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•ORLY ANAN •

@orlyanan

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🌀אֵין סוֹף
exploring Landscape performance
Jan @asianartmuseum
Apr @daju.danzaunam
May 9th @castelldebellver
May 28/29/30 @museocabanas
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Noviembre | ✨ ¿Qué ocurre cuando intentamos comunicarnos con aquello que no podemos ver ni comprender? Teatro para un Dios Sordo, es una experiencia inmersiva y multidisciplinar que transforma este espacio en un universo surreal, místico y metafísico. La artista Orly Anan presentará en el Teatro Colón del Centro Nacional de las Artes cuadros vivos, acciones performáticas y escenas que suceden simultáneamente entre el público, los balcones y el escenario, la obra propone una exploración sobre la fe, la comunicación y nuestra relación con lo desconocido. 🎭 Una experiencia para recorrer el teatro con otros ojos. Música: Eblis Álvarez Textos: Carolina Sanín Curaduría: Santiago Gardeazábal Escenografía: Daniel Correa Vestuario: Orly Anan Studio & Muaré Costumes.  🔴Beca de creación en artes vivas de gran formato Teatro Colón del Centro Nacional de las Artes. 📍 Teatro Colón | Centro Nacional de las Artes: Calle 10 # 5-32 ⭕️Viernes 6 y sábado 7 de noviembre | 7:30 p.m. ➡️Entradas en Tuboleta. Enlace en el LINTREE de @eneldelia #teatrobogota #planesenbogota #teatrocolon taken in Bogotá, Colombia by @orlyanan
15
7 days ago
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“Under This Mask Another Mask”. 2026 -> Gr8full to be asked by long time collaborator @orlyanan to cre8 a short film 4 @zonamaco Lab (curated by @dramian) - it launched sept 11 and runs until october 11th in cdmx -> go see if ur in cdmx -> was a lovely correspondensce exquisite corpse poetry -> voice is @keekee_kud by @orlyanan
10
13 days ago
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“̈LIQUID DIALOGUES” is a theatrical performance showcased at @anahuacalli in Mexico City as part of @mutekmx / “Liquid Dialogues “immerses the audience in a shared introspective journey, where music,symbolism, and physical expression come together to convey birth as both a literal and metaphorical act of creation. The performance represents an eccentric and public birthing ritual, where the focal point is the symbolic birth of a two-headed snake. This snake, a creature rich in mythological and cultural meanings, embodies duality, transformation, and the merging of opposing forces. Each character involved in the performance carries a symbolic role that echoes the stages of birth: from the doulas to the fertilizer, the eternal mirror, the mother, the spiral of infinite creation, and Hatis Noit’s @hatis_noit as the guiding voice. Throughout this eccentric, “parto” (birth), the Anahuacalli Museum becomes a metaphorical birthing chamber, where the sacred act of creation unfolds before the audience’s eyes. taken in Museo Anahuacalli by @orlyanan
28
2 years ago
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̈LIQUID DIALOGUES” is a theatrical performance showcased at @anahuacalli in Mexico City as part of @mutekmx Director & designer:Orly Anan Sound performer : @hatis_noit Executive production : @mutekmx & @oas.lab Studio Manager & Coordinator:Lucila Cairo Guerra Head of masks department:Hugo Mael Figueroa _ Art Assistants Cecilia Lizcano López Anais Vasconcelos Raul Carballo Corrales Glenda Torrado Rodríguez Ximena Maenfeltd Estefanía Alonso _ Costumes department: Alejandro Rincón Gutiérrez Yolanda Montoya Pérez Laura Angélica Del Carmen Hernández Martínez Jennyfer Arcos Rojas _ Hair Sculptures : Fernanda Acuña _ Movement director :Cesar Brodermann Movement director asistant: Santiago Sanchez Ramirez _ Photographer BTS : Pol Agusti Photographer BTS: Fito SabraKadabra Photographer live performance:Adolfo Cano Torres Videographer: Manfredi Coppolecchia _ Talent coordinator :Yezbek Chaul Performers: Alinee Arizmendi Salgado Syanya Joan Marin Huerta Norma Anahí Chávez Lopez Indra Izanami Merklin Sanchez Karla eva rosales perez Omar Roberto Avalos Trejo Elvira Tellez Cortes Maria Gameiro Micaelo Enrique José Ortiz Hernández Alejandra Melgoza Higueras Guillermo Magallón Armenta _ Special thanks to : @dramian @karlaninno @barbararuiz85 Ruiz taken in Museo Anahuacalli by @orlyanan
