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@nox.aeterna_  Marooned in a 50 years old untouched Victorian house for @purplehazemagazine 

Marooned is a series exploring the relationship between subject and space. Two concrete, carefully constructed elements are juxtaposed so that a third, ethereal one can take form — only in the mind of the viewer.

The work plays with tension, detachment, and a quiet claustrophobia.
Though the house is large, the figures are most often depicted as contained, even in the wide frames; between walls, or by them.
They assume the role of object. There is no performance. They exist in a perpetual contemplative state.

The fashion and HMUA were chosen to complement the environments in which they were placed, with a strong emphasis on shape, texture and colour. Set against the simplicity of the rooms, the styling undoubtedly co-authors the work.
The constants are limited, so the stories are numerous; though clear motifs are hinted at, the series was designed to be interpreted by the individual, each viewer crafting their own thread from their own past experiences and influences. There is a gravity to the frames, something of the vanitas tradition, that asks to be met slowly.
This is not built for quick consumption. It withholds, and it rewards the viewer who stays.

Full story at PURPLEHAZEMAG.com

La Team! 
Photography / Creative Direction and Text - Leonard @leonard.crf 
Styling - #QasimOkhara
Styling assistant - Frederick Carlsson
Makeup - Meg McConville @moochimade 
Hair Styling - Daniel Joy @danielalexanderjoy 
1st Assistant - Piotr Rulka @rulka_piotr 
2nd Assistant - Tom Weatherilt @tww.photo 
Model - Una (D1London) @nox.aeterna_ 

Fashion:
Qasim Okhara @okharraa 

Special thanks to @jaidabl and @linvonlin ✨
#fashionphotography #fashion #marooned #identity by @okharraa
2
16 days ago
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BQ GUILTY PLEASURE.

#bq #guitypleasure by @okharraa
0
9 days ago
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@nox.aeterna_ MAROONED in a 50 years old untouched Victorian house for @purplehazemagazine 

Marooned is a series exploring the relationship between subject and space. Two concrete, carefully constructed elements are juxtaposed so that a third, ethereal one can take form — only in the mind of the viewer.

The work plays with tension, detachment, and a quiet claustrophobia.
Though the house is large, the figures are most often depicted as contained, even in the wide frames; between walls, or by them.
They assume the role of object. There is no performance. They exist in a perpetual contemplative state.

The fashion and HMUA were chosen to complement the environments in which they were placed, with a strong emphasis on shape, texture and colour. Set against the simplicity of the rooms, the styling undoubtedly co-authors the work.
The constants are limited, so the stories are numerous; though clear motifs are hinted at, the series was designed to be interpreted by the individual, each viewer crafting their own thread from their own past experiences and influences. There is a gravity to the frames, something of the vanitas tradition, that asks to be met slowly.
This is not built for quick consumption. It withholds, and it rewards the viewer who stays.

Full story at PURPLEHAZEMAG.com

La Team! 
Photography / Creative Direction and Text - Leonard @leonard.crf 
Styling - #QasimOkhara
Styling assistant - Frederick Carlsson
Makeup - Meg McConville @moochimade 
Hair Styling - Daniel Joy @danielalexanderjoy 
1st Assistant - Piotr Rulka @rulka_piotr 
2nd Assistant - Tom Weatherilt @tww.photo 
Model 1 - Una (D1London) @nox.aeterna_ 

Fashion:
Qasim Okhara @okharraa 

Special thanks to @jaidabl and @linvonlin ✨
#fashionstory #editorial #design #marooned by @okharraa
4
17 days ago
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@stiltz MAROONED in a 50 years old untouched Victorian house for @purplehazemagazine 

Marooned is a series exploring the relationship between subject and space. Two concrete, carefully constructed elements are juxtaposed so that a third, ethereal one can take form — only in the mind of the viewer.

The work plays with tension, detachment, and a quiet claustrophobia.
Though the house is large, the figures are most often depicted as contained, even in the wide frames; between walls, or by them.
They assume the role of object. There is no performance. They exist in a perpetual contemplative state.

The fashion and HMUA were chosen to complement the environments in which they were placed, with a strong emphasis on shape, texture and colour. Set against the simplicity of the rooms, the styling undoubtedly co-authors the work.

The constants are limited, so the stories are numerous; though clear motifs are hinted at, the series was designed to be interpreted by the individual, each viewer crafting their own thread from their own past experiences and influences. There is a gravity to the frames, something of the vanitas tradition, that asks to be met slowly.
This is not built for quick consumption. It withholds, and it rewards the viewer who stays.

Full story at PURPLEHAZEMAG.com

La Team! 
Photography / Creative Direction and Text - Leonard @leonard.crf 
Styling - #QasimOkhara
Styling assistant - Frederick Carlsson
Makeup - Meg McConville @moochimade 
Hair Styling - Daniel Joy @danielalexanderjoy 
1st Assistant - Piotr Rulka @rulka_piotr 
2nd Assistant - Tom Weatherilt @tww.photo 
Model - Brooke (D1 London) @stiltz 

Fashion:
Qasim Okhara @okharraa

#portrait #marooned #identity #design by @okharraa
9
17 days ago
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@louphelps wearing OKHARA coat for Deeds Magazine’s Digital cover story 
 

Photographer: Clare Setian @claresetian 
Creative Director: Clare Setian @claresetian and Zekaria Al-Bostani - @zek.snaps 
Producer: Seneo Mwamba @seneomwamba 
Hair stylist : Gaia Bezbradica @gaia_maua 
Grooming: Afsha Kabani @afshaartistry 
Stylist: Josh T Arimoro @joshtarimoro 
Styling Asisstant: @cillaowu 
Coat: @okharraa @qaaaasimmm 
Movement Director: Ayanna Birch @ayannabirch_ 
BTS: Naomi Nwabuisi @naomivds 
Design: @shalemalone 
Creative Assistant: Whitney Sanni @its.whit_ 
Writer: Josh Clubbe @joshclubbe 
PR: @goodmachinepr by @okharraa
30
a year ago
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@nox.aeterna_ and @stiltz MAROONED in a 50 years old untouched Victorian house for @purplehazemagazine 

Marooned is a series exploring the relationship between subject and space. Two concrete, carefully constructed elements are juxtaposed so that a third, ethereal one can take form — only in the mind of the viewer.

