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Pase

@pase.platform

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Cultural Organization - explore, think and develop educational activities, discussion and performance related to music and sound. Study-Research-Play!
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We’re pleased to welcome Louis Cole (@louiscolemusic )to Studio Pase for a special solo performance and Q&A session. An opportunity to explore his approach to drumming, music production and live performance, through music and an open conversation with the artist. Louis Cole: In the Room – Music, Process and Conversation October 31, 2026 · 5 PM Studio Pase, Venice Limited capacity – 40 places available. Registration is required, with places allocated on a first-come, first-served basis. The artist kindly invites participants to consider a voluntary contribution of €30 to help cover the costs of the performance and the organization. Contributions are optional and handled directly by the artist’s team, independently of Studio Pase. Many thanks to @fasthorse96 and @francescoinverno for opening up this new connection! Registration via link in bio or pase-platform.com by @pase.platform
KEIICHIRO SHIBUYA Memory, AI & the Android Opera Open Studio with Keiichiro Shibuya Studio Pase – Friday, July 31 · 6 PM As part of his residency at Pase, composer and artist Keiichiro Shibuya will present an open lecture and listening session exploring memory, artificial intelligence, and musical creation. The event will include excerpts from his acclaimed Android Opera, together with reflections on the relationship between human memory, machine learning, and contemporary composition. During his residency at Pase, Shibuya is developing a new work for electronics and multichannel spatial audio, commissioned for a production that will premiere next year. The residency offers an opportunity to share part of this ongoing research and to discuss the artistic and technological questions behind his current practice. @keiichiroshibuy @atak.keiichiroshibuya @natsumi710_ @pase.platform by @pase.platform
LIVE! July 1, H 7 PM Studio Pase, Venezia Tommaso Pandolfi presents a live set from “Tremula Luce” (Window Seat, 2026). Circling melodies and time-suspending ambiences form the core of his music, layering synthetic and processed acoustic sources that dissolve into cloudlike streams of sounds. His debut album under his own name, “Tremula Luce” follows fifteen years of activity as Furtherset and is inspired by the last pages of María Zambrano’s “Claros del bosque” and her metaphysical, intimate visions of skies. @tommaso.pandolfi @windowseat.ws @pase.platform by @pase.platform
SPECIAL OPEN STUDIO! June 19 — 7 PM Pase Platform, Venice An open studio presentation with Julien Desprez, Victor Nebbiolo Di Castri and Pierpaolo Ovarini, developed around electric guitar, effects, feedback and multichannel sound. The event will share part of the research carried out during the residency at Pase, exploring the relationship between instrumental gesture, amplification, sound processing and spatial listening. We’re looking forward to seeing you! @juliendesprez @victor.ndc @redmattre by @pase.platform
Carlo Laurenzi – Concatenative synthesis across sound and notation On June 8–10, 2026 - Studio Pase, Venice Pase, in collaboration with SaMPL and the C. Pollini Conservatory of Padua, present a masterclass led by Carlo Laurenzi focused on compositional approaches based on concatenative synthesis and on the relationship between sound analysis, notation, and resynthesis. The programme will introduce participants to methods for thinking and “visualizing” electroacoustic sound as a compositional framework, while exploring audio descriptors and software tools for concatenative synthesis through examples developed at IRCAM. Across the sessions, the masterclass will also include collective composition workshops and an acousmatic concert of works by Carlo Laurenzi. @carlo_laurenzi @pase.platform @sampllab @conservatoriopollini by @pase.platform
AAARK! AAARK! An installation taking shape through a collective work by Viola Amico, Sofia Coracin, Daniele Midena, Enrico Mognato, Fabiana Pernisco, Giacomo Raffaelli, Chiara Marsano, and Bianca Tomasello. The project is the final outcome of the course “Expanded Landscapes – Immersive Arts Language Laboratory”, promoted by UIA – Università Internazionale dell’Arte in collaboration with Studio Pase, under the guidance of Victor Nebbiolo di Castri, Sara Tirelli and Valeria Zane. Thursday, May 28, 2026, from 6:00 PM Garden of Villa Hériot UIA – Università Internazionale dell’Arte Giudecca Special thanks to Ekos Club APS – Isola del Lazzaretto Nuovo @lazzarettiveneziani by @pase.platform
We are happy to announce that Miller Puckette returns to Studio Pase! Miller Puckette: An electronic music repertory in Pure Data April 18–19, 2026 Two days dedicated to exploring Miller Puckette’s approach to electronic music through Pure Data, including patch analysis, listening sessions, discussion, and practical exchange. Miller Puckette is the creator of the real-time music software environments Max and Pure Data. Trained as a mathematician at MIT and Harvard, he worked at the MIT Media Lab and IRCAM and is Professor Emeritus at the University of California, San Diego. He has received numerous awards, including the Silver Lion at the Venice Biennale Musica 2023. This lecture is organized in collaboration with the Venice Conservatory B. Marcello, the Padua Conservatory C. Pollini, and SaMPL, with the patronage of AIMI. Limited places available. Register via the link in bio: https://studiopase.typeform.com/to/Ve2XaHh4?typeform-source=pase-platform.com by @pase.platform
