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japstar 🎧

@pepsimango69

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🇵🇭✞ • bne
LIVE PRODUCTION • PROFESSIONAL A/V • MUSIC
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tyj. by @pepsimango69

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8 months ago

the end lies here #whitetulip by @pepsimango69

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a year ago

auburn, you’ve got mail! by @pepsimango69

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a year ago

starter pack 🍵 by @pepsimango69

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a year ago

something we’re proud of

prod. byCYAM x japstar

extended and remix versions coming next month 🤭 gyro.to/STAYRIGHTNOW by @pepsimango69

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5 months ago

the best things come to those who wait. #advice #audioengineer by @pepsimango69

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4 days ago

chat i think he likes nasi lamak?

#dingofestival #nasilamak by @pepsimango69

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3 days ago

what investing in this career means 😅 #producer by @pepsimango69

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5 days ago

Day 1 working setting up @dingofestival with @saeaustralia
#sae #saeaustralia #byronbay #workplacement taken in Byron Bay, New South Wales by @pepsimango69

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9 days ago

go pursue your dreams and don’t let anyone stop you! 🤩
#studiolife #audioengineer taken in Brisbane, Queensland, Australia by @pepsimango69

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11 days ago

kbbq feeds after a long studio session #ilovebeef by @pepsimango69

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11 days ago

your livestream could be better, here’s why your mix sounds bad:

1. using the FOH mix 🕺🏾
the FOH mix is built for the room and is always PA compensated. having a separate mix can optimise dynamic range suitable for translation across devices and destinations.

2. treating the mix like FOH 🤷🏾‍♂️
mixing decisions are based on your audience, what they see, they should hear. don’t just throw everything because it’s there, focus on how it’s perceived.

3. mixing without intention 🗣️
broadcast mixes have extended creative freedom! utilise the stereo field, use multiple fx and create an immersive experience! make your livestream audience feel apart of the room.

4. overworked master bus 🤬
your limiter is crushing your mix too hard. use compression in stages through groups/buses and let the limiter catch peaks only. your dynamic range should breathe, as you would feel in the room. proper gain staging is also critical

5. EQ IS EVERYTHING 🤩
cut the lows (100Hz), attenuate muddy frequencies (200-600Hz), reduce sibilances in vocals (6-10kHz). these are areas that make your broadcast sound flat and sad. control these frequencies and you will have more space for other elements!

Are you doing these? 🤔

FOLLOW FOR MORE 👉🏾

#livestream #broadcast #liveproduction #mixing taken in Brisbane, Queensland, Australia by @pepsimango69

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18 days ago