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Underwire: Supporting Female Voters

@underwirenc

2 days ago

Photo by Underwire: Supporting Female Voters on October 14, 2026. May be an image of one or more people, magazine, poster, banner and text.

Photo by Underwire: Supporting Female Voters on October 14, 2026. May be an image of one or more people, magazine, poster and text.

Photo by Underwire: Supporting Female Voters on October 14, 2026. May be an image of magazine, poster, banner and text.

Photo by Underwire: Supporting Female Voters on October 14, 2026. May be an image of poster, magazine and text.

Photo by Underwire: Supporting Female Voters on October 14, 2026. May be an image of one or more people, magazine, poster and text.

Photo by Underwire: Supporting Female Voters on October 14, 2026. May be an image of one or more people, magazine, poster and text.

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Posted On: October 15th 2026, 02:50 am

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Happy Early Voting Eve! Underwire is proud to share our statewide endorsements! Now go forth and vote and vote that full ballot!

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Contemporary literature is dying.

If you’ve been following me for a while, you’ll know that my favorite (somewhat cheeky) claim is that contemporary literature sucks, and, in many ways, it does. Ben Lerner is an emotionless hack, Ottessa Moshfegh’s writing has no soul, and Sally Rooney never graduated from kindergarten. Even sadder is the fact that these writers represent the supposed upper echelon of literary prowess—as BookTok romantasy girls will often remind us, it only goes downhill from there. But unlike most writers who make up the contemporary literary establishment, I am not a nihilist but an optimist—I believe in the power of humanity, and this (admittedly) naive outlook has convinced me time and time again that these writers deserve a chance. That is why I’ve actually subjected myself to literary abominations such as The Topeka School, My Year of Rest and Relaxation, and Normal People, among others: every time I dive into these novels, I hope to stumble on a gem that might restore my faith in the contemporary literary milieu.

That’s why this past weekend, I really tried to give Anne Carson a chance.

Unless you live under a rock, you’ve probably heard by now that this past Thursday, Canadian poet Anne Carson took home the Nobel Prize in Literature. Before the big news, I’d only ever read If Not, Winter—Carson’s translations of the poems of Sappho—so I went into our newest Nobel laureate’s work with an open mind—and trust me, I really wanted to like her. Her Wikipedia page, for one, paints her as a serious literary scholar—versed in the likes of Homer, Euripides, Sophocles, Emily Dickinson, and Franz Kafka—and in a recent viral interview with The New Yorker, Carson even states that she doesn’t read contemporary novels—she reads old books.

For a moment, I thought I’d found a kindred spirit in the literary world—or, at least, a rare anomaly: a classically educated writer who desires to preserve rather than to destroy the literary tradition—but after reading dozens and dozens of Carson’s poems, I was not merely disappointed but downright devastated.

Carson’s poems are really, really bad.

Continue reading on my Substack.

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Fans were ready to snag Game 3 tickets during the Dream’s presale 👀

(h/t fienixtaranaova/x, terese_marie/threads, ItsMeghanLHall/x)

با تشکر ویژه از مجموعه روکا لانژ و جناب آقای شاهین موسی‌پور، مدیریت محترم و حرفه‌ای مجموعه تبریز یِئمک