32
2 years ago
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We Grow in Circles We Grow in Circles is conceived as a cyclical ritual structured through six interrelated phases: blessing, preparing, sowing, watering, harvesting, and return. Departing from linear narrative, the work operates as a regenerative system, invoking cosmologies of life, death, and rebirth in which transformation is understood as continuous and non-hierarchical. Movement is transmitted from body to body, proposing identity as fluid and relational rather than fixed. The performers function as conduits through which energy, gesture, and intention circulate, foregrounding processes of exchange over individual authorship. Costume operates as an extension of the body, transforming each performer into a sculptural and archetypal presence. Masks inscribed with permutations derived from the 72 Names of God function as active symbolic structures, situating the body within a field of spiritual and linguistic resonance. Conceived as an open and evolving work, We Grow in Circles resists closure. Its duration and form remain adaptable, reflecting an understanding of growth as an ongoing, generative process rather than a finite event. Landscape performance, 30 minutes London, United Kingdom • Ibiza, Spain • Asian Art Museum SF 2025–2026 Next Activation Presented by @lov.foundation in partnership with @_xtant_ Castell de Bellver 9 May, 17:00 Live music by @juliacolomjuliacolom Videos from last activation at the @asianartmuseum Credits Directed by Orly Anan in co-creation with @lov.foundation Studio Manager and Production Tai Sans Costume Department Karina Luna, Diana Martínez, Yolanda Montoya “Yoli” másks: Anais Vasconcelos Performers Zara Sands, Rosie Terry, Inti José, René Mamore, Belén Leroux, Ronan Cardoza, Jao Luna, Arsenio Mendoza, David Beitia, Miriam Varela, Cristina Carmen de Uribarri, Estela Cruz, Meena Manoj, Jin Lee Baobei, Delana Motter, Aidan Tailor, Sundari Joseph, Fuchsia taken in Asian Art Museum by @orlyanan
60
5 months ago
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Pollera Vortex is a ritual performance that reimagines the pollera—the traditional skirt of cumbia dancers from the Caribbean coast of Colombia—as a cosmic apparatus. Rather than functioning solely as folkloric costume, the pollera becomes a gravitational force: a vortex linking hips to earth, body to rhythm, and matter to trance. The work proposes a speculative vision in which the universe unfolds beneath the pollera itself. What appears as fabric becomes a portal—an intimate cosmos in motion—inviting the audience into a state of feminine, erotic, and ecstatic activation. This trance is not framed through binary notions of femininity or masculinity, but emerges instead through a queer ritual language that destabilizes conventional representations of gender within cumbia and folkloric dance. Rooted in the artist’s place of origin, Pollera Vortex operates as a deconstruction of the cumbia pollera from the Caribbean coast of Colombia. The performance unfolds within a red carpet installation that simulates a circular rueda de cumbia, a communal dance structure central to Caribbean ritual practices. Three performers inhabit this space: a central figure embodying the musicians—guides of trance—invokes the presence of candles through smoke and breath, while two orbiting bodies move as celestial forms, echoing the rotational logic of the skirt. Pollera