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Plainmoor

@plainmoor_

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Nostalgia & Decay
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Today is brighter than usual, because we see the release of Lamentations. This is a work of 4 tracks, which all sum together as a love letter, elegy, and soundtrack to the South West of England. A striking place, equal parts beauty and decayed grey-ness. It was created all in a tiny room, as a childlike exploration of cool sounds. It was as simple as pushing the buttons of things which ought to have been left alone. It is a dark work, but myself and Josh see it as comedy. There will be no extended promotion for this work. I consulted the manual and I can confirm that it simply wants to be listened to by those who are interested, and any forced attention might bring demonic forces into our lives. I would not force you to eat custard creams, despite my knowledge of their leading role in the lives of the best and brightest in society. You can simply find a packet of custard creams one day, by chance - you may even call them good, and move onward. Lamentations is a swirling example of dark romance, a very melodramatic take on things. All of this would have been impossible without its producer: @joshua1 - The project has been seen many times live, this could never have possible without the chum with a hundred harmonicas @alexireneforever Wonderful cello: @lucablis Vocal additions: @delphinesmusic taken in Torbay by @plainmoor_
3
a year ago
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When the world falls into focus again, we start to see things for what they have become. Here is one of the ways I see things. Barren Heart, available to stream now. “For you know only a heap of broken images” ― T.S. Eliot, The Waste Land Prod: @joshua1 Cello: @cetazea Moving Images: @gracebaggottartist Mastering: Christian Wright @abbeyroadstudios Slide 2 is a clip of the 16mm video produced by @gracebaggottartist - available now on youtube. taken in Plainmoor by @plainmoor_
0
2 years ago
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Reduced to Rubble is now available. It began on the Whiteladies Road in Bristol, as an intriguing song between myself and @charliefbutler - it ended up as a strange piece of work that I’m quite in love with. With TS Eliot in mind, myself and @joshua1 intended to capture this abstract landscape of decaying villages, steam trains colliding, brutalist skylines, and dusty church pews. I think we achieved it, in a sprawling sonic vignette - it really isn’t very musical to my ears, but something interesting and challenging nonetheless. This was a difficult work, there were times during its creation with @joshua1 where I was unable to listen it - it’s quite uncomfortable in parts, but the resolution really pays off. Production/synthesis: @joshua1 Cello: @cetazea Mixing/performance: @plainmoor_ Mastering: @christianabbeyrd 2nd photo: @sampellasnaps taken in London, United Kingdom by @plainmoor_
3
2 years ago
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