Hermes Torres

REFLECTIONS OF CONSCIOUSNESS

These works are acrylic on reflective silver paper. It mirrors the viewer. The face becomes both image and interruption. Each head has the same structure, yet the color shifts its psychological weight. The brushstrokes are unapologetically visible. The gesture resists realism and instead reveals states of consciousness. The reflective surface implicates the viewer. You are not just looking at a face — you are seeing yourself around it, inside it, behind it.
Is identity fixed? …..or is it something constantly painted over?

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