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Nicole on Drums

@nicole.drums

19 hours ago

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Posted On: November 2nd 2026, 08:10 am

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Picked up a pair of @ramrodspercussion Foamers at @theukdrumshow and put them straight to the test! 🥁✨

Can you hear the difference on the snare? 👇

#Ramrods #DrumRods #TheUKDrumShow #UKDS2026 #DrumGear #DrumPractice

Comments (4)

15 hours ago

manuel41327

Exelente Nicole buena explicación y demostración...

19 hours ago

Hey Nicole, great to see your fantastic demonstration of your Ramrods Foamers - you do a waaaay better job than Tony! Thank you for your support - looking forward to seeing more of your drumming with Ramrods. Stick With Cool Nicole! 😎🐏🥁

@szilvesztermako has had a big year. He has photographed major celebrities from Elle Fanning to John Galliano to Rihanna, been featured on cover after cover, held a showcase in New York, and developed a distinct visual language that has made audiences declare that fashion editorial is back.

But we live in a time where the attention economy moves faster than artistic processes. Online users and some publications have noted how Makó’s plethora of cover shoots this year—there are no less than a dozen—has rendered outlets like Vogue, Elle, and Wall Street Journal homogenous.

In the same calendar year as Makó’s meteoric rise to prominence, some who so recently showered Makó’s work with praise and adoration have begun to express boredom with his aesthetic. Across social media platforms, fans, critics, and commentators began to weigh in.

“Not the fucking sad, dim box again,” one commenter said. “At this point he might as well just be Photoshopping heads onto the same outfits,” said another.

It’s worth noting that Makó reportedly eschews digital processing, AI, and CGI when creating his images. But furthermore, is the concept really the “same” across Makó’s shoots? Or are we confusing the artist’s unique authorship with our own appetite for fresh new content, delivered at faster speeds than any artist can (or should) have to produce? And in this media climate, is it possible for beloved, standout image creators to build longstanding, legacy careers? Or does the audience gobble them up too fast?

The best person to speak on this is the artist himself. We spoke to Makó about his year, the work he has done, and the peaks and valleys of finding mass acclaim in a world full of armchair critics. Swipe through to read what Szilveszter Makó has to say.

My new song 🩵blue Lambo🩵soon on all music platforms and YouTube🩵

Recreating iconic scene from the 2002 film Secretary

Three legendary teams. 105 incredible poles.

Only one Lewis Hamilton.

#F1 #Formula1 #MexicoGP

Mobile game ads never look like the real game.

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> Drop a gameplay video, a screenshot or a prompt
> Build a mobile game with viral mechanics
> Turn it into a playable ad on the Enterprise plan

Higgsfield Playable is live now.

Comment “PLAY” to get the link 🔗

A gut vach everyone! Unfortunately, I lost my voice and if anyone has any suggestions how I can get my voice back, that I can sing again without it hurting, please let me know. (I made a Bracha for the tea off camera) 😊

Nicole on Drums

@nicole.drums

manuel41327

_anna_fettes_

ramrodspercussion

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