Vortex unfolds as both fantasy and provocation—a magnifying lens held beneath the pollera, revealing what is often unseen: desire, rhythm, vibration, and the sacred potential of the body in motion. The work becomes a ritual of collective looking, where folklore, queerness, and erotic energy converge to activate a shared, altered state. Performance activation— 10 min Showing at @apolemia________ Brussels 2025 - Directed by @orlyanan With fantastic performers @lydiamcglinchey @marbares_ @thirdworldbb - Curatorial sound by @don_alirio Costume design department @di_martinex taken in Brussels, Belgium by @orlyanan
8
6 months ago
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🍸 Self portrait with ancestors 🍸 taken in Delícia Delícia by @orlyanan
7
2 years ago
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“EL OMBLIGO COMO CENTRO CÓSMICO “ - The performance is a ritualistic journey divided into four stages of evolution, symbolizing the path to spiritual liberation. It emphasizes the connection between the human Navel and the universe cosmic centers. - - The performance activates every hour, accommodating up to 150 viewers at a time, providing an intimate and immersive experience. - Performance showcased at @mutekmx & @museomarco gala Video art showcased at @monamuseum Tasmania - Directed By: Orly Anan Production design & costumes : Orly Anan Executive Producer :Evan Brown Production Company Dreambear Studio Manager: Andrea Monge First AD:Lucila Cairo Producer :Gina Rodriguez Director of Photography :Bruno Firpo Still Photography:Noel Higareda Video Editting: Javier Dorantes Original Soundtrack:Georgiiiiia/ Brian Close Casting :Yezbeck Chaui Masks department: Hugo Mael Art Department: Jesús Molina Ximena Velázquez Cisneros Juan Carlos García Karla Karina Chávez Daniela Lopeza Glenda Torrado Oscar Enrique Reyes Franco Yolanda Montoya Pérez Laura Angélica 1st AC/Foquista: Ricardo Barrera 2nd AC/Foquista: Gil Arellano Encargado de Camara: Marco Dávila Trainee de Camara:Nadia Matias Gaffers; Cristo Domínguez Sergio Cuauhtémoc Jose Hernández Angel Lopez Brandon Arismendi Best Boy: Cuauhtemoc Quiroz Luces: Gerardo Corona Flores Minimovil: Raúl Vega y Erick Vega Foto Assistant: Alicia Esquievel Performers: Mariana Fuensanta Rodríguez Argemí Laura Viridiana Quevedo Angeles Karla Eva Rosales Perez Jessica Mayle Sandra Lopez Miranda Neidy Sarai Curiel Hernández Ailnee Arizmendi Syanya Joan Marín Huerta Montserrat Campos Gutierrez Maria Antonieta Carrasco Martinez Jose Manuel HErnandez Herrera Eléctrico Angel Lopez Solis Eber Abisaid Santiago Martinez Special Thanks: @mutekmx Evan Brown Damian Romero Barbara Ruiz Malca Family Nike taken in Mexico City, Mexico by @orlyanan
19
2 years ago
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“EL OMBLIGO COMO CENTRO CÓSMICO “ - The performance is a ritualistic journey divided into four stages of evolution, symbolizing the path to spiritual liberation. It emphasizes the connection between the human Navel and the universe cosmic centers. - - The performance activates every hour, accommodating up to 150 viewers at a time, providing an intimate and immersive experience. - Performance showcased at @mutekmx & @museomarco gala Video art showcased at @monamuseum Tasmania - Directed By: Orly Anan Production design & costumes : Orly Anan Executive Producer :Evan Brown Production Company Dreambear Studio Manager: Andrea Monge First AD:Lucila Cairo Producer :Gina Rodriguez Director of Photography :Bruno Firpo Still Photography:Noel Higareda Video Editting: Javier Dorantes Original Soundtrack:Georgiiiiia/ Brian Close Casting :Yezbeck Chaui Masks department: Hugo Mael Art Department: Jesús Molina Ximena Velázquez Cisneros Juan Carlos García Karla Karina Chávez Daniela Lopeza Glenda Torrado Oscar Enrique Reyes Franco Yolanda Montoya Pérez Laura Angélica 1st AC/Foquista: Ricardo Barrera 2nd