Instagram story viewer> @post_fair> Posts
Post-Fair(@post_fair)'s profile avatar HD Profile

Post-Fair

@post_fair

5.6K
followers
108
following
Post-Fair, Los Angeles and now Paris, Oct 19-24
POSTS STORIES REELS TAGGED
Download All
We are pleased to announce the exhibitor list for the inaugural edition of Post-Fair, Paris. Please join us at 74 and 79 Rue du Temple in the Marais from October 19th to the 24th for the fair. Press inquiries: fabian@strobellall.com #postfairparis taken in Marais Paris by @post_fair
47
20 days ago
Download
Post-Fair Director Chris Sharp shares his top spots in the Marais, all under 10 minutes walking-distance from the fair. 1. @fika.paris 2. @springcourtofficiel 3. Le Traiteur Marrocain 4. @lescahiersdecolette 5. @lemazenay taken in Le Marais by @post_fair
6
3 hours ago
Download
Galerie Tschudi, Zurich and Zuoz, will be participating in Post-Fair Paris 2026 with a two-person presentation of Katie Paterson and Anouk Tschanz at booth 36, 79 Rue du Temple. Paterson shows new works from her ongoing IDEAS series, composed of three-line texts in sterling silver, while Tschanz presents photographs from her Blätter series. Both artists share an interest in moments of concentrated attention and in the transformation of seemingly simple observations into precise, poetic forms. The works possess a dreamlike quality, while emerging from research-based inquiries that draw on scientific observation, classification, and processes of experimentation. Tschanz (b.1994, Bern) is a photographer whose work moves seamlessly between technical precision and conceptual abstraction. Her close-up shots tread the line between form and dissolution, opening understandings of what is depicted beyond figuration. Tschanz develops in her own darkroom, producing handmade prints using techniques like split-grade filtering, image masking, post-exposure, or dodging to investigate pictorial creation, surfaces, materiality, light and depth. Paterson (b.1981, Glasgow) maps various stages in the geological history of the Earth, as well as the universe with its many suns and ancient darkness. Because our present remains the starting point and anchor of these explorations, the focus is, above all, on the path between here and there: Paterson’s works enable us to relate to events that took place billions of years ago. the melting of a glacier or the growth of forests. This results in changes of perspective and unusual scales that make the fragility of current life forms on Earth tangible. Anouk Tschanz Blatt, 2019 Gelatin-silver print on baryta paper 31 × 21 cm / 33 × 23 cm (framed) Courtesy the Artist and Galerie Tschudi Katie Paterson IDEAS (A solar flare containing all the light in the universe), 2015 Micro-waterjet-cut sterling silver 10.8 x 28.7 x 0.3 cm Courtesy the Artist and Galerie Tschudi — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am - 7pm 74 & 79 Rue du Temple Paris by @post_fair
1
a day ago
Download
Tomio Kayama Gallery, Tokyo will be participating in Post-Fair Paris 2026 with a solo presentation of Tomoko Nagai (b. 1982, Aichi, Japan) at booth 6, 74 Rue du Temple. The booth showcases new works created specifically for Post-Fair Paris 2026, including oil paintings and delicate drawings presented in a variety of frames, creating a space filled with Nagai’s unique visual world. The works capture fleeting moments and encounters that evoke a quiet sense of happiness. The framed drawings are an important aspect of Nagai’s practice: using antique frames, she creates each piece so that the drawing and its frame together form a completed work. Nagai’s paintings are characterised by the frequent abandonment of Renaissance perspective, with animals, plants, and small objects instead arranged across the picture plane. Through this flat, non-hierarchical composition, her works evoke a sense of openness and freedom. Her paintings are never simply “cute” as they might initially appear. The surfaces are built up through intricate layers of colors, brushstrokes, and, at times, sprayed gradations, creating a rich depth through the accumulation of countless layers. Her works are held in major public collections, including the Museum of Contemporary Art Tokyo, Aichi Prefectural Museum of Art, and the Rijksmuseum, Amsterdam. Tomoko Nagai Red Room Tomoko Nagai Thursday — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am - 7pm 74 & 79 Rue du Temple, 25003 Paris by @post_fair
2
2 days ago
Download
