500 Days of Summer (2009) is not just about a girl - it's about a boy who thought love was like The Smiths, and learned love is just a girl who likes The Smiths but doesn't love you.
Los Angeles, 2009. Tom Hansen, 24, greeting card writer, believes in soulmates, no real plan - just writes cards, watches Graduate, talks about destiny, about fate, about what it means to be in love when Summer Finn says "I like you, Tom, I just don't want a boyfriend."
And Summer. 23, new girl, doesn't believe in love, likes Ringo, hates commitment. As days go on - Day 27 to Day 500, non-linear, his heart becomes increasingly not his -IKEA showroom as house, dance after first kiss, record store, fight on bench, rooftop party where expectations vs reality split screen, and apartment talks where he says "We were a couple, we were happy" and she says "I was happy, but I wasn't sure about us."
The beauty of the film is that almost nothing needs to be romantic - it comes entirely from Joseph Gordon-Levitt being sincere to a fault, from Zooey Deschanel with bangs that ruined a generation of boys, from that scene where he draws a city that doesn't exist, from Regina Spektor singing "You have the right to suck my heart," from Marc Webb pausing on a 45-degree look, and the feeling that 500 Days was never about whether Summer was the one, it was about a boy growing up from wanting The One to wanting himself.
Before the end, he has to make a choice. Instead of waiting for Summer to come back at the park bench - "I woke up one day and I was sure," - he chooses to let her go. To interview at an architecture firm. To meet Autumn.
It's essentially about a single expectation that feels like an entire lifetime - 95 minutes, one girl, one boy, one Smiths song, one bench, one "It's a story of boy meets girl, but you should know upfront, this is not a love story," and one film that proved it's not Summer's fault - Tom just needed to learn the difference between a girl and an idea.
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