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Posted On: May 13th 2026, 05:37 am
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🔥 Don’t miss @clareeburnett “The Objects are Watching I-VI”, 2026, Plastic, paper, glue, pigments and Cypriot oxides
dimensions variables
“All materials carry the same value for the artist, who dismisses “art world” hierarchies of value. This is
exemplified in her use of plastic, paper and clay as an equal of other “precious” materials. The
homonymous series “The Objects are Watching”, (2026) are stacked bowls, buckets and other readily
available plastic objects under layers of papier-mâché. Reconfigured into anthropomorphic sculptures,
they stand tall, like totems of contemporary consumerism or harbingers of an ecological disaster. “Like
the household terracottas of the past, today’s everyday plastics bear witness,” the artist writes “watching
over our actions and lives until they too become the archaeology of the future.” Extract from Pavlina’s Paraskevaidou text
Exhibition continues until 27th of May @artseen_contemporary
Curated by @mariastathip
Photo @nicoslouca
dimensions variables
“All materials carry the same value for the artist, who dismisses “art world” hierarchies of value. This is
exemplified in her use of plastic, paper and clay as an equal of other “precious” materials. The
homonymous series “The Objects are Watching”, (2026) are stacked bowls, buckets and other readily
available plastic objects under layers of papier-mâché. Reconfigured into anthropomorphic sculptures,
they stand tall, like totems of contemporary consumerism or harbingers of an ecological disaster. “Like
the household terracottas of the past, today’s everyday plastics bear witness,” the artist writes “watching
over our actions and lives until they too become the archaeology of the future.” Extract from Pavlina’s Paraskevaidou text
Exhibition continues until 27th of May @artseen_contemporary
Curated by @mariastathip
Photo @nicoslouca
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