6 months ago
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Posted On: April 26th 2026, 06:24 pm
Alchemy and the archive.
It has been an honour to work on the exhibition design for The Symptomatic Surreal, the first institutional exhibition dedicated to Leonora Carrington’s drawings from her Santander sketchbooks.
Now showing at @freudmuseum
Curated by Vanessa Boni
Joinery by Gareth Lindsay
The application of colours and materials (Stained ply, magnets, metallic papers) attempt to create an appropriate atmosphere for an archival show about Carrington. In many cases our choices derive from objects around the show.
The accompanying publication can be pre-ordered from the Freud Museum website.
'British-born Mexican artist Leonora Carrington (1917–2011) is one of the most celebrated figures associated with Surrealism. She was a painter, novelist, and visionary whose sustained enquiry into the psyche informed her interests in mythology, psychology, alchemy, tarot, and other esoteric traditions.
Told through her sketchbook drawings and letters from 1938 to 1941 prior to her permanent emigration to Mexico, this exhibition follows Carrington’s flight from Nazi occupied France, her hospitalisation in Sanatorium Morales in Santander, Spain, and her journey through Madrid to New York, where she was reunited with the Surrealists in exile in 1941. It was then that she entrusted the Santander sketchbooks to collector Julien Levy, which were held in his collection for over sixty years, until the sketchbook drawings were sold in 2004 and dispersed into various private collections.
This exhibition brings together material from Carrington’s stay in Santander, placing her recurring motifs of horses and the underworld in dialogue with Sigmund Freud’s collection of antiquities devoted to these themes. The exhibition is anchored by the presentation of Down Below (1940), a seminal early painting produced during Carrington’s hospitalisation in Santander, offering a rare opportunity to view the work as it has never been exhibited in London before.'
Photography by @lewiser
It has been an honour to work on the exhibition design for The Symptomatic Surreal, the first institutional exhibition dedicated to Leonora Carrington’s drawings from her Santander sketchbooks.
Now showing at @freudmuseum
Curated by Vanessa Boni
Joinery by Gareth Lindsay
The application of colours and materials (Stained ply, magnets, metallic papers) attempt to create an appropriate atmosphere for an archival show about Carrington. In many cases our choices derive from objects around the show.
The accompanying publication can be pre-ordered from the Freud Museum website.
'British-born Mexican artist Leonora Carrington (1917–2011) is one of the most celebrated figures associated with Surrealism. She was a painter, novelist, and visionary whose sustained enquiry into the psyche informed her interests in mythology, psychology, alchemy, tarot, and other esoteric traditions.
Told through her sketchbook drawings and letters from 1938 to 1941 prior to her permanent emigration to Mexico, this exhibition follows Carrington’s flight from Nazi occupied France, her hospitalisation in Sanatorium Morales in Santander, Spain, and her journey through Madrid to New York, where she was reunited with the Surrealists in exile in 1941. It was then that she entrusted the Santander sketchbooks to collector Julien Levy, which were held in his collection for over sixty years, until the sketchbook drawings were sold in 2004 and dispersed into various private collections.
This exhibition brings together material from Carrington’s stay in Santander, placing her recurring motifs of horses and the underworld in dialogue with Sigmund Freud’s collection of antiquities devoted to these themes. The exhibition is anchored by the presentation of Down Below (1940), a seminal early painting produced during Carrington’s hospitalisation in Santander, offering a rare opportunity to view the work as it has never been exhibited in London before.'
Photography by @lewiser
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