Lovay Fine Arts, Geneva will be participating in Post-Fair Paris 2026 with a two-person presentation featuring Lucia di Luciano and Pascal Vonlanthen at booth 27, 79 Rue du Temple. The presentation stages a dialogue between the late works of historical abstract painter di Luciano, and the self-taught artist Vonlanthen. Through this dialogue, the booth weaves a thread between abstraction and text, between modernist objectivity and spontaneous emotional charge—a conversation built on repetition, rupture, and the persistence of gesture across two radically different artistic trajectories. Read together, their works trace a broader arc in recent art history—from the rigor of post-war geometric abstraction, through the multiplicity of paths contemporary painting has recently taken, to self-taught practices as a new vantage point onto the world. Lucia di Luciano (1933–2026) pursued an extraordinary, multifaceted artistic journey since her first abstract works in the late 1950s. A key figure in the early Italian geometric abstraction movement, she continued until her last days in January 2026 to explore the boundless possibilities of painting with enduring freedom and bold creativity. Her late works (2008–2026) feel like a condensation of the entire history of abstract painting—at once liberated, essential, and deeply resonant. Pascal Vonlanthen (b.1957) draws the raw material for his work from the texts, headlines and illustrations of local and international printed newspapers. As an illiterate person with Cognitive differences, he interprets printed typography, advertisements, weather reports and other illustrations by hand. With a completely different point of view, Vonlanthen’s practice brings forward a unique counterpoint to the long relationship between artist and written text. Lucia di Luciano Untitled, 2024 60 x 60cm Pascal Vonlanthen Unchauucteur, 2022 50 x 70cm — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am - 7pm 74 & 79 Rue du Temple, 25003 Paris by @post_fair
2
3 days ago
Download
COOPER COLE, Toronto will be participating in Post-Fair Paris with a two-person presentation of works by Gabrielle L’Hirondelle Hill and Jenine Marsh at booth 4, 74 Rue du Temple. This presentation considers material transformation, care, and the fragile systems that shape everyday life. Hill’s labour-intensive Spells combine found ephemera with tobacco-infused paper to evoke memory, resilience, and the poetics of the ordinary. Marsh’s preserved flower sculptures explore touch, mortality, and intimacy, revealing beauty and vulnerability within conditions of value and exchange. Gabrielle L’Hirondelle Hill (b. 1979, Comox, British Columbia, Canada) is an artist and writer. Hill’s sculptural practice explores the history of found materials to enquire into concepts of land, property, and economy. Often, her projects emerge from an interest in capitalism as an imposed, impermanent, and vulnerable system, as well as in alternative economic modes. Her works have used found and readily-sourced materials to address concepts such as private property, exchange, and black-market economies. Jenine Marsh (b. 1984, Calgary, Alberta, Canada) is an artist who uses sculpture and installation to explore themes of agency, mortality and value. Coins as well as other paraphernalia of exchange and contact, such as casts of hands, purses and flowers, are manipulated through serialized processes of destruction and transformation to cultivate illicit and intimate responses to the shared conditions of end-stage capitalism. Gabrielle L’Hirondelle Hill You are what you eye, 2026 Watercolour, crisco, oil pigments, paper cutouts on paper 14 x 11.37 x 1.5 in (framed) 35.5 x 28.8 x 3.8 cm (framed) Jenine Marsh Proximity’s Flowers (46), 2019 Flowers, synthetic rubber, acrylic varnish, wire 7.5 x 1 x 2 in 19 x 2.5 x 5 cm —— Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am – 7pm 74 & 79 Rue du Temple, 25003 Paris by @post_fair
1
4 days ago
Download
Ticket registration for the inaugural edition of Post-Fair Paris is now open! Register for your free ticket at the link in bio, or on the Post-Fair website. — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am – 7pm 74 & 79 Rue du Temple, 25003 Paris by @post_fair
2
5 days ago
Download
