ฝ๐–พ๐—“-๐—๐—ˆ๐—Ž๐—Œ ๐–บ๐—๐–พ๐–ผ ๐—†๐—ˆ๐—‚, ๐–พ๐—‡๐—๐—ˆ๐—’๐–พ๐—“-๐—†๐—ˆ๐—‚ ๐—Ž๐—‡ ๐—†๐–พ๐—Œ๐—Œ๐–บ๐—€๐–พ ๐—Œ๐—Ž๐—‹ ๐—†๐—ˆ๐—‡ ๐—Œ๐—‚๐—๐–พ ๐—‚๐—‡๐—๐–พ๐—‹๐—‡๐–พ๐— (๐—…๐—‚๐–พ๐—‡ ๐–ฝ๐–บ๐—‡๐—Œ ๐—…๐–บ ๐–ป๐—‚๐—ˆ) by @no.art_
โ€ข ๐—Ÿ๐—œ๐—ค๐—จ๐—œ๐—— ๐—•๐—Ÿ๐—”๐—–๐—ž โ€ข โ€” โœ• ๐‘Žฬ€ ๐‘š๐‘Ž๐‘–๐‘› ๐‘™๐‘’๐‘ฃ๐‘’ฬ๐‘’ ๐‘ข๐‘›๐‘–๐‘ž๐‘ข๐‘’๐‘š๐‘’๐‘›๐‘ก โ€” โœ• ๐‘“๐‘Ÿ๐‘’๐‘’โ„Ž๐‘Ž๐‘›๐‘‘ ๐‘œ๐‘›๐‘™๐‘ฆ โ€” ๐– ๐—€๐–พ๐—‡๐–ฝ๐–บ ๐—ˆ๐—Ž๐—๐–พ๐—‹๐— โ€” ๐–ฏ๐—ˆ๐—Ž๐—‹ ๐—‰๐—‹๐–พ๐—‡๐–ฝ๐—‹๐–พ ๐—‹๐–พ๐—‡๐–ฝ๐–พ๐—“-๐—๐—ˆ๐—Ž๐—Œ ๐–บ๐—๐–พ๐–ผ ๐—†๐—ˆ๐—‚, ๐–พ๐—‡๐—๐—ˆ๐—’๐–พ๐—“-๐—†๐—ˆ๐—‚ ๐—Ž๐—‡ ๐—†๐–พ๐—Œ๐—Œ๐–บ๐—€๐–พ ๐—Œ๐—Ž๐—‹ ๐—†๐—ˆ๐—‡ ๐—Œ๐—‚๐—๐–พ ๐—‚๐—‡๐—๐–พ๐—‹๐—‡๐–พ๐— (๐—…๐—‚๐–พ๐—‡ ๐–ฝ๐–บ๐—‡๐—Œ ๐—…๐–บ ๐–ป๐—‚๐—ˆ) by @no.art_
๐‡๐š๐ง๐ง๐ฒ๐š ๐Œ๐š๐ฌ๐ค โ€ข โœ• ๐‘Žฬ€ ๐‘š๐‘Ž๐‘–๐‘› ๐‘™๐‘’๐‘ฃ๐‘’ฬ๐‘’ ๐‘ข๐‘›๐‘–๐‘ž๐‘ข๐‘’๐‘š๐‘’๐‘›๐‘ก โ€” โœ• ๐‘“๐‘Ÿ๐‘’๐‘’โ„Ž๐‘Ž๐‘›๐‘‘ ๐‘œ๐‘›๐‘™๐‘ฆ โ€” ๐–ฃ๐—ˆ๐—‡๐–พ ๐–บ๐—: @lasouchetattoo ๐– ๐—€๐–พ๐—‡๐–ฝ๐–บ ๐—ˆ๐—Ž๐—๐–พ๐—‹๐— โ€” ๐–ฏ๐—ˆ๐—Ž๐—‹ ๐—‰๐—‹๐–พ๐—‡๐–ฝ๐—‹๐–พ ๐—‹๐–พ๐—‡๐–ฝ๐–พ๐—“-๐—๐—ˆ๐—Ž๐—Œ ๐–บ๐—๐–พ๐–ผ ๐—†๐—ˆ๐—‚, ๐–พ๐—‡๐—๐—ˆ๐—’๐–พ๐—“-๐—†๐—ˆ๐—‚ ๐—Ž๐—‡ ๐—†๐–พ๐—Œ๐—Œ๐–บ๐—€๐–พ ๐—Œ๐—Ž๐—‹ ๐—†๐—ˆ๐—‡ ๐—Œ๐—‚๐—๐–พ ๐—‚๐—‡๐—๐–พ๐—‹๐—‡๐–พ๐— (๐—…๐—‚๐–พ๐—‡ ๐–ฝ๐–บ๐—‡๐—Œ ๐—…๐–บ ๐–ป๐—‚๐—ˆ) by @no.art_
Copo na borda da mesa (2025) โ€” charcoal on A4 125g paper by @no.art_

Download All

Save the photos and videos currently loaded on this page.

0Photos
0Videos
Ready to download 0 / 0

Keep this tab open until your download is ready.
back to up