Instagram story viewer> @perfume.library> Posts

Faisal’s Perfume library 🇬🇧

@perfume.library

7.6K

followers

797

following

Perfume Collector.
An evolving archive of scent and memory.
Where fragrance becomes language.
© Faisal | DM or email to connect.

POSTS STORIES REELS TAGGED

Download All

Love Hibiscus by Amouage smells like a cup of hibiscus tea that has been left to steep well beyond the point of restraint. The result is tart and winey, with the acidity of grape juice, the dense fruitiness of ripe strawberries and a faint tannic, grassy bitterness that emerges towards the end of a long, hot sip of fruit tea. There is a dry, chalky quality to it, with a particular combination of sour fruit and powdered sugar that is unmistakable.

Then comes the caramel, and plenty of it. Buttery, toasted and syrup-thick, it pulls the fragrance from fruit infusion towards confectionery, occasionally tipping into sweetness overload. The tea accord is crucial: its bitter, steeped character gives the caramel something to push against, while passion fruit keeps the fruitiness bright and acidic. Frankincense, sandalwood and papyrus provide a dry, woody counterweight.

For some, that sweetness will simply be too much. Love Hibiscus is not a discreet fragrance, nor does it pretend to be: it announces itself in bright pink. The excess is not necessarily a flaw; it is central to the fragrance’s character. Love Hibiscus takes the flavour of hibiscus tea and turns up the volume until tartness becomes acidity, fruit becomes syrup and caramel becomes almost edible. The idea works, although hibiscus is hardly new territory for perfumery. What interests me more is seeing Omani perfumers themselves given greater room to interpret such material for an Omani heritage house: not simply reproducing a sense of place, but defining what contemporary Omani perfumery might smell like in their own hands.
#FaisalSniffs taken in London, United Kingdom by @perfume.library

3

58

16 days ago

A beautiful summer postcard you’ve seen before. #faisalsniffs by @perfume.library

3

31

3 months ago

Keep your flame steady with Ginori 1735 x Luca Nichetto
#faisalsniffs taken in London, United Kingdom by @perfume.library

3

0

6 months ago

Be honest… Team Oud or Team Fig?

#faisalsniffs by @perfume.library

3

65

6 months ago

There are perfumes that flirt… and there are perfumes that consume. Lost in Flowers (2018), composed by Christophe Laudamiel, does the latter. The name suggests a pastoral daydream. The reality? Humidity. Heat. Petals on the brink of surrender.

It opens in a flash of light, a distinct aldehydic sparkle that feels almost crystalline, like sun hitting glass. Lemon oil glints against the skin, cardamom flickers softly beneath, and lily of the valley rises with a bright, high-pitched edge, pure, but faintly sharp. There is a shimmering cleanliness to it, but it is not innocent for long.

The florals begin to swell, jasmine rich with pollen, champaca lush and golden, marigold adding a bittersweet edge. They feel warm, breathing, slightly overripe. Not a tidy bouquet, but flowers heavy in humid air, their sweetness thickened by heat. Beneath them, a quiet earthiness gathers, mossy and faintly musty, reminiscent of old wood and shadowed rooms.
And then, with unhurried confidence, the oud emerges. Not brash, but inevitable. Woody, gently leathery, almost tea like at first, before deepening into something more animalic and magnetic. The saffron threads through the composition with a subtle spice, amplifying the warmth and giving the fragrance a distinctly old world presence. It feels expansive, three dimensional, florals suspended in a glowing woody haze.

What moved me most was its evolution. At first, it simply smells expensive, beautifully blended and generous. But over hours, it develops weight and character. The high pitched aldehydic sparkle softens, the florals darken, the woods settle into the skin. #faisalsniffs Lost in flowers perfume surrounded by snow by @perfume.library

3

82

7 months ago

#faisalsniffs We romanticize florals because decay terrifies us. by @perfume.library

3

0

7 months ago

Some fragrances decorate the skin.
Others carve themselves into time. #faisalsniffs Vintage Amouage perfume bottles by @perfume.library

182

86

7 months ago

“I asked the night for meaning, and it answered me with fragrance.” —Hafez

Mellow opens like the first rays of light breaking through darkness. Juicy peach and mandarin spill warmth across green olive and rose leaves. At its heart, pink tea rose rises sweet and radiant, intertwined with osmanthus and forest fruits, a vivid tutti-frutti glow that is playful. The intense sweetness continues into a soft musky-woody base, leaving a light, airy presence that lingers on the skin. #faisalsniffs by @perfume.library

3

54

9 months ago

Kruger by Aqualis unfolds like a rose crowned in gold. Saffron and bergamot ignite its petals with a warm, luminous glow, revealing a Turkish rose that feels ripe, velvety, and deeply sensual. Creamy vanilla, tonka, and soft resins melt into the skin, leaving a trail that is intimate yet regal. It wears like a quiet anointing, a private ritual of warmth and reverence. #faisalsniffs Kruger perfume by Aqualis by @perfume.library

3

49

9 months ago

Quercia by Rubeus opens with a vivid surge of bergamot, ginger, and pink pepper, bright, kinetic notes sharpened by a crisp, finely etched clarity. That initial lift soon eases into a textured green heart, oak softened by a restrained thread of jasmine, not a floral flourish but a careful stroke that rounds the edges of the wood rather than competing with it.

A cool, earthy tension runs beneath the composition, enriched by a whisper of green tea that lends a quiet composure. As the structure unfolds, the balance of spice, wood, and moss reveals its main appeal. It’s a fragrance for someone who wants modern polish with a classic masculine backbone. #faisalsniffs by @perfume.library

3

57

10 months ago

Where the world slows into soft blues and greens. by @perfume.library

3

0

10 months ago

Creed’s Oud Zarian is a commanding, resin-heavy composition that pushes the house firmly into darker territory. The opening strikes with fire: ginger, cardamom, and smoke curling from incense, but it is quickly overtaken by a sharp liquorice note that dominates the structure. This liquorice, edged with a minty fennel seed accent, creates an almost medicinal effect, colliding with fermented myrrh and frankincense in a way that feels both abrasive and hypnotic.

The famed Jalali oud, supposedly aged eight decades, adds quiet but textural weight in the background, leathery, earthy, and restrained, never competing with the resinous swirl but grounding it with depth without the feral skank that oud often carries. As this spicy fragrance develops, the sweetness of the myrrh grows rounder and more balsamic, giving warmth to balance the dryness, while patchouli and tonka bean add layers of density.

The performance is excellent, projecting with force and lingering for many hours. The blend of dark sweetness, resin, and smoke recalls Cécile Zarokian’s work for Amouage, particularly the richness of Royal Tobacco and Outlands.

I layered it with Dior’s Rose Star, an aldehydic lychee-rose composition that cut through the resinous smoke into something sharper, stranger, and unexpectedly addictive. #faisalsniffs Oud Zarian taken in London, United Kingdom by @perfume.library

3

52

a year ago