The work plays with tension, detachment, and a quiet claustrophobia.
Though the house is large, the figures are most often depicted as contained, even in the wide frames; between walls, or by them.
They assume the role of object. There is no performance. They exist in a perpetual contemplative state.

The fashion and HMUA were chosen to complement the environments in which they were placed, with a strong emphasis on shape, texture and colour. Set against the simplicity of the rooms, the styling undoubtedly co-authors the work.
The constants are limited, so the stories are numerous; though clear motifs are hinted at, the series was designed to be interpreted by the individual, each viewer crafting their own thread from their own past experiences and influences. There is a gravity to the frames, something of the vanitas tradition, that asks to be met slowly.
This is not built for quick consumption. It withholds, and it rewards the viewer who stays.

Full story at PURPLEHAZEMAG.com

La Team! 
Photography / Creative Direction and Text - Leonard @leonard.crf 
Styling - #QasimOkhara
Styling assistant - Frederick Carlsson
Makeup - Meg McConville @moochimade 
Hair Styling - Daniel Joy @danielalexanderjoy 
1st Assistant - Piotr Rulka @rulka_piotr 
2nd Assistant - Tom Weatherilt @tww.photo 
Model 1 - Una (D1London) @nox.aeterna_ 
Model 2 - Brooke (D1 London) @stiltz 

Fashion:
Qasim Okhara @okharraa 
Louisa Agyeii @agyeii_ 
Elea Evangelista @elea.evangelista 
Frederick Carlsson
Angela Cammarota @angelacammarota_matta 

Such a pleasure collaborating with fellow @westminsterfashion fashion students/alumni

Special thanks to @jaidabl and @linvonlin ✨

#fashionstory #styling #identity #marooned by @okharraa
37
18 days ago
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LASER-MAN CLUTCH for my “Juxta-Transit” Collection
Identity project.

Model @j3ss3_005 ✨

#fashion #accessories #craftsmanship #leather by @okharraa
24
6 months ago
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QASIM ISAH’s JUXTA-TRANSIT collection explores the coexistence of Nigerian heritage, queer identity, and life in London through modular dressing, layered silhouettes, and shifting proportions. Created as part of a Westminster Fashion project, the collection draws from personal references, including embroideries inspired by the designer’s father’s AGBADA and colour palettes influenced by his mother’s wrapper fabrics, while tapping into the visual language of Nigerian family portraiture inspired by Samuel Fosso and Ruth Ossai. 

Designer: @qaaaasimmm @okharraa
Talent: @w3b_st4r
Photography: @nzar4h
Art Direction and Set Design: @manon.hall
Assistants: @ilginsdrive @photosby.niki by @okharraa
25
5 months ago
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Full blue-black tanned cowhide coat in motion 😍

Designed and Emoted by yours truly ☺️🤭✨

#fashiondesign #leather #editorial #poses #print design by @okharraa
12
6 months ago
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Juxta Transit - A project rooted in the tension between the designer's Nigerian heritage and Queer identity, discovered and grown in London. Not a story of conflict, but of coexistence of an individual who does not abandon tradition to grow, but grows from within
it.
Inspired by the photographic legacies of Samuel Fosso and Ruth Ossai, the concept draws on the visual language of the Nigerian amateur family portrait: a humble, tender genre that carries enormous cultural weight. The set is conceived as a living room frozen in memory stripped backdrop, draped curtains, a single wooden chair, and transparent plastic sheeting covering both chair and floor, to prevoke the preserved home, the domestic space held carefully against time. An empty frame hangs on the backdrop: present, but holding nothing. A portrait waiting to be made.

In a deliberate nod to Fosso's practice, the camera pulls back far enough to reveal the studio itself, the lights, the edges, the space. What we see is not a memory retrieved but one consciously staged. An act of authorship. A choice about which traditions to carry, and how.

CREDITS
Designer: @qaaaasimmm @okharraa 
Talent: @w3b_st4r 
Photography: @nzar4h 
Art Direction and Set Design: @manon.hall 
Assistants: @ilginsdrive @photosby.niki taken in London, England by @okharraa
12
6 months ago
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A nod to the creative madness. taken in London, United Kingdom by @okharraa
7
6 months ago
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JUXTA-TRANSIT COLLECTION “SCROLL OVERCOAT”
FOR MY IDENTITY PROJECT I wanted to pay homage to my roots while keeping the contemporary element of my experiences, growth and accepting both side of my served coin “juxtaposed” being raised in a Muslim Nigerian family and living in the UK where I still continuously Explore and discover more of my Queer identity, this isn’t a story of conflict but one of Coexistence.

The Scroll overcoat is made from dyed dead stock denim with blue-black leather and a printed satin lining of my own messenger motive 

CREDIT 
Design and Creative direction: @qaaaasimmm X @okharraa 
Talent: @w3b_st4r 
Photographer: @nzar4h 
Art Direction @manon.hall 
Assistant photographer: @ilginsdrive and @photosby.niki by @okharraa
26
6 months ago
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