Una Lunghissima Ombra by Andrea Laszlo De Simone | AV geodetic installation “Il progetto audiovisivo in cui ho provato a portare alla luce i pensieri intrusivi, quelli che sono costantemente presenti dentro di noi anche quando stiamo pensando ad altro e che finiscono per proiettare lunghe ombre sulla nostra esistenza. Per farlo mi sono avvalso di una metafora semplice, quella del processo di formazione delle ombre. Ho scelto di rappresentare un ‘punto di luce’ attraverso delle inquadrature fisse della realtà, un ‘oggetto’ attraverso i testi delle canzoni e ‘le ombre’ attraverso la musica”. We’re glad to have been part of Andrea Laszlo De Simone’s project, a sound meant to be seen, a light meant to be heard. Una Lunghissima Ombra | AV geodetic installation by Andrea Laszlo De Simone (@andrea_laszlo_de_simone ) Technical and artistic production by Studio Pase (@victor.ndc @waleriawiola @redmattre @anmlonga )
Produced by DNA Concerti (@dna_concerti ) and 42 Records (@42records ) In partnership with The Goodness Factory (@thegoodnessfactory @_reverendo_c @annarita_masullo ) by @pase.platform
We’re interested in working with sound in space, experimenting with both standard multichannel setups and custom-built systems designed to meet the specific needs of a project, an artist, or a site. In our studio, it’s possible to develop and test sound environments for installations, performances, live electronics, site-specific works… and everything that doesn’t fit into a fixed format. If that resonates, you’re welcome to reach out and visit the studio! by @pase.platform
Aural Dissipation - Begehungen Art Festival | Chemnitz, European Capital of Culture 2025 Aural Dissipation is a site-specific sound installation that transforms a former industrial cooling tower into a reverberation chamber. The sound explores the various states of water — liquid, solid, and gaseous — through a live performance for harp and electronics, taking place inside the tower. Frequencies spread throughout the space via a multichannel amplification system, revealing how they accumulate, refract, and dissipate along the surfaces of the structure. A dialogue between architecture, matter, and sound, reinterpreting an industrial space as an active acoustic instrument. Pase Studio contributed to the project through sound research and development. Commissioned by Begehungen Art Festival on the occasion of Chemnitz – European Capital of Culture 2025. Performance and Installation Valeria Zane — harp and composition Victor Nebbiolo di Castri — RIM and composition With the collaboration of Cobi van Tonder — artist and researcher in heritage acoustics Pierpaolo Ovarini and Riccardo Sellan — composers and R&D, Pase Studio In collaboration with Pase Studio Supported by Salvi Harps and Outline srl Under the patronage of Mozarteum University and Fondazione Ugo e Olga Levi Images: Johannes Richter @begehungen.festival @chemnitz2025 @dr.claudiatittel @frankweinhold_art @straightouttachemnitz #larsneuenfeld @waleriawiola @victor.ndc @cobi.van.tonder @redmattre @riccardo.sellan @salviharpsofficial @outline_audio @mozarteumuniversity @fondazione_ugo_e_olga_levi by @pase.platform
Paul DeMarinis – Between Sound and Matter: Media Archaeology for Listening 18th & 19th February 2026 – Studio Pase, Venice (IT) A two-day program with a lecture and participant-led project discussions with Paul DeMarinis, exploring the interstices between sound and materiality through case studies from across his practice, with detours into the histories of technology, communication, and encoding, and a focus on embodiment, site specificity, and installation. This Masterclass is made possible through a collaboration between Studio Pase, Sampl School, C. Pollini Conservatory of Padua and the fantastic sound artist Cobi van Tonder. Info: https://studiopase.typeform.com/to/VDqBSwPs?typeform-source=pase-platform.com @pase.platform @sampllab @conservatoriopollini @cobi.van.tonder by @pase.platform
Voice of Commons - Biennale Architettura 2025 | 19th International Architecture Exhibition - Venezia Voice of Commons was conceived on the occasion of the Venice Architecture Biennale 2025, through the work of UNA/UNLESS, the studio led by architect and activist Giulia Foscari. At the heart of the project lies the restoration and reactivation of the historic ticket pavilion designed by Carlo Scarpa, transformed for the duration of the Biennale into a platform for broadcasting and listening. A space created to give voice to the Global Commons — the Ocean, the Atmosphere, Outer Space, and Antarctica — and to reflect on their condition as shared, fragile, and interdependent domains. Studio Pase curated the project’s sound identity, envisioning a collective narrative made of voices, thoughts, and diverse perspectives. Today, after the Biennale has come to an end, Voice of Commons continues to live on as a space for listening and deepening: a podcast that keeps an urgent reflection on the commons open and alive. Listen here: https://open.spotify.com/show/5ytZQZNjnK5ZGETUx6tkDi?si=2b69bee0a0fd4d8f Voice of Commons is a project by UNA/UNLESS @una_unless @giuliafoscariwr developed under the patronage of @unesco , with the recognition of @unoceandecade and endorsed by @europeanspaceagency | Launched as a Special Project of the 19th International Architecture Exhibition of La Biennale di Venezia, curated by Carlo Ratti @labiennale @crassociati #IntelliGens | Visual identity @studiovedet • Installation production @altofragile_studio • Sound identity design and technical production @pase.platform @victor.ndc @waleriawiola @redmattre • picture @marcovalmarana by @pase.platform

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