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Estiven Gutiérrez

@_loamranger_

a month ago
Photo by Estiven Gutiérrez on October 03, 2026. May be an image of bicycle and text.
Photo by Estiven Gutiérrez on October 03, 2026. May be an image of bicycle and text.
Photo by Estiven Gutiérrez on October 03, 2026. May be an image of bicycle and text.
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Posted On: October 3rd 2026, 04:14 pm
Tagged Users:
@bansheebikes
bansheebikes
@dharcoclothing
dharcoclothing
@worcawhistler
worcawhistler
First time racing in Whistler a couple of weeks ago and didn’t disappoint, great people, trails and vibes were there.
Thank you @dharcoclothing for giving me the opportunity to race and represent.
Pura vida #thehillman #noordinarylife

📸 Pictures by:

1 @the_real_liam_wallace chipmunk rebellion
2 @ericmpoulin chipmunk rebellion
3 @ericmpoulin pura vida

@bansheebikes
@dharcoclothing
@chromagbikes
@osmo_global
@loamgoat
@khyber_racks
@cycplus_official
@grazrcomponents
Comments (5)
bansheebikes a month ago

bansheebikes

🔥

vicente.huidobrob a month ago

vicente.huidobrob

Racing boy 🔥🔥🔥

dharcoclothing a month ago

dharcoclothing

Love to see it 😍

More posts

@szilvesztermako has had a big year. He has photographed major celebrities from Elle Fanning to John Galliano to Rihanna, been featured on cover after cover, held a showcase in New York, and developed a distinct visual language that has made audiences declare that fashion editorial is back. But we live in a time where the attention economy moves faster than artistic processes. Online users and some publications have noted how Makó’s plethora of cover shoots this year—there are no less than a dozen—has rendered outlets like Vogue, Elle, and Wall Street Journal homogenous. In the same calendar year as Makó’s meteoric rise to prominence, some who so recently showered Makó’s work with praise and adoration have begun to express boredom with his aesthetic. Across social media platforms, fans, critics, and commentators began to weigh in. “Not the fucking sad, dim box again,” one commenter said. “At this point he might as well just be Photoshopping heads onto the same outfits,” said another. It’s worth noting that Makó reportedly eschews digital processing, AI, and CGI when creating his images. But furthermore, is the concept really the “same” across Makó’s shoots? Or are we confusing the artist’s unique authorship with our own appetite for fresh new content, delivered at faster speeds than any artist can (or should) have to produce? And in this media climate, is it possible for beloved, standout image creators to build longstanding, legacy careers? Or does the audience gobble them up too fast? The best person to speak on this is the artist himself. We spoke to Makó about his year, the work he has done, and the peaks and valleys of finding mass acclaim in a world full of armchair critics. Swipe through to read what Szilveszter Makó has to say.
Somewhere between the sea and sky!! Magical moments between sunrise and sunsets! 🥰😍😍🥰
2 superstars, 2 nayi pehchaan aur 1 super show! Jald hi aa rahe hain aapse milne! #DhaGa #comingsoon #JioHotstar #StarPlus
Did a #SingSongSaturday with this amazingly talented girl who I have grown so fond of! ♥️✨ Shot by another girl I’m very fond of @shrushti_v_birje_23 🥰
Just 48 Hrs from Now 🔥 3 Lakhs വില വരുന്ന I Phone Duo 🔥🔥 @rptech.qa @rjsoorajdoha @akshayagashok This is 3rd Video ഏതെങ്കിലും ഒന്നിൽ ട്രൈ ചെയ്താലും മതി ട്ടോ..❤️‍🔥
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