Instagram story viewer> @panji_wisesa> Posts

Taufiq Panji Wisesa

@panji_wisesa

3.6K

followers

2260

following

Ceramic Artist
FSRD ITB - Craft Department
Signature series @wisesaworks

POSTS STORIES REELS TAGGED

Divergent 2025
.
"Covergence within Inherent"
.
#panji_wisesa
#sculpture by @panji_wisesa

82

4

9 months ago

Plant sculpture - Sacred imitation 2025
.
.
#panji_wisesa
#sculpture
#ceramics by @panji_wisesa

56

0

9 months ago

Enigma Wall // The most biggest Cubic series.
.
.
.
#panji_wisesa
#pottery
#sculpture
#art
#ceramics by @panji_wisesa

104

7

a year ago

Your last chance to visit From Beneath by @panji_wisesa

Haven’t seen it yet? This is your reminder — the exhibition is still on view until 7 pm today at @umaseminyak. Come by and experience From Beneath before it closes. by @panji_wisesa

3

0

5 days ago

The opening of Artisans’ Hands Bridging Time: Korea–Indonesia Traditional Craft Exchange Exhibition 2026 brings together the beauty of traditional crafts from Korea and Indonesia.

Featuring a diverse range of craftworks, the exhibition celebrates cultural heritage, creativity, and craftsmanship while fostering cultural exchange between the two countries.

Representing FSRD ITB, John Martono, S.Sn., M.Sn., attended the opening ceremony.

Artists from FSRD ITB:
- Dr. Kahfiati Kahdar, M.A.
- Dr. Gita Winata, M.Ds.
- Dr. Dian Widiawati, M.Sn.
- John Martono, S.Sn., M.Sn.
- Taufiq Panji Wisesa, S.Ds., M.Sn.
- Nidiya Kusmaya, S.Ds., M.Ds.

Organized by The Society of Asian Ethno-Forms (SAEF) and Asosiasi Seniman Indonesia, in collaboration with several institutions, including FSRD ITB.

The exhibition is open until Friday, 16 October 2026.

📍 Korean Cultural Center Indonesia Exhibition Hall, Equity Tower, 17th Floor, SCBD, Jakarta.
.
.
#itb #fsrditb #artisanshandsbridgingtime #koreaindonesia #traditionalcraft taken in Equity Tower, SCBD by @panji_wisesa

3

7

6 days ago

A look back at the opening of FROM BENEATH by Taufiq Panji Wisesa at Uma Seminyak. ✨

Thank you to everyone who joined us for the opening and shared this moment with us.

The day after the opening, we continued exploring the world of FROM BENEATH with @usk.bali , translating the colours found in Plered clay into watercolour sketches. A simple yet meaningful way to observe how the earth’s natural pigments can inspire new colours, textures, and artistic expressions.

Through this exhibition, Taufiq invites us to look beyond the surface of ceramics and discover the stories held within the material itself. Working with natural pigments from Plered, Purwakarta, he explores engobe—a clay-based pigment developed through research and experimentation into 12 distinct colour variations.

Here, clay becomes more than a medium. It carries the memory of the land, reveals its mineral character, and opens up new possibilities for contemporary ceramic art.

As curator Dr. Deni Yana notes, the exhibition brings together artistic intuition and technical knowledge, allowing materials to reveal their own identity and ecological traces. Imperfections, organic textures, and irregular forms become part of the story—a dialogue between human hands, nature, and time.

The exhibition is still open, and we’d love for you to experience it in person.

Come see how the earth beneath our feet speaks through colour, texture, and form.

📍 FROM BENEATH — @panji_wisesa
Uma Seminyak, Jl. Kayu Cendana Oberoi No. 1, Seminyak, Bali
🗓 9–14 October 2026
🕚 11 AM–7 PM WITA

Presented with @sematagallery , with support from the Ministry of Culture of the Republic of Indonesia, Dana Indonesiana, and LPDP.

See you at the exhibition!

#FromBeneath #TaufiqPanjiWisesa #CeramicArt #ContemporaryCraft taken in Uma Seminyak by @panji_wisesa

88

5

8 days ago

Capaian yang membanggakan dari Taufiq Panji Wisesa, S.Ds., M.Sn. @panji_wisesa (Alumni sekaligus Staff Pengajar Program Studi Kriya FSRD ITB) @kriya.itb @iasritb @itb1920 Garuda Kirana salah satu karya terbaiknya disimpan di Istana Negara.

Garuda hadir sebagai manifestasi cahaya kehidupan yang menghubungkan dan mengharmoniskan berbagai tingkatan alam.