KAYOKOYUKI, Tokyo will be participating in Post-Fair Paris 2026 with a two-person exhibition of Japanese artists Ayako Ohno and Munehiro Yoshimura at booth 11, 74 Rue du Temple. Ohno’s intimate stone portraits of family meet Yoshimura’s tender and quietly humorous depictions of imperfect human figures. Together, their works explore portraiture not as a means of fixing identity, but as a way of reflecting on the vulnerability, intimacy, and ever-changing nature of being human. Yoshimura (b. 1961) is a Japanese painter whose suburban landscapes and human figures hover between the familiar and the uncanny. His figures are never heroic: they are vulnerable, awkward, and at times humorous. Yet Yoshimura approaches them with warmth and empathy, embracing human imperfection, loneliness, and melancholy. Rooted in his deep engagement with European art history, his “painterly realism” transforms everyday scenes into spaces suspended between reality and imagination. Ohno (b. 1983) is a Japanese sculptor who transforms encounters with nature, everyday life, and family into stone sculptures. In recent years, she has focused particularly on family, creating portrait busts not to fix or preserve identity, but as a way of continually questioning what family means to her. Despite the weight and permanence of stone, her works possess a striking lightness and generosity, reflecting her long-term engagement with relationships that are never entirely fixed or controllable. Munehiro Yoshimura The Headache, 2026 Oil on canvas 45.5 x 38 cm Ayako Ohno Family (five), 2026 Marble, tuff 38 x 20 x 25 cm — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am - 7pm 74 & 79 Rue du Temple, 25003 Paris by @post_fair
0
6 days ago
Download
Kerlin, Dublin will be participating in Post-Fair Paris 2026 with a solo presentation by Siobhán Hapaska at booth 15, 79 Rue du Temple. The presentation by the Irish-Parsee artist will feature Touch, 2016, a concrete cloth sculpture, alongside two new concrete cloth wall hangings from 2026, Cosmocytes on Concrete 2 and The Thought of Blood on Concrete 2. Meticulously constructed from twisted concrete cloth, resin, jesmonite and stainless steel, the sculptures occupy a space between the figurative and the abstract. Concrete cloth — a material associated with reinforcement, containment and emergency construction — is manipulated by Hapaska into structures that appear bodily. Glass-like forms emerge from the folds or grow across their surfaces: some red, resembling enlarged blood platelets, others black, like dark lenses opening onto another infinite universe. At the heart of Hapaska’s practice is a deep and sustained consideration of the complex nature of human relationships. Her sculptures, wall works and large-scale kinetic installations articulate a suspended state: creatures and forms held in tension or equilibrium between powerful opposites. Across her work, freedom and constraint, movement and stagnation, nurture and neglect, violence and surrender are brought into uneasy proximity. Siobhán Hapaska The Thought of Blood on Concrete 2, 2026 Concrete canvas, jesmonite, epoxy resin, mirror 40.5 x 22 x 13 cm 15.9 x 8.7 x 5.1 in Courtesy of the Artist, and Kerlin Gallery, Dublin — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am - 7pm 74 & 79 Rue du Temple, 25003 Paris by @post_fair
0
7 days ago
Download
Gordon Robichaux, New York will be participating in Post-Fair Paris 2026 with a two-person presentation of works by Deondre Davis and Agosto Machado at booth 23, 79 Rue du Temple. Machado was a Chinese-Spanish-Filipino-American performance artist, activist, archivist, caretaker, and friend to countless celebrated and underground artists. Over seven decades, he collected and preserved ephemera, relics, artwork, and personal effects, which he lovingly incorporated into his shrines and assemblages dedicated to remembrance, activism, and community. Machado was a vital participant in creative life in New York from the early 60s, from art, theater, performance, and film to social and political counterculture and the dawn of the gay liberation movement. Throughout his time living in downtown New York, he felt a responsibility to preserve and memorialize his creative community, informed by his deep appreciation of the ephemeral reality of queer and underground creative production and his profound experience of the AIDS crisis. Agosto Machado Untitled (Downtown) Altar, 2026 Mixed media assemblage 8¾ x 12 x 12 in Davis’s ongoing series of works on unstretched canvas are created through a contemplative, methodical process. He draws a grid across the canvas surface, and applies a layer of graphite, which he gently rubs with an eraser to create a patina. The edges