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Plattform

@plattformplattform

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Back again early next year with Plattform27
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Last week of Plattform26 @plattformplattform 

Until 17.5.26 @kbcb_kunsthaus_centredart 

Featuring
Daniel Drabek @ddanielddrabek, Linn Nora Henz @aladinparadi, Paul Fritz & Melody Lu @pfff.ffffz @mercidavoirparticipe, Camille Lütjens @lordkmi, Estéfana Román Matesanz @estfna.rm, Isabelle Morton @isldip, Nearest Pond @nearest.pond, Reema Nubani @reema_nubani, Ludovico Orombelli @ludovico_orombelli, Rondi Park @rondinotrondy, Julie Richard @julie_richlang, Luzi Paulin Simeon @luziius 

Curated by:
Eleonora Bitterli, Katia Leonelli, Diogo Pinto, Jack Pryce, Monica Unser, Flavia Vuagniaux

Big thanks to everyone involved!! @paul_bernaard @selmameuli @brand.kenza Manon Engel, Lauranne Eyer, José Jesus Alanoca, Paolo Merico, Delphine Peyronnet, Ludivine Ruffieux, Anna-Lena Rusch, Linda Schraner, Dominik Stettler, Rafael Wingeyer and all other KBCB collaborators. Finn Curry, Delphine Mouly, Leevi Toija, Clara Chavan, Salome Hohl, Charlotte Matter, Selma Meuli, Deborah Müller, Giada Olivotto, Camilla Paolino, Marius Quiblier, Antonia Rebekka Truninger.

