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Brittany Walker

@fauxtralto

8 months ago
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
Photo by Brittany Walker on February 16, 2026.
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Posted On: February 17th 2026, 12:22 am
Took the snowshoes out again. This trail seemed straightforward on paper, but I spent most of the time lost in different loops. Oh well, saw an old camp, the fire tower, and had a nice day out in the snow ❄️
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thechrisfsarabia 8 months ago

thechrisfsarabia

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Honey Dijon digs deep into her early musical influences and selects her Proto House picks. #Yazoo – State Farm Known as Yaz in North America for contractual reasons, the dynamic combination of Vince Clarke’s synth wizardry / melodies and Alison Moyet’s bluesy vocals proved irresistible. “No one man owns House. House is an amalgamation of sound. Its roots run deep: the Sound of Philadelphia, the soul of Motown, the magic of The Salsoul Orchestra. Add the Teutonic pulse of Kraftwerk, the glamour of Italo Disco, the industrial and synthpop edge of the UK, and the New Wave/No Wave of New York’s underground. It was the collision of subcultures and musical expression that laid the foundation for a movement that went on to take over the world. Here are a few selections for your consideration and enjoyment”. Honey Dijon Human League - Love Action Dancefloor highlight of the band’s monumental Dare, and centrepiece of the League Unlimited Orchestra’s dubbed out remix take on the album by Martin Rushent. MUTE 001. Daniel Miller, then a young London film editor working alone, started the label just to put the record out. Grace Jones covered it in 1980. No one man owns House. House is an amalgamation of sound. Its roots run deep: the Sound of Philadelphia, the soul of Motown, the magic of The Salsoul Orchestra. Add the Teutonic pulse of Kraftwerk, the glamour of Italo Disco, the industrial and synthpop edge of the UK, and the New Wave/No Wave of New York’s underground. It was the collision of subcultures and musical expression that laid the foundation for a movement that went on to take over the world. Here are a few selections for your consideration and enjoyment. Honey Dijon Spandau Ballet - Chant No. 1 (I Don’t Need This Pressure On) Driven by the relentless horn section of Brit Funkers Beggar & Co, Chant was the highlight of the band’s all too brief clubland excursions phase. Telex - Moskow Diskow An early (and global) electronic dancefloor staple from a Belgian trio who specialised in experimental cover versions (though this track is self-penned) and opted to remain anonymous. No one man owns House. House is an amalgamation of sound. Its roots run
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