• Alam Bawah — relief tumbuhan dan sulur melambangkan bumi, kesuburan, akar budaya, serta awal mula kehidupan Nusantara.
• Alam Atas — motif Megamendung melambangkan langit pelindung, berkah ilahi, dan sumber kesejukan.
• Garuda — sebagai pusat karya, dalam kilau perak menjadi jembatan kosmis yang mengepakkan sayap untuk menyinari dan menghidupkan bumi Indonesia.

Karya ini menggambarkan cahaya Garuda sebagai kekuatan pemersatu yang membawa kemakmuran di bumi dan kedamaian di bawah naungan langit Indonesia.

Material: Keramik, dibakar pada suhu 1.250°C, dengan permukaan lustre platinum.
.
.
#itb #fsrditb #kriyaitb #fsrditbprestasi #istananegara taken in Istana Negara RI by @panji_wisesa

490

45

13 days ago

Perjalanan panjang @panji_wisesa dalam kesenian rupa dan desain kini hadir dalam pameran tunggal bertajuk FROM BENEATH di @umaseminyak, Bali.

Pameran ini merekam bagaimana Taufiq terus mengeksplorasi keramik sebagai medium yang menghubungkan masa lalu, kehidupan sehari-hari, dan kemungkinan
bentuk di masa depan.

Dari benda keseharian, menjadi artefak.
Dari bentuk tradisional, menjadi tafsir baru.
Dari keramik, menjadi medium untuk membaca ulang ingatan dan identitas.

🗓 Pembukaan Pameran:
Jumat, 9 Oktober 2026
Pukul 16:00 WITA

Sebuah kesempatan berharga untuk menyelami kedalaman proses kreatif di balik karya-karyanya. Sampai jumpa di sana!

⁠#PanjiWisesa #FromBeneath #ExhibitionBali #IndonesianCeramics #SeniRupaIndonesia⁠ taken in Uma Seminyak by @panji_wisesa

3

6

16 days ago

How can local materials shape a ceramic work?
FROM BENEATH, Taufiq @panji_wisesa explores the clay and natural pigments of “Plered” through ceramics.

At the center of this exhibition is engobe — a clay-based pigment used on the surface of ceramics. Through research and experiments, Taufiq developed 12 different engobe colours, all made from materials found in Plered.

Cracks, textures, holes, and imperfections are left visible — showing the process and the time behind each work.

Come and see how the earth of “Plered” takes shape, colour, and meaning through ceramics.

📍 @umaseminyak, Bali
9–14 October 2026
11.00 AM–7.00 PM WITA

Opening:
9 October 2026, 4.00 PM WITA

Curator: Dr. Deni Yana, M.Sn.
Introduction: John Martono

Open to the public.

#ceramicart #senidibali #baliexhibition #artexhibition #pottery by @panji_wisesa

76

17

17 days ago

Teman-teman @semataartschool belajar dari seniman. “Bagaimana tanah bisa menjadi warna?”

Dalam kunjungan kali ini, @panji_wisesa berbagi tentang engobe—pigmen alami dari material Plered yang digunakan dalam proses berkarya keramik.

Anak-anak melihat, bertanya, mencoba mencampur warna, lalu membuat karya dengan pemahaman mereka sendiri.

Satu studio, satu material, banyak kemungkinan.

#studiovisit #ceramic #indonesiaceramic taken in Bandung by @panji_wisesa

3

1

24 days ago

Semantic Decay 2026, An uncompilable testament of a digital genesis, long returned to dust.

PleRED Clay - white engobe 1150'C
.
#panjiwisesa by @panji_wisesa

60

3

a month ago

Kebahagiaan terbesar seorang keramikus adalah momen ketika membuka tungku. Mungkin karena proses panjang yang dilalui tidak mudah, jejak energi terakhir yang pindah ke karya ini terasa paling bernilai sebelum nantinya berpindah ke tangan orang lain.
.
Rasanya lumayan emosional setelah 7 tahun akhirnya saya kembali membuat tableware. Apalagi kali ini saya menggunakan aplikasi glasir ash / abu dari hasil pembakaran kayu yang sudah diendapkan selama 2 tahun. Proses itu menghasilkan ampas abu yang sangat halus, dengan reaksi kimia alami yang membuat efek glasirnya punya warna yang unik.
.
Secara prinsip, saya melihat pengaplikasian glasir ini seperti menghidupkan kembali elemen alam dalam bentuk yang berbeda. Karena sejatinya, api bukanlah memusnahkan, melainkan menghidupkan.
.
Bagi teman-teman yang tertarik, saya akan menjualnya dengan jumlah sangat terbatas—hanya ada 10 set.
.
Produk ini akan segera saya post di @wisesaworks ya. 😊🙏
.
#panjiwisesa by @panji_wisesa

77

0

2 months ago