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‘We Have Learned to Distrust Images’ by Francesco Gioia. Published by Void

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“I’m interested in the moment when an image becomes difficult to place; when something looks familiar, but you can no longer tell quite what you are looking at, or how it was made.” — Francesco Gioia

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Link to store in Void’s bio

16,8 × 22 cm
96 pages
Cloth Quarter-bound Hardcover

#francescogioia #independentpublishing #photo_void by @photo_void
7
12 hours ago
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‘Materia’ by Vic Bakin. Published by Void

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“For me, thinking happens through making. I rarely begin with a clear concept. Instead, I make pictures first and then spend months trying to understand what they are telling me.” — Vic Bakin

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Link to store in Void’s bio

22 × 28 cm
184 pages
Softcover with Cloth Dustjacket

#vicbakin #independentpublishing #photo_void by @photo_void
20
5 days ago
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🍾 SHORTLISTED 🥂
PARIS PHOTO – APERTURE PHOTOBOOK AWARD • FIRST BOOK

'JJ VFF VV’ by João Linneu. Published by Void

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Resisting the constraints of a paediatric intensive care unit where photography was prohibited, ‘JJ VFF VV’ becomes a marker of representation, offering a visual counterpoint to idealised narratives of childbirth. Discovering beauty in the pain they have shared, Linneu and his family create a refreshingly unique portrayal of the emergence of a family unit, and demonstrate the layers of vulnerability that encompass bringing new life into the world.

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Link in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void by @photo_void
52
10 days ago
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Presenting ‘We Have Learned to Distrust Images’ by Francesco Gioia. ⚡️ Published by Void

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‘We Have Learned to Distrust Images’ is a vivid exploration of the tension between what an image appears to show and how an image has actually been made. Working across photography and collage, Francesco Gioia brings together his own street photography with imagery and printed material he has discovered sifting through newspapers and magazines. Finding and selecting images, he cuts, combines and layers these fragments, transforming their original contexts before photographing the resulting collages.

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Link to store in Void’s bio

16,8 × 22 cm
96 pages
Cloth Quarter-bound Hardcover

#francescogioia #independentpublishing #photo_void by @photo_void
18
11 days ago
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Spreads from ‘Responds Quickly, Friendly’ by Marens van Leunen. Published by Void

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‘Responds Quickly, Friendly’ is the debut book from Dutch visual artist and photographer Marens van Leunen. The work brings together carefully constructed still life installations of her father’s belongings, taken before his apartment, where he had lived for thirty years, was sold. From coffee cups to computer screens, sofas to storage boxes, these staged photographs become playful inventories of belongings soon to be listed and uploaded, bought and sold. van Leunen’s work is a site where personal history, memory, and material culture intersect; it is both a gentle meditation on the relationship between a father and daughter and an intimate study of the significance of our daily objects and domestic interiors.

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Link to store in Void’s bio

16,8 x 23,8 cm
64 pages
Softcover with French folds

#MarensvanLeunen #independentpublishing #photo_void by @photo_void
8
13 days ago
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‘Materia’ by Vic Bakin. Published by Void 📦 Now shipping

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“Over time, I found myself drawn to photographic materials that were already unstable, worn, or exhausted. Rather than resisting their imperfections, I learned to work with them. Somehow, I began to trust these damaged materials more than perfect ones. They seemed to carry time in a way that untouched surfaces could not.” — Vic Bakin

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Link to store in Void’s bio

22 × 28 cm
184 pages
Softcover with Cloth Dustjacket

#vicbakin #independentpublishing #photo_void by @photo_void
23
25 days ago
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Gut Feeling by Kristina Rozhkova, published by @photo_void , turns the idea of the cage into a study of captivity, control, violence and dependence. Developed after Rozhkova’s 2024 arrest in Russia, the book moves between people and animals, prisons and farms, BDSM and intimate relationships, asking how power can be imposed, accepted, desired, or even mistaken for safety.

In our interview, Rozhkova explains how her arrest changed the way she understood these ideas. She talks about feeling like an animal in a cage, returning to the animal world she had known since childhood, and searching for visual forms that could express what she had experienced.

Perhaps the most unsettling idea is that a cage does not always feel like one. It can also offer familiarity, stability and even comfort. 

Read the full article on aboutphotography.blog. 

Comment "Link" below and I will send you the whole article in the DM. by @photo_void
6
a month ago
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Introducing ‘Materia’ by Vic Bakin. ⚡️ The artist’s long-awaited new book.

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Kyiv-based artist Vic Bakin presents ‘Materia’, a delicate exploration of photography as matter, the follow-up to his award-winning first monograph ‘Epitome’.

Following Epitome, which looked outward at the effects of war on people and landscape, ‘Materia’ turns inward, exploring instability within photography itself. Produced during the full-scale invasion of Ukraine, the project shifts its attention from what photography depicts to the material from which photographs are made.

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Link to store in Void’s bio

22 × 28 cm
184 pages
Softcover with Cloth Dustjacket

#vicbakin #independentpublishing #photo_void by @photo_void
53
a month ago
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We are down to the last two copies of ‘Sistermoon’ by Siri Kaur. Published by Void.
(A few Special Editions still available)

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“I remember when you were really little and I was a teenager, you would just look at me with complete and utter fascination because I had a woman’s body and you were a kid… I think for me when I was photographing you as a kid and young teenager, I had been through what you were experiencing not that long before. I remembered the feeling of my body growing and changing and I understood what was coming as you morphed from being a little kid into a woman.” — Siri Kaur

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Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#sirikaur #photobook #independentpublishing #photo_void by @photo_void
4
2 months ago
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‘One Year Performance 1978–1979’, the massive book by Tehching Hsieh, published by Void.

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“Because I was illegal, I’d been [in the US] for 14 years, and most of my work I’d done was illegal. If it had been an American artist, this book would probably have come out a few years after the performance.” If anything, this final reflection is a reinstatement of the core of the artist’s work: the fact that time – a thing we often deem so intangible – can be physical, political, capitalist, and it has power over the world we live in, and the way we live our lives. — Olivia Hingley, It’s Nice That

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Link to store in bio

17,3 x 23,6 cm
736 pages
Hardcover with inserted artist statement

#tehchinghsieh #photobook #independentpublishing #photo_void by @photo_void
1
2 months ago
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‘Fishworm’ by Pia Paulina Guilmoth & Jesse Bull Saffire, published by Void.

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“Everything was done on a beat-up Xerox machine we found sitting in the rain outside the fire department on Heavy Dump Day, 2024. The pages are a rearranged scrambled up history of old mill towns and pine-shadowed villages, somewhere between antique and Y2K. Debris and rituals, chaos and celebration, mildew and domestic comfort.” — Jesse & Pia

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Link to store in bio

21,6 x 28 cm
232 pages
Softcover w/ poster dustjacket by @photo_void
7
2 months ago
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‘Gut Feeling’ by Kristina Rozhkova. Published by Void

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“There is an electrifying, if unnerving, energy to Kristina Rozhkova’s first collaboration with cult independent publisher Void. Both a protest and a record, ‘Gut Feeling’ is an unflinching look at what it means to hold something or someone against their will, as well as at their request.” Amie Corry — AnOther Magazine

@amiecorry
@anothermagazine

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Link to store in Void’s bio

16,1 x 23,8 cm
128 pages
Hardcover with tip-in image

#kristinarozhkova #independentpublishing #photo_void by @photo_void
5
2 months ago
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