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Artist, curator.

@patrickschabus

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Journals of Nyom performing at Otto Wagner Theater during @parallelvienna in 2024 with @sarahmariarechberger taken in Baumgartner Höhe / Steinhofgründe by @patrickschabus

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8 months ago

Still frames from my video:

"Driven Salesman"
from 2025
my last video that was just shown at the OMNI Film Festival in Australia and had its premiere in 2025 at the BAAF.

Music by Journals of Nyom. Album forthcoming. taken in The friendly facts by @patrickschabus

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9 months ago

A Lidar scan of my solo show: Bridgebuilders Guild at @kunstraumamschauplatz that we did some years ago.

Never shared this with anybody. Saw it in the archive folder and thought : why not ? taken in KUNSTRAUM AM SCHAUPLATZ by @patrickschabus

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a year ago

Today opening of my solo show ! by @patrickschabus

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a year ago

Studio Offbeats Vienna. Opening today Talk at 30. @studio.offbeats by @patrickschabus

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a year ago

Very happy for this solo show : featuring a completly new series of works :
Patrick Schabus
yearning for a moribund Interregnum / Banéscht 1

Studio Offbeats presents yearning for a moribund Interregnum / Banéscht 1, an exhibition of new graphite works by Patrick Schabus. Executed within the Banéscht framework, these compositions function as autonomous operational fields—densely wired systems whose logics are built for use, not for story.

In each piece, interlocking forms map out corridors, choke points, and blockades that recall the structure of logistical grids or contested urban plans. The linework operates with an almost algorithmic precision, creating interdependencies and dead-ends that resist decorative reading. Scale is ambiguous; the works could be macro-architectures or micro-strategic schematics, each equally legible as a model for maneuvering under constraint.

Banéscht refuses the safety of fictionalized utopias and identitarian allegories. It does not seek to transport; it seeks to test. These works are preparations, not depictions—worlds in which every mark is a decision, and every decision is an exposure.

The “moribund interregnum” of the title signals a suspended state: the interval where systems appear stable only because no actor has yet moved. In this charged stasis, Schabus presents the infrastructure of possible action, stripped of narrative comfort. by @patrickschabus

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a year ago

Journals of Nyom, JS tests for the exhibit on the 22. by @patrickschabus

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a year ago

Another drawing from the series of experiments that will be soon exhibited on 22. at Studio Offbeats by @patrickschabus

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a year ago

Yet unnamed Study from today. No hashtags, nothing else. Just a black frame, and a painting of sorts done in graphite and watercolor. Watercolor is a strange medium. It can’t stand perfection. It works against it all the time. It’s something for a mind that allows the paint to dry. It’s a slow medium, as the water wants to party with the other water drops. No matter if there is differnt pigment in the other drop. So one has to learn to accept failure. That’s to hug this medium, and not to actively work against it. by @patrickschabus

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a year ago

I am looking forward to meet you at my upcoming exhibition – songs of algorithm.

Solo Exhibition at @studio.offbeats
Lindengasse 63/2/14
1070 Vienna

Curated by @christoph_hoeschele

> 26.06.2025 19:00 Opening & Introduction by @christoph_hoeschele
> 03.07.2025 19:00 Finissage & a performance by @patrickschabus

#opening #art #exhibition #vienna #wien #digitalarts taken in Vienna, Austria by @patrickschabus

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a year ago

Journals of NYOM at Parallel : 13.30 by @patrickschabus

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2 years ago

Excerpt from the 13.30 performance by @patrickschabus

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2 years ago