AC/Foquista: Gil Arellano Encargado de Camara: Marco Dávila Trainee de Camara:Nadia Matias Gaffers; Cristo Domínguez Sergio Cuauhtémoc Jose Hernández Angel Lopez Brandon Arismendi Best Boy: Cuauhtemoc Quiroz Luces: Gerardo Corona Flores Minimovil: Raúl Vega y Erick Vega Foto Assistant: Alicia Esquievel Performers: Mariana Fuensanta Rodríguez Argemí Laura Viridiana Quevedo Angeles Karla Eva Rosales Perez Jessica Mayle Sandra Lopez Miranda Neidy Sarai Curiel Hernández Ailnee Arizmendi Syanya Joan Marín Huerta Montserrat Campos Gutierrez Maria Antonieta Carrasco Martinez Jose Manuel HErnandez Herrera Eléctrico Angel Lopez Solis Eber Abisaid Santiago Martinez Special Thanks: @mutekmx Evan Brown Damian Romero Barbara Ruiz Malca Family Nike by @orlyanan
32
2 years ago
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Ella es POSSÉ LA PRESENTADORA en 🩸LA DAMA DEL AÑO🩸 Una sátira esotérica sobre la perfección y el absurdo - Theatrical performance / 15min - La Dama del Año es una farsa celestial que convierte un concurso de belleza en una ceremonia mística llena de ironía y exageración. Conducido por un maestro de ceremonias que oscila entre el animador de feria y el gurú espiritual, el espectáculo presenta una galería de arquetipos femeninos elevados a la categoría de diosas: la belleza absoluta, la seducción encarnada, el exceso divino y la simetría cósmica. Cada personaje lucha por convencer al público de que representa el pináculo de la humanidad. Inspirada en La Divina Comedia y el arte de ser mujer la obra deconstruye los mitos de lo bello, lo deseable y lo armónico para revelarnos una verdad incómoda: no hay un premio, no hay una ganadora, solo un ciclo infinito de ilusiones y expectativas. Bienvenidos a esta ceremonia del delirio. - *EQUIPO* @tai____tai @lacondesanotti @karinialuna @laiatorras__ @fernanda.acuna @di_martinex @noelHigareda @luciavarme @_astor_______ @alejandrotorovo @davidisaacgm @rschoenherr @andie_smiley @yocongusto @better.call.lau *TALENTO* @posseesposse @fernand0monter0 @diablurs @shaoran__ @anabel_venegas @kikabrava @anahi.palacios.144 @zyanmarin @mon.camacho Gracias @pepxromero 🤍 by @orlyanan
5
a year ago
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Los ojos hablan primero. taken in Mexico City, Mexico by @orlyanan
20
6 months ago
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🔥 Una experiencia escénica única llegará al Museo Cabañas. En el marco de Andrógina Festival Diversa 2026, festival que en esta edición explora el ritual como una forma de transformación y creación de nuevas narrativas, la reconocida artista internacional Orly Anan presenta "Vistas de un Hombre en Llamas", un performance site-specific creado especialmente para el Museo Cabañas. La pieza toma como punto de partida la fuerza simbólica de El Hombre en Llamas de José Clemente Orozco para construir una experiencia contemporánea donde el cuerpo, el espacio y el simbolismo se encuentran. A través de danza, instalación y narrativa visual, la cúpula del museo se transforma en un paisaje ritual habitado por imágenes sorprendentes: una mujer que da a luz un volcán, un leopardo que amamanta a un niño y vínculos entre humanos, animales y naturaleza que replantean nuestra forma de relacionarnos con el mundo. Más que una puesta en escena convencional, Vistas de un Hombre en Llamas propone un recorrido sensorial e inmersivo donde el fuego deja de representar destrucción para convertirse en transformación, apertura y posibilidad. 📍 Museo Cabañas 📅 Presentaciones 28, 29 y 30 de mayo 🕗 8:00 pm 🎟️ Costo: $130 🎫 Boletos disponibles en taquilla del museo de 10 a 17 h ⚠️ Cupo limitado Una oportunidad para vivir el Museo Cabañas desde otra perspectiva y presenciar el trabajo de una de las artistas performáticas más destacadas de la escena internacional. by @orlyanan
31
5 months ago
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