Sarah Belle Reid

One of the best parts of creating Times Undoing & Progress was getting to work with the most thoughtful, creative, wonderful friends and musicians, each of whom brought their own unique voice and delightfully strange sounds to the project.

This album was a HUGE undertaking, and I'm so grateful to everyone who helped bring it to life. ❤️

A little introduction to some of the amazing people involved (swipe to meet them!):

@juliaholter contributes incredible vocals, moving between delicate, intimate melodies and wild, otherworldly vocal textures

@theothertimfeeney plays allllll the duck calls, train whistles, planks of wood, giant metal coils, and brings so much energy and humor to this music

@gastonsounds contributes an incredible array of skronks, plops, whooshes, and other electronic and daxophone sounds

@vinnygolia brings an amazing collection of woodwinds to the project, from piccolo to contrabass quarter-tone flute to bass saxophone -- along with his signature honks, growls, + flurries

@jcscheid plays all the wild, woozy, chaotic flute parts (so beautifully!) and is a true master of the kazoo

@ben_fin and @ixeen_ round out the vocal chorus with playful hockets, gasps, bellows, warbles, + powerful storytelling

I feel incredibly lucky to have worked with such imaginative, adventurous, and generous collaborators. This music wouldn't be what it is without them.

You can listen to the 1st single on my Bandcamp page now (link in bio); and pre-order the double LP / double CD :)

Thank you for listening ❤️