Aura Music

1823年舒伯特的友人舒道發發明了琶音琴。這是把大提琴和結他混合的樂器，六條弦的音高和結他一樣，用四度調音，指板一樣有琴衍。（大提琴有四條弦，用五度調音，指板沒琴衍。）琴身像大提琴有 f 孔及琴馬，演奏時使用琴弓，演奏姿勢也和大提琴相若。舒道發委託舒伯特寫一首為琶音琴的音樂，在6月24日的演奏會，大提琴家高斯亞可夫和鋼琴家三浦謙司就會為大家演奏這首作品的大提琴版本。琶音琴這樂器在發明後很快就被遺忘，而這首作品在約半世紀後於1871年附有給小提琴或大提琴演奏的版本出版。

In 1823 Schubert’s friend Johann Georg Stauffer invented Arpeggione. The instrument was conceived to be a “cello-guitar”. Like the guitar it is fretted, has six strings and tuned exactly like the guitar, in fourths. (The cello has four strings, tuned in fifths, and unfretted.) Yet the arpeggione can be bowed, it has f-holes and a bridge like the cello. The player is to hold the arpeggione with his or her calves. Stauffer commissioned Schubert to write a piece for this new instrument. In the Duo Recital in June, cellist Pavel Gomziakov and pianist Kenji Miura will perform the cello version of this work. After a decade from its invention, arpeggione was largely out of vogue, and after almost half a century, the composition was finally published in 1871, together with a violin and a cello version. 

〖 @classicalpixel x Aura Music 〗

高斯亞可夫與三浦謙司大提琴及鋼琴演奏會（香港首演）
2024年6月24〔一〕晚上7:30
香港大會堂音樂廳
門票現已於城市電腦售票網發售
節目及購票詳情：https://bit.ly/4bRcd2m

Duo Recital by Pavel Gomziakov & Kenji Miura (Hong Kong debut)
24 June 2024 (Mon) 7:30 pm
Concert Hall, Hong Kong City Hall
Tickets are now available for purchase at URBTIX & arte-mate
Programme Details & Ticket Purchases: https:// bit.ly/4bRcd2m

#auramusicasia #rethinkeducation #HKdebut #PavelGomziakov #KenjiMiura #Cello #Piano #DuoRecital #HongKongCityHallConcertHall #pixelclassical #schubert #arpeggione #pixelanimation