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TEMPUS PROJECTS

@tempus_projects

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Join us Thursday. Tempus Projects members reception at 6 PM. General public opening reception 7 PM. Come for the exhibition stay for the Ybor Art Tour! taken in Tempus Projects by @tempus_projects

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7 days ago

From five shows I selected for Hyperallergic’s “15 Shows to See in New York City This April” gallery guide (https://hyperallergic.com/15-shows-to-see-in-new-york-city-this-april/)

Images 1–6: from the show “RugLife” at the Pratt Manhattan gallery work by Liselot Cobelens, Sonya Clark, Noelle Mason, Nicholas Galanin, Ai Weiwei, and Ali Cha’aban.

Images 7–10: from the exhibition “Pamela Sneed and Carlos Martiel: Sacred and Profane” at the Leslie Lohman Museum of Art work by both Sneed and Martiel.

Images 11–15: from the show “Margaret Curtis: ’S” at Post Times gallery, work by Curtis.

Images 16–19: from the show “Arleene Correa Valencia” at Fridman gallery work by Valencia

And the last image is from the show “The Lost Beauty of Humankind: Robert Bergman’s Portraits in the Hill Collection” at the Hill Foundation (which I’ve already posted other images about on this platform) by @tempus_projects

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6 months ago

Behind the scenes: X-RAY & Noelle Mason
EN below ⬇

Die amerikanische Künstlerin Noelle Mason (@nonomason) arbeitet in ihrer Serie „Backscatter Blueprint“ mit Ergebnissen von Röntgenrückstreutechnik aus der Grenzüberwachung. Die digitalen Originalbilder verewigt sie in Form von Cyanotypien (eine Drucktechnik, die mit Licht funktioniert) auf Papier. Dadurch wird sichtbar, welchen Gefahren sich die Menschen auf der Flucht aussetzen müssen – aus Hoffnung auf eine bessere Zukunft.

X-RAY. DIE MACHT DES RÖNTGENBLICKS
9. November 2025 bis 16. August 2026

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➡ EN
In her series “Backscatter Blueprint֧“, American artist Noelle Mason (@nonomason) works with results from X-ray backscatter technology used in border surveillance. She immortalizes the original digital images on paper in the form of cyanotypes (a printing technique that works with light). This reveals the dangers that people fleeing their homes must face in the hope of a better future.

X-RAY. THE POWER OF X-RAY VISION
9 November 2025 to 16 August 2026

#weltkulturerbe #völklingerhütte #patrimoinemondial #unesco #industriekultur #welterbe #Saarland #tourismussaarland #tourismusdeutschland #worldheritagesite by @tempus_projects

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9 months ago

If you are at @parisphotofair stop by @rolandbelgravephotography booth B17 by @tempus_projects

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a year ago

#collectingphotography #photocollection #parisphoto #photocollector #noellemason #cyanotype #analogue #xraytech #parisphotofair # taken in Grand Palais - RMN (Officiel) by @tempus_projects

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a year ago

SUGAR ON MY TONGUE

@parallelogramgallery

@john.byrd
@julie_malenhead
@roberto_marquez_jorge

TONIGHT ! 8/16/25
4-7 PM by @tempus_projects

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a year ago

“‘X-Ray Vision vs. Invisibility’ is a body of work about the phenomenological effects of vision technologies on the perception of undocumented immigrants. The images used in this series were collected from the United States Border Patrol and border-watching vigilante websites. This project remediates images made by machine vision technologies that are used to patrol international borders into craft processes.“ - Noelle Mason (@nonomason) by @tempus_projects

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2 years ago

Happy to be showing work at the Leepa-Rattner Museum of Art.

Would love to see any of you who can make it out.

Friday, January 10th, 2025 | 6-8 p.m.
Leepa-Rattner Museum of Art, SPC Tarpon Springs, Fine Arts building
Light refreshments will be served
($10 donation for additional guests)
RSVP online by January 8th:
https://web.spcollege.edu/survey/37602 by @tempus_projects

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2 years ago

Backscatter Blueprint (The Finding)
cyanotype, porcelain
66" x 51"
2021 by @tempus_projects

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2 years ago

Ground Control (Mexicali/Calexico)
hand woven wool
103" x 82"

Ground Control is a series of hand woven wool Gobelin tapestries that reproduce images of the US/Mexico border at places of conflict taken by a satellite using an electro magnetic radiometer. by @tempus_projects

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2 years ago

Elephant Ivory Traveling Buddha, X-Ray, Light Box, Bill of Sale, Plane Ticket

36" x 18"

2007

In 2007 I was invited to a residency in Hong Kong. While there I made the work Mule (HKG/ORD). This work explores my own relationship to tourism and travel, borders and legality. I purchased an elephant ivory Buddha (illegal to bring into theUS) and smuggled it vaginally from HKG to ORD, this invisible performance was documented through x-ray image bill of sale and plane ticket. by @tempus_projects

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2 years ago

Tonight @sixstarartstudios @bleuacierprint by @tempus_projects

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3 years ago