of the fabric are left unfinished such that the warp and weft of the canvas fray, quietly calling attention to the work’s haptic qualities. Davis builds his compositions with geometric shapes drawn onto the underlying grid. He fills these forms carefully with warm, earthy colors applied with colored pencil, gouache, and oil paint. The interlocking geometries evoke architectural plans, schematic maps of circuitry and machinery, and pathways of movement and exchange whose significance and scale remain ambiguous. Each painting asserts its own interiority while suggesting its connection to a larger system and experience. Deondre Davis Untitled, 2026 Pencil, oil, and gouache on canvas mounted to wood panel 7 x 7 ¾ in — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am – 7pm 74 & by @post_fair
1
8 days ago
Download
Galerie Timonier, New York will be participating in Post-Fair Paris 2026 with a solo presentation of works by Joe Hoyt at booth 18, 79 Rue du Temple. The booth will feature a tightly sequenced installation of similarly formatted paintings, adopting the logic of a film strip. The exhibited works center on his recent recollections of travel: train stations and airports, the interiors of planes and trains, and cityscapes or landscapes glimpsed through windows in passing. The images depict vacant spaces which evoke establishing shots—the incipit moments of a film or scene that introduce the setting before the action begins. The format reinforces the contiguity of sustained observation intimated by the contemplative aspect of travel and the long stretches of time spent in practice. The paintings are recorded impressions rather than documentary in aspiration: a serial arrangement in which each work is intended to function as both an autonomous image and part of a continuous visual scheme. Joe Hoyt (b. 1980, New York) lives and works between Brussels, Belgium and Berlin, Germany. He received his BFA from Maryland Institute College of Arts in 2005, and his MFA from Yale University in 2017. Recent solo and two-person exhibitions include: Nightworks, Berlin (2026); Galerie Timonier, NYC (2025); Marais/Moeras, Brussels (2024). Recent group exhibitions include: 20 Years, Berlin, and Pogo Bar, KW, Berlin. Hoyt, along with Sam Marshall-Lockyer, runs Marais/Moeras, an artist space in Brussels. — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm Tuesday 20/10 - Saturday 24/10: 11am – 7pm 74 & 79 Rue du Temple, 25003 Paris by @post_fair
2
9 days ago
Download
Chris Sharp Gallery, Los Angeles will be participating in Post-Fair Paris 2026 with a two-person presentation of Anna Glantz and Richard Rezac at booth 13 and 35, 79 Rue du Temple.  Despite their generational differences, Anna Glantz and Richard Rezac have a lot in common. Both highly respected in their respective media— painting and sculpture— they share an interest in creating finely crafted images and objects which exist on the threshold of identifiability. What is more, Glantz’s almost sculptural approach to painting makes her a compelling counterpart to Rezac who is equally known for his almost pictorial and painterly approach to sculpture. As such, they complement each other with surprising harmony. This will be their first time exhibiting together. Anna Glantz (b. 1989, Concord, MA) lives and works in Los Angeles. She is currently preparing a solo at KAYOKOYUKI, Tokyo, opening on October 31st, 2026. Recent solo exhibitions include Knowing what you know, Chris Sharp Gallery, Los Angeles, 2025; Lichens, The Approach, London, 2023; Cement Answers, Chris Sharp Gallery, Los Angeles, 2022; and Baby Grand, The Approach, London, 2020. Richard Rezac (b. 1952, Lincoln, NE) lives and works in Chicago. Since 2000, he has had 32 solo exhibitions, including at the Portland Art Museum, Oregon, The Renaissance Society at the University of Chicago and the Blaffer Art Museum at the University of Houston, Galerie Isabella Bortolozzi, Berlin, Feature Inc., New York, Rhona Hoffman Gallery, Chicago, Luhring Augustine, New York, Marc Foxx, Los Angeles and James Harris Gallery, Seattle. Richard Rezac Untitled, 2021 cast bronze 20.5 x 17.5 x 2 inches 52 x 44.4 x 5 cm Anna Glantz Cardstock, 2025 Oil and pencil on canvas 41 x 29 in 104.1 x 73.7 cm — Post-Fair Paris 2026 Monday 19/10: 6 – 8pm  Tuesday 20/10 - Saturday 24/10: 11am – 7pm 74 & 79 Rue du Temple, 25003 Paris taken in Le Marais by @post_fair
16
10 days ago
Download
×

Download all media on this page

Photos Videos
back to up