WITH THE GENEROUS SUPPORT OF: Stadt Biel/ Ville de Bienne, Kanton Bern/ Canton de Berne, BSJB Kultur/ Culture Helvetia Kunstpreis, Pro Helvetia, République et Canton de Genève, Kanton Zürich Fachstelle Kultur, Migros Kulturprozent, Stiftung Erna und Curt Burgauer, Stiftung Anne-Marie Schindler, Dr. Georg und Josi Guggenheim-Stiftung. The exhibition would not have been possible without the artists who participated in the Plattform26 project, the committee of the PlattformPlattform association, and the friends who supported us throughout the preparation process. Thank you very much! 
Photos by Finn Curry @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
2
5 months ago
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We are soooo thrilled to announce that for its twentieth anniversary edition, Plattform26 will be exhibited at Kunsthaus Biel Centre d’art Bienne (KBCB) @kbcb_kunsthaus_centredart. The exhibition will bring together the following twelve positions who recently graduated with their BFA/MFA from @ecal_ch, @hgkbasel_institutkunst, @headgeneve, @hslu_kunstundvermittlung, @zhdkfinearts. The participating positions are: Daniel Drabek @ddanielddrabek Linn Nora Henz @aladinparadi Paul Fritz & Melody Lu @pfff.ffffz & @mercidavoirparticipe Camille Lütjens @lordkmi Estéfana Román Matesanz @estfna.rm Isabelle Morton @isldip Nearest Pond @nearest.pond Reema Nubani #reemanubani Ludovico Orombelli @ludovico_orombelli Rondi Park @rondinotrondy Julie Richard @julie_richlang Luzi Paulin Simeon @luziius Plattform26 is organised and curated by: Eleonora Bitterli @eleonora.maria Katia Leonelli @poet_millennial999 Diogo Pinto @diogopinto____ Jack Pryce @jackpryce Monica Unser @unseremonica and Flavia Vuagniaux @flavour.fla This edition’s graphic design is by the wonderful Juliette Lépineau @juliettelepineau 🫆 A special thank you to Kunsthaus Biel Centre d’art Bienne for hosting the 2026 edition 💐 by @plattformplattform
5
a year ago
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Presented as an architectural plan, Luzi Paulin Simeon‘s installation is translating a spatial constellation into a system of lines, measurements, and structures. The burnt floor plan functions as a material residue of a space whose meaning arose from practice and now survives only as fragment. Symbols appear within: crosses and angel wings. While the cross remains legible as an iconographic sign, the wings assert a form of presence that cannot be fully dissolved into symbolism. In Christian tradition, angels mark thresholds between spheres: between order and fall, transcendence and loss. Artist: @luziius Photos: @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
3
5 months ago
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The backstage area is seen as a transient place, “a highly malleable environment”, which gives this installation a poetic rather than nostalgic feel. An imaginary yet tangible place, a sort of afterimage of the impression the artist had, when the space appeared to her as a material to be moulded rather than a stage on which a story is played out; We are behind the scenes, after all, so let us enjoy the backstage atmosphere without expecting a show at all costs. Artist: @estfna.rm Photos: @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
5
5 months ago
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Julie Richard has forever been watching films on scratched iPods, on phones with dirty screens, portable DVD players (underrated device imo) and unreliable streams. This compromised way of watching was never about nostalgia, or rejecting high res, but pleasure and now method. Her paintings begin with images already altered by choice: blur, pixels, coloured glare, fingerprints, bad focus, distortion. Paused and rephotographed frames from films sit alongside photographs from her personal family archive as images that have already been through time, technology and memory before ever reaching the canvas. Artist: @julie_richlang Photos: @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
5
5 months ago
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In Rondi Park’s (b. Seoul, ROK) practice, lived experience functions less as fable than as ignition. Seemingly trivial incidents are stretched, refracted, and reassembled through drawing, painting, installation, textiles, sculpture and performance into systems of meaning that touch on myth, economy, and survival. Her work repeatedly returns to moments in which the personal collides with inherited narratives: like national origin stories or contemporary tales manufactured by corporations. Between these scales (ancient and hyper-modern) Park locates the artist as a precarious figure, navigating instability, responsibility, and the pressure to choose correctly when the stakes feel irrationally high. Artist: @rondinotrondy Photo: @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
4
5 months ago
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Since 2022, Orombelli has been developing the project Sinopia, consisting of works retracing the preparatory phase of fresco painting, when images are still hypotheses awaiting definition. Questioning historical techniques as symbolic structures constituting our surrounding imaginaries, at KBCB he re-presents through pouncing (spolvero) and perspective an image that lays down the same relationship between landscape and architecture he found there. Remaining suspended in the volatile pigment composing it, the work opens up the possibility of revisiting a past that cannot be seen, yet continues to act. Artist: @ludovico_orombelli Photo: @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
0
5 months ago
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Currently based in Geneva, Nubani centres her practice on poetic writing, from which sculptures, installations, and paintings emerge. Words become brushes in a form of concrete poetry where symbolism, abstraction, and mythical as well as everyday references try to articulate the emotional relationship to home. Artist: @reema_nubani Photo: @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
3
6 months ago
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🌦️ «Plattform meets Biel/Bienne» was sooo fun! A huge thank you to all the visitors for spending a sunny, and at one point wet, afternoon with us. Thank you Biel/Bienne SBB for letting us start the afternoon in the waiting hall, and a special thank you to @chrifrautschi @kbcb_kunsthaus_centredart @espace_libre_biel_bienne @juraplatz @espace_annexe for your insightful introductions and warm hospitality xx Photos by ©Plattform26 taken in Biel/Bienne by @plattformplattform
1
6 months ago
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In Nearest Pond’s pieces, a crescendo rhythm prevails. In Where did all the blue skies go?, through a selection of video found footage assembled in sequence, humans, machines and animals come together in an ever-accelerating dance, the “Great Acceleration” described by philosopher Timothy Morton. Nature and culture sometimes struggle to share a home. Driven by the power they attributed to themselves, human beings rearrange the ecosystem’s rhythm as a selfish orchestra conductor. The passing of the four seasons doesn’t make any sense anymore. Artists: @nearest.pond Photos: @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
0
6 months ago
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Isabelle Morton’s practice is rooted in spatial investigation, not only in how the works respond to architecture, which they do with great sensitivity, but in how surfaces themselves are treated as sites. A picture plane becomes a room. A plinth refuses to hide in utility and instead insists on being an object for consideration. Painting behaves like display, display behaves like sculpture, and the work begins to feel like a stage. Artist: @isldip Photo: @finn.curry taken in KBCB Kunsthaus Biel Centre d'art Bienne by @plattformplattform
3
6 months ago
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📌 THIS SATURDAY, 11.04.2026 🗓️ Plattform meets Biel/Bienne, 11 April 2026, 13:00 An afternoon tour of local, independent art spaces across the town, moving together from one venue to the next. Featuring: espace annexe, Espace Libre, Juraplatz, Kunsthaus Biel Centre d’art Bienne (KBCB), Lokal-int 📍 13:00, historic waiting room at Biel/Bienne SBB 🥂 Concluding with the opening of Linn Nora Henz @aladinparadi at espace annexe 💌 We would be delighted if you joined us for all or part of the afternoon. Kindly RSVP via DM or email at contact@plattformplattform.ch @espace_annexe @espace_libre_biel_bienne @juraplatz @kbcb_kunsthaus_centredart @chrifrautschi taken in Biel/Bienne by @plattformplattform
0
6 months ago
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