a year ago
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Posted On: November 21st 2025, 09:40 am
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Irena Boćkai:
Bear with me
27. 11. 2025., 20:00 h
performance by
@irenabockai
The performance Bear with me is about the creative process of working on a performance centered on polar bears. The title semantically plays on the largest terrestrial predator and marine mammal, but also on the imperative to the audience to be patient with the author, who attempts to transform herself into a polar bear during the performance. The performance takes the form of a performance-lecture that merges the artistic and the academic, aiming for knowledge transfer within the artistic execution. The idea is to use the performance lecture format to unfold the process of working on a piece focused on the theme of the performing animal. A crucial aspect of the work is the notion of creative discomfort and the discomfort arising from the body itself. For this reason, the author attempts to embody a different body that is distinct from her own. Creative discomfort also stems from the constant threat to which we are exposed in any kind of artistic creation, as artists today perpetually navigate the boundary between the original and reproduction, and even plagiarism. Furthermore, creative discomfort arises from the constant threat of whether the performance will be declared successful or unsuccessful. Will it ultimately succeed?
Bear with me
27. 11. 2025., 20:00 h
performance by
@irenabockai
The performance Bear with me is about the creative process of working on a performance centered on polar bears. The title semantically plays on the largest terrestrial predator and marine mammal, but also on the imperative to the audience to be patient with the author, who attempts to transform herself into a polar bear during the performance. The performance takes the form of a performance-lecture that merges the artistic and the academic, aiming for knowledge transfer within the artistic execution. The idea is to use the performance lecture format to unfold the process of working on a piece focused on the theme of the performing animal. A crucial aspect of the work is the notion of creative discomfort and the discomfort arising from the body itself. For this reason, the author attempts to embody a different body that is distinct from her own. Creative discomfort also stems from the constant threat to which we are exposed in any kind of artistic creation, as artists today perpetually navigate the boundary between the original and reproduction, and even plagiarism. Furthermore, creative discomfort arises from the constant threat of whether the performance will be declared successful or unsuccessful. Will it ultimately succeed?
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