People think my job is sitting in a studio listening to random tracks all day. Meanwhile, I’m on set… 🎥 reviewing scripts 🤝 working with directors 🎛️ fixing cues in ADR 🎵 making sure the music serves the story All while my inbox is flooded with messages like “check out my music!” ⛔️ No context. ⛔️ No understanding of the scene. ⛔️ No idea what I’m actually working on.
The artists who do get through? They’ve done their research. They know the tone, the vibe, the moment. They’re not pitching blindly—they’re helping me solve a creative problem.
And usually? They’re repped by someone I already trust.
I’ll show you the formula that works—because it’s the one that works on me.
💡 Comment “GUIDE” and I’ll send you the exact framework I use to evaluate pitches.