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🔥⛺ Realtime Artist
1/3 of @friends.with.computers
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AmidstFractals.002

Part of a three piece collection exploring Vectron shapes and the presence of an infinite form within virtual landscapes.

#c4d #octane #vectron #mandelbulb3d #fractal #3d taken in Sydney, Australia by @pat.younis
1
5 years ago
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Thanks for a good one 2025~ we went places, made new art and new friends, had lots of fun and somehow there's still a big part of you I have to wait to share

30 years old, 3 friends with computers,  33rd expedition, 3 points on a triangle 🔺 🗡️

For those who come after~ by @pat.younis
20
10 months ago
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AmidstFractals.001

Part of a three piece collection exploring Vectron shapes and the presence of an infinite form within virtual landscapes.

#c4d #octane #vectron #mandelbulb3d #fractal #3d taken in Sydney, Australia by @pat.younis
2
5 years ago
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Weekend camp @ Mills Creek 🏕️ Don't forget to love your friends 🔥
📸 Fujifilm xt-20 taken in Mill Creek Campground, Dharug National Park by @pat.younis
16
3 months ago
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JPN w/ @friends.with.computers (Pt. 2)

Had the best time returning with the dream team, making new connections and visiting top tier galleries - Loved revisiting a familiar place, but this time with a more arts-conscious lens. See you again soon Japan! by @pat.younis
2
7 months ago
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JPN w/ @friends.with.computers (pt.1)

6 years was far too long a wait to revisit by @pat.younis
8
7 months ago
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Under Waters 🌀🐚🐚
FRIENDS WITH COMPUTERS: 
April Phillips, Jordan East, Pat Younis
19 February - 29 March @pica_perth @perthfest 
12-5 PM, Tues- Sun

11:13 mins (loop)
Complex Digital Object (moving image, sound, real-time body tracking, digital sculptures, photogrammetry scans, animation, particle systems), polyester tassels, cotton / polyester rugs, aluminium and polyvinyl.

2025 boorda yeyi Immersive Arts Commission Under Waters uncovers a speculative past of 500,000,000 (five hundred million) years ago when the majority of Earth’s surface was submerged in water. Streamed as a seamless loop, this moving image work operates as a portal—an all-access pass to a seemingly impossible dreaming— presenting ‘now’ in parallel to ‘long ago’ as a step to actualise deep time.

Extending the immense spatial and temporal scale of the work, Under Waters operates as a site for real-time play and interaction. The presence of the audience’s bodies mirror in the digital world, creating cause and effect in the unfolding scene. Immersed within the continuum of an ancient saltwater wonderland, audiences become inhabitants—activating this thriving world through movement and attentiveness.

The depths of the ocean floor present deep-water canyons, coral seas and rich kelp forests; an expansive and interconnected ecosystem. The slow propulsion through the deep reveals a rip, opening to a galactic sky: stars, nebula and infinite blackness—a reminder that deep oceans
and sky are connected as one; opposing points of truth that anchor the universe.

Under Waters is the inaugural recipient of PICA’s boorda yeyi Immersive Arts Commission. boorda yeyi, meaning ‘future now’ in Whadjuk Noongar language, is a program dedicated to expanding artistic practice through the use of technology, contributing to new ways of understanding, producing and experiencing contemporary art in Australia. taken in PICA - Perth Institute of Contemporary Arts by @pat.younis
8
8 months ago
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Under Waters @pica_perth 
Bunuru: Season 1: Feb 2025 
@_april.p_ @friends.with.computers @jordan_east @pat.younis 

———

Presented as the first boorda yeyi Immersive Arts Commission, Under Waters carries audiences into a speculative past, millions of years before our own, when saltwater stretched across most of the Earth’s surface. The installation celebrates water as a key element of life, opening a portal into deep time where oceanic and celestial realms entwine. taken in PICA - Perth Institute of Contemporary Arts by @pat.younis
0
10 months ago
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@friends.with.computers — 
Proud to be an offical artist @mode.festival 2025 💚

LOOK ▷ SEE (Look to See) | Single Channel | 14:12 min | 16:9 | viewed on a seamless loop | Ed 10 + 2 AP 

In a world that feels both familiar and new, we set off on a seemingly improbable magical journey, from the depths of a pristine river bed to the celestial infinite skies, to traverse speculative futures from multiple perspectives. Where is this dreamy, fluid and peaceful world: A parallel existence? A dreamscape? A pocket of deep time? 

Credits:
Lead Artist / Director: April Phillips (Wiradjuri-Scottish) @_april.p_ 
Virtual Art / Animation Director: Pat Younis (Lebanese–Australian) @pat.younis 
Technical Director, Visual Effects and edit: Jordan East @jordan_east 
Story Artists: April Phillips, Pat Younis
Sound Composers: Mark Leahy, Leon Rodgers (Worimi) @fullytotallyabsolutely @leon_j_rodgers 
Sound Design and Mix: Phil Thredfall
Sessional Musicians: Maggie Abraham and Timba Smits @maggie_percussion @timbasmits 
Photogrammetry 3D object scans from real world objects: April Phillips taken in Cockatoo Island, Sydney Harbour by @pat.younis
1
a year ago
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Visual Artists of @mode.festival 

💚💚💚💚 taken in Cockatoo Island, Sydney Harbour by @pat.younis
0
a year ago
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@friends.with.computers — 
Proud to be an offical artist @mode.festival 💚
Saturday 11.10.2025

LOOK ▷ SEE (Look to See) | Single Channel | 14:12 min | 16:9 | viewed on a seamless loop | Ed 10 + 2 AP 

In a world that feels both familiar and new, we set off on a seemingly improbable magical journey, from the depths of a pristine river bed to the celestial infinite skies, to traverse speculative futures from multiple perspectives. Where is this dreamy, fluid and peaceful world: A parallel existence? A dreamscape? A pocket of deep time? 

Credits:
Lead Artist / Director: April Phillips (Wiradjuri-Scottish) @_april.p_ 
Virtual Art / Animation Director: Pat Younis (Lebanese–Australian) @pat.younis 
Technical Director, Visual Effects and edit: Jordan East @jordan_east 
Story Artists: April Phillips, Pat Younis
Sound Composers: Mark Leahy, Leon Rodgers (Worimi) @fullytotallyabsolutely @leon_j_rodgers 
Sound Design and Mix: Phil Thredfall
Sessional Musicians: Maggie Abraham and Timba Smits @maggie_percussion @timbasmits 
Photogrammetry 3D object scans from real world objects: April Phillips taken in Cockatoo Island, Sydney Harbour by @pat.younis
3
a year ago
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If you're going to @mode.festival this weekend, take a few mins out of the madness to check out our vid work! new phone who 'dis @friends.with.computers 

LOOK ▷ SEE (Look to See) | Single Channel | 14:12 min | 16:9 | viewed on a seamless loop | Ed 10 + 2 AP

In a world that feels both familiar and new, we set off on a seemingly improbable magical journey, from the depths of a pristine river bed to the celestial infinite skies, to traverse speculative futures from multiple perspectives. Where is this dreamy, fluid and peaceful world: A parallel existence? A dreamscape? A pocket of deep time?

Credits:
Lead Artist / Director: April Phillips (Wiradjuri-Scottish) @_april.p_
Virtual Art / Animation Director: Pat Younis (Lebanese–Australian) @pat.younis
Technical Director, Visual Effects and edit: Jordan East @jordan_east
Story Artists: April Phillips, Pat Younis
Sound Composers: Mark Leahy, Leon Rodgers (Worimi) @fullytotallyabsolutely @leon_j_rodgers
Sound Design and Mix: Phil Thredfall
Sessional Musicians: Maggie Abraham and Timba Smits @maggie_percussion @timbasmits
Photogrammetry 3D object scans from real world objects: April Phillips by @pat.younis